I do things one page at a time since I don't really plan my comic, I make the story up as I go.
I'm quite indecisive with the story so doing things by batch is difficult for me as I always end up changing my mind about where the narrative goes lol
I also do kind of a mix. Also traditional artist, working with ink and Markers. The sketch-lines I do pretty much, whenever I like (mostly, when I should go to bed x,D ). The rest I do as batches à 4-6 Pages (mostly who are in the same color-sceme). This especially helps when coloring, as I have the right markers directly in my hand and don't have to change them every-time. Like, when I'm doing my charas hair I have the correct tones in my left hand and then draw the hair in all of the prepared pages. This safed me alot of time. Also I don't have to remember, which of my x-brown tones I used for this random background-object nobody cares about anyways...
The other good thing I figured out: I have to finalice every page of the badge. For example: before that, I was sometimes stuck in doing mini-corrections, wait as I didn't feel comfortable etc. Now it kinda forces me to get my butt up and finish it xD
But in the end it depends on every artist itself. I haven't done my pages batchwise until very recent and for me, it works out.
Having tried both, I personally prefer the batch method. I'm definitely in the group that finds myself working somewhat faster/more efficiently that way! I only ended up reverting back to page by page for my previous comic towrds the end because I burned through my buffer and didn't have time to both complete batches and meet my weekly deadlines lol. That said it was a mistake on my part not to just take a break and rebuild a buffer to the point where I could do batches again 
Live and learn, I suppose.
I wish I could do batches, but it just doesn't suit my style, so one page at a time it is. I constantly change my mind on the composition, dialogue and flow of the pages that if I had ten pages inked I'd have to redo some of them.
I always have rough sketches of a chapter ready but allow the pages room to live. If I get a new idea or something else seems better than what I have on the sketch, I can easily change it.
I prefer one page\panel at a time. It's a little slower, but I like to get it all done so I don't have to go back.
Wow I really love your art. (: Gunna have to take a read of Magicians of Megatron when I get home from work!
Oh wow, its pretty interesting hearing all of these different approaches and perspectives here! I might try a mixed approach if the 'classic' batch work doesn't go so well for me.
I do mixed =) I sketch a few pages, and when I have had enough of sketching (mainly around 3-5 pages) I start inking. While inking, I usually do 2-3 at the same time (the ink has to dry #traditionalartist XD) and when I'm bored of inking, I sketch again or do the screentones digitally =P
...Basically my workflow is complete and utter chaos °_°"""
i used to post only one page per episode but the readers complained and wanted more so now i do about 20-30 per post 
its ok though, it moves the story along quite nicely
So far, I've been working on my comic one page at a time. Although seeing as how some people say that they get their pages done faster when doing them in batches, maybe I should try it. 
Agreed hahaha, that's the main reason I decided to try it. It also seems like it'd be much better for uniformity and having a better planned story structure.
I tend to work in batches of 3. Well, I storyboard on paper first (4 pages per sheet, front&back),then when I move on to drawing in ClipStudio, I draw 3 of the pages and then work those until completion, rinse& repeat. I just recently adopted this method, before I would work on one page sketch to finish, set it to go up, and then start on the next.
I like the batch method more myself as I get to see more of a scene at once outside of my head, and can adjust as I go.
Em... Sorta one page at a time? I will script in batches (one chapter at a time), which means I MAY also do thumbnails (I should, but I usually get lazy and then pay for it when things don't add up). Then I work primarily on one page at a time, but I may leave that page if it's giving me issues and work on the next few pages, doing rough drafts and such. Usually that jogs my brain and I can go back to working on the main page.
It's A LOT less efficient of a workflow to do one page at a time, but, eh... I was working in batches and I ran out of steam because I didn't get the instant gratification of having something shiny and completed every couple weeks. x.x Also because my nerves and muscles are all borked up, I can only work in short bursts anyways, so there's no point in having a long workflow.
I tried batch style a while ago with my first webcomic, it didn't work too well for me since I kept getting frustrated that I wasn't finishing all of the pages in time for when I wanted to upload. Now that I know some more tricks and have a better idea of how to make comics, I started doing one page at a time, but worked my way up to two pages once I had a good buffer. So now it's a sorta flexible batch upload style (idk if that makes sense). It works for me. I feel comfortable knowing I only need to upload at least one page a week, but I can still do two or more pages if I wanna get through a scene quicker. This probably doesn't work as well for people who prefer to be more consistent with uploads, so that would explain why I don't see this option brought up much.
This batch style is how I work too (sketch all the pages, then line all the pages, etc.), and for me personally I can definitely say it's faster than working one page at a time. The longest part of the process for me is lining all the characters in the batch of pages, everything else is fairly fast after that.
Does doing it 'classic' batch style like that ever contribute to burnout for you?
I know lining is definitely the longest and most grueling part of the process for me, and I'm sort of curious about whether doing it batch style can cause artists to get drained faster.
