There's a pretty common issue with these threads that's kind of a problem with society in general, which is treating the ability to make good art as a "gift" that some people have, like being an X-men mutant, instead of a "skill" a person has developed through the application of years of training and probably invested a fair bit of money in.
You see it all the time in these threads, "sadly, I have no drawing ability", "Alas, I have tried to draw a few times and I cannot even draw a stick figure". The honest translation is practically always, "I have not spent the necessary time developing professional drawing skills", which raises the question: what have you spent the time doing? What skills were you developing while I was drawing so much that, I'm not kidding, one of my thumbs is slightly shorter than the other? If it's learning to be a really awesome writer and maybe also studying marketing strategy, then a partnership can still potentially work, because those are skills an artist may not have developed because they were too busy sinking all their hours into drawing. If you are genuinely passionate about writing really great comics, there ought to be evidence all over the internet of things you've written before. All the professional writers I know, you can probably find their work in RPGmaker games, or entries to Futurequake, or novels on Tapas or at least prolific amounts of fanfic
I've worked unpaid with writers before, and in every instance, there was one thing these writers had in common: They had put in the time into writing and had the same passion for writing as I have for drawing. They had written things before, like books, short stories or games, or they'd even tried to make a comic with the best scrappy or simple art they could manage, and I could go and look at it, and because of that dedication, they were excellent writers with clearly more skill in that area than me. If the writer has put in equivalent time and work to honing their craft as the artist, they stop being just an "ideas guy" who wants you to make their comic happen, and they become an equally skilled partner you can team up with to create something greater than either of you could make alone.
There are plenty of successful comics where the creator was such a great writer that just putting something out there with simple art was enough to demonstrate their writing skill and make people want to work with them. Dinosaur comics is one of my personal favourite examples; it's literally just the same stock dinosaur images every time, but the clever concept and the incredibly sharp and funny writing propelled Ryan North into being a pretty popular comics writer.
If you have absolutely no interest in developing skills for writing OR drawing and literally all you want is either your dream comic to exist, or to have the prestige of your name on something that lots of people read... you're not really a writer, you're more like the producer or the investor or even just the client or patron. There's nothing wrong with being a client or patron; having a patron is a wonderful thing; the Mona Lisa wouldn't exist if somebody hadn't commissioned a portrait of his daughter... but the patron or client really just has one job: Give the artist money and a brief or direction, so if that's what you actually want to be, somebody who funds craftspeople to make wonderful things; go get a job in tech or something, make a bunch of money and do that.