I don't really think it's that much off topic, since what we're talking about directly relates to how best to implement little details like names (or other). ^^
The thing is, the years we're doing this don't necessarily mean that we've got the basics down in order to play around with them (I've been at it for ten years now, and I still have my weak spots in technique, naturally). Of course, the idea of one certain set of basics often stems from western "rules" on writing, often drafted by white men whose books were, uh, let's call them questionable xD, but I still think there are things that work (always depending on context and function of what you're trying to do), and things that don't work. Switching perspectives too much just reads... kinda lazy to me? And it's something many established authors do. George R. R. Martin is the best example I can think of right now, and more often than not, the story itself wouldn't even need all these characters – he just struggles to rein in his own ideas. xD
In any case, I wasn't trying to "accuse" you of being a newbie, but the fact of the matter is that even people who've been at this game for years or even decades don't really develop past a certain point, and I think that's a shame. I was basing my posts on what you gave me, then, of course, so I can't really know how long you've been at it, much less if your switches serve a purpose within your narratives.
Let's just say I'm not the biggest fan of too many perspectives anymore, and let my post stand before that backdrop, shall we? 
This way, it's still very much a personal preference and less... lecturing? At least I hope so. xD
(At this point, I'm already kinda waiting for you to open a topic on traditional writing rules and what makes them work or not work, tbh. 
)
