The short answer? Don't reboot it. You said yourself that this is a recurring problem for you, where you scrap it all the time. If you keep starting it over it'll never get finished. It's better to finish something and move on than to regurgitate the same ideas and try to make it work several times. Sometimes the stuff we make won't be a hit, and that's okay--it's very seldom that someone gets a big break from their first or even fifth series. If all you've been doing for a decade is working on this one series and you keep throwing away your progress, but also refuse to move onto something fresher, you're just shooting yourself in the foot. Complete this one, then take what you learned from it and apply it to your next project.
You can even just put it down right now, do something else that's shorter to experiment and hone your skills, then come back to it. Your progress on it doesn't have to be linear.
One practical thing you kind of messed up on was uploading with such huge episodes, though. Most people post 1 page at a time, MAYBE 2-3 pages if it's a long form. Uploading like this meant that your comic got VERY limited visibility. Every time your series updates, it gets put to the front of the new/fresh section, which makes it easier to discover. You have 18 episodes right now... so that means 18 chances for people to catch your comic. If you had posted 2 pages at a time? You'd have like 200 episodes, and 200 chances to get your work in front of people. So whenever you upload again, I would make sure you do it in smaller chunks.
From here on out, I'm going to be a little more picky on the actual quality of the work. It is not intended to be harsh, but it may come off that way. You don't have to read on if you don't want to.
Summary
The art, while not the most important thing, is making it difficult for me to read this comic. The linework is so thin and you don't vary any of your lines between character or background that it's just difficult to parse what's happening. I find myself having to stare at a panel to figure out what's going on. Later you add in blacks and grays, which help a LOT, but I think you would do well to work on making your lineart more discernable by adding bolder lines, varying widths, etc.
I want to really encourage you to learn anatomy. There's nothing wrong with stylizing, but right now there isn't much form or solidity to your characters, and the only way to achieve that is learning how the skeleton, muscles, and fat distribution works. Everyone looks maybe 14 and it's hard to take seriously. Eventually you'll also want to focus on foreshortening, perspective, motion, etc. but for now, I think anatomy and varying your shapes will be more important. (The lack of forehead on your characters super bugs me 
)
You have this tendency to use cliche motion, too--and I don't mean this in the writing sense, I mean visually. Your expressions look like they're pasted on rather than a part of the face, and your action shots look like the pose was picked because it's "cool", not because it's functional.
I will ALWAYS plug this tutorial on expressions from Tracy Butler. Read through it! I'm seeing a lot of "generi-expressions" from you.
https://www.lackadaisy.com/exhibit.php?exhibitid=333
She's also a great study point to see how much those foundational skills really shine through stylized work. You can tell she knows what she's doing!
As for the writing... disclaimer, I only had time to read the first two chapters, so this may not reflect your later work as well.
While it's good to throw your reader into the world to some extent and not over explain, I feel like I'm missing important context on what kind of world this is. You have little snippets of character flashbacks, but they're randomly placed and don't actually tell me much. There are some things that I see and think, "are they trying to imply X with this line of dialogue?", but it's never quite clear enough (or I don't have enough information) to make the call on whether it's intentional or not. I still have no idea if the different fantasy races have different social standings, are segregated, or are more rare or common than others either.
It's important to be upfront at least with some details for the main cast so we know their situation before they get into the plot. Establish their normal so when the narrative breaks it, it has an impact.
You're using a lot of low hanging fruit when it comes to comedy and the character writing. The tone of the beginning with the ape siblings was really goofy, but the way you framed the action implied you still wanted me to take it seriously? You can mesh humor with a serious tone, but it needs a more deft hand than that. It might be better to focus on one or the other before tackling a combination of both. As for the dialogue, it was smooth in a lot of areas but then they'd randomly say a stock phrase that came off like, "this is what you're supposed to say in this moment", rather than part of a conversation.
The impression I get overall is that the ideas aren't bad, but you don't have the skill to execute it well in either arena (art or writing).
And knowing all that? I STILL don't think you should reboot. Don't waste your time. Focus on improving your craft and have fun, don't sweat the readership. This comic likely won't get a huge following right now, and I know that hurts. But as long as you focus on yourself and keep moving forward, you'll get to a point where your work will grab people.
You will only improve by studying, putting in the work, and finishing a lot of things. Keep going, and don't look back.
