From a reading point of view... I'm mostly neutral towards them. I don't judge them any differently than the beginning of stories that aren't prologues- regardless of whether it's "Chapter 1" or "Chapter 0", it needs to intrigue me and make me want to continue reading. I've read a number of effective prologues over the years as well as many ineffective ones as well.
I will say (and echo a sentiment that @DualDragons mentioned) that a lot of amateur or new/growing hobbyist authors tend to write those ineffective prologues, more often than I see them in professionally published work. I think that when the author has more experience, or access to an editor(s) that it's less likely for those really ineffective prologues to slip through the cracks. Most professional author's stories that I've read with prologues have ranged from "not great but acceptable" to "hey, that was pretty cool". When people are still newer and learning though, and usually doing it on their own, you see more of those info dumpy, irrelevant to the plot, spoilery, etc. prologues For example, comic prologues that are like 20 pages of info-dump about a world that the reader doesn't care about (yet?) and that the creator also drip feeds you at 1 page per week so you're 5 months deep before the prologue ends... and the like lol.
As an author... I haven't written many stories that have prologues (outside of one collaborative fan fic novel that I was writing with a friend in high school xD). My writing inclinations tend to lean more towards the typical "establish the status quo before shattering it" or "start in the action" beginnings, or in some cases both. If there is background information or plot before the plot I try to weave that in elsewhere.
I'm admittedly working on a pseudo prologue/"Episode 0" for my current upcoming project that establishes the main plot & introduces the characters more firml... But that was only after completing 6 episodes, looking back to see if I was ready to launch or not, and thinking "no, episode 1 is entertaining but not a good enough hook. I think people will need more context to get interested."
Even then it's still more of an "establish the status quo" style beginning- there are 4 panels of forced "prologue-y" exposition that explain the recent event that led to the current situation, but it's cushioned by like 20 other panels of entertaining character interactions that helps acquaint the audience with them as well as them with each other. With that in mind, those 4 panels are a "sin" that I'm willing to accept