@GothickangelStudios
Hah, yeah I think DC/Marvel type art I wouldn't be able to do either. I can do semi-realism but it's just a hair... off, and fixing the "off" thing would I think just be too time-consuming and not very fun. But I agree, I think the different art styles are what makes comics fun, and I love seeing stories where the art is clearly designed to compliment the story.
@IndigoShirtProd
Hah, I hear you on being easily distracted. I think recently I've finally started to see that there are elements I seem to draw over and over, kind of understanding that it's my "style", but I see so many other cool art approaches and just go "...okay but what if I did that instead".
I do also prefer internal consistency though. I always find it so jarring when comics change style, unless there's like... a time skip or a tonal shift to a new storyline or something. And yeah, hah... I have multiple art styles for different projects too, but it seems like when it comes to comics, I just cannot find it in me to draw things with more realism.
@lizardlullabye Ah, animators are wizards when it comes to adapting style. It's honestly kind of magical. And, oh gosh, I love the stylistic variation in all of those pieces. Makes me want to try and do a study of those studies, haha.
@Lazy-Gamer - yeah, it is true, and I have encountered that as well. I AM pitching it for kids, but it's kind of tricky because it's like "okay, but kids want to think they're mature, so maybe they won't pick up a book that's too cute..." I'm definitely still pitching the story because I believe in it. But I don't wanna close too many extra doors if I feel like it's something that can be changed!
@darthmongoose Yeah I played around with a different inking brush and I feel like it "aged" the art up just doing that alone. But, guh, I don't know anymore. I found a recently-published comic with a style very similar to the one I'm pitching, aimed at a similar age range and featuring a similar narrative, and I was like "yes, this!"... and then discovered that it seems like the artist was friends with the editor ._______________. (I mean that not in a jealous way, more in the sense of... It means there's no agent or someone I know for sure is interested in that kind of stuff I can query)
I can definitely tell you enjoy drawing Errant, it's so expressive and purposeful, like everything on the page is exactly as you wanted it.
And yeah that's kind of what I'm afraid of. I know I can draw in different styles, I just... don't know if I can sustain it over the period of producing a whole GN and not burn out like a lot of other artists I'm hearing. I'm also disabled, so it would effectively mean that I can't draw outside of working on the GN, to let my body recuperate. So it's not like I could escape into my webcomic on the side.
@moontokkym I appreciate the advice, but my interpretation of "too young" and "experimental" is the correct one. I had long conversations about the topic with the editor/agents, which I only summed up here. They specifically wanted changes to the lineart (not posted here) to make the characters look "older"/less stylized.
@UrMom
Hah, I think we had a somewhat similar stylistic journey! Until the very end, anyways, hah. I went full-time chibi and don't draw in the "main" style anymore.
But, gosh, your use of textures is to die for. It gives the whole page so much visual interest/direction!
@NickRowler thank you! And hah, yeah I think most of us settle on a style in our own comics that we think compliment the story, so changing it would pretty much always be a strange idea.
@TheLemmaLlama
Ahaha "footballer artist". You should see the grin on my face when I read that. Yeap, that's me. I like to draw Big Muscl, but mostly just cute noodle people.
Also, I so very much admire your confidence to let your thoughts stand on the page. I am constantly like "oh no I need to clean things up, I need to redraw the lines", but that kills so much expression, and yours is so natural-looking akjshkjasksadads. Especially God's World - there is like... nothing extra there. Everything on the page is everything you need to communicate what you meant, and as you said, to place the reader in the scene. It's so cool to see. I have experimented with constant-width lines and I must say, I am growing... quite fond of it. It certainly makes some mental calculus a lot easier. xD