Ok, I use DAZ3D for both of the comics I do the art on. I use very different techniques on them, however, so I'll break it down.
First, off, I am a traditional artist. Everything by hand. This is one of my pieces:
Just a drawing to prepare for a painting like that takes hours. Lots of reference pictures, things pinned all over the wall by my drawing board, etc. Then all of the work is done in watercolours, with a touch of coloured pencil and airbrush (shooting watercolours) for finishing up.
You are raving nuts if you think I am going to do that for a comic book. It takes me several weeks to do a painting like that (I actually work on several at a time) and it has to sell for a pretty penny for me to feel like my time was justified.
So for The Shadow War, I use DAZ to pose the figures and the background, and shoot it as a line drawing. I then put the line drawing on a light box, put Bristol board over it, and ink it, making the changes that need to be made in the inking stage. Then I paint it jusing a fairly fast version of my more detailed watercolour techniques. Then I do a few digital touchups, and post it. I can do a page like this in less time than it takes me to do a drawing for a painting.
And then for Warmage, I do everything in DAZ and GIMP with finishes in Comic Life 3. This is the latest page for that:
For Warmage, I am only concerned with telling the story, so that is simply the fastest way for me to tell a story.
I will do my traditional art for myself and my customers. For my comics, I want to use what shortcuts I can that get what I want onto the page, because the deadlines, time constraints, and eagerness to get it done are all real.
Eagle
(Artistic jack of all trades)