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Jun 2021

I tend to sketch out almost everything, with few exceptions. I like the lineart process to be as painless as possible; I'd rather make most of my creative decisions in the sketch stage, since lineart takes long enough as it is!

I do multiple layers of sketch, actually. The first, which I call the 'Potato' stage, is basically bean and gumdrop-shaped heads and bodies to place where characters are going to go in a panel, and similarly vague lines and shapes for other important elements. I do this with a very light 3H pencil. Once I have those figured out, I place my text bubbles.

The next layer is the loose sketch, where I start figuring out actual anatomy, faces/expressions, buildings, etc. This is messy as hell, and rather like chiseling shapes out of stone. I do this stage with the 3H pencil, too.

Once I've got things looking more or less right, I do the 'clean pencils' stage. I go over the lines I want to keep with a darker HB or B pencil. This helps me figure out what's actually going on with my messy sketch, and whether it actually looks as good as I think it does. This is where any errors become much more obvious, and the whole thing starts looking much better.

Then, and only then, once I have the clean pencils done to my liking, I actually put down ink and finalize my linework. Yes, doing multiple stages is a pain in the ass, but I've noticed if I skip any of them, my art suffers for it.

Have a progression image of one of my old art pieces!

I'm a multiple levels of sketch kind of gal. For a comic where I have less time I do about 2 sketch passes (the first is so messy) and for a final illustration I'll do 4 or 5, at least.

I usually make my sketches fairly detailed/complete, at least in terms of characters. Recently I've been trying out sketching a little bit looser and finalizing details when I ink, but I like to have a clear enough idea of what everything will look like at the sketch phase so that I can spot any issues before I ink. Since I work super zoomed in, it's easy to lose track of the big picture during inking.

it's really cool to see everyone's sketches and stuff :0

my sketches for people are quite bare essentials and loose because I feel like if I make the sketches too refined then my lineart would be more stiff?

I also usually don't draw hair, but for this panel I did because it's wet and I'm not used to drawing wet hair
also I always draw a little emoji dude on the side so when I'm redrawing my sketch, so that the facial expression doesn't get lost in translation

If I trace over the pencil lines exactly, it won't look as lively as it would if I only use the sketch layer as a very loose guideline. If I trace the pencil lines perfectly the drawing will look weird and stilted. So when I do a pencil layer, it needs to be very light, and I need to hardly be able to see it at all, otherwise I'll rely on it too much instead of letting the ink layer be its own thing.

I have a very loose, go with the flow style of drawing, so I try to avoid sketch layers if I can. Otherwise the drawing looses its life.

wow, that´s an interesting topic, thank you all for sharing your art, I´m impressed