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Apr 2020

This is a motivational thread for posting your studies!

It can include figure studies, gesture drills, anatomy, photo studies, master studies, etc. The point is to share, keep each other accountable, and track our progress. It can be boring stuff and not the kind of stuff that does well on social media, so it can be easy to slack off on them. But I've found that art studies have been key for my art journey and I hope others will join!

Here is a list of drawing reference resources (will add more as we go along):


http://www.posemaniacs.com/31
http://reference.sketchdaily.net/en20
https://line-of-action.com/13
https://quickposes.com/en12
http://www.senshistock.com/sketch/17

https://www.bodiesinmotion.photo/quickdraw6

Book resources:

  • any from George B. Bridgman, though I especially enjoy Constructive Anatomy and the Human Machine, keep in mind it's a bit advanced

  • also Michel Lauricella, the Hands and Feet is commonly referenced and Simplified Forms is good for beginners/intermediate

  • Loomis . . . nuff said (Fun with a Pencil is a good start)

  • Hogarth is supposedly pretty good, haven't got to his books yet, but if you like muscles, seems useful

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    Apr '20
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    Nov '21
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There are 307 replies with an estimated read time of 45 minutes.

Thank you so much for the resources! And your studies look so cool! I'm unfortunately injured (as I have to tell myself again and again) so my time to draw is limited to avoid aggravating my injuries. It's incredibly frustrating. I got a few studies in in the last week of clothes and folds, since I find those to be my weaknesses. The references were from an online clothing retailer.


Ahh that sucks about your injury, please take care!

And these look great! Clothing folds are soooo hard, especially men's dress shirts but you did a really good job of capturing it~

Awesome thread, great sketches! How much time do you spend on those? :slight_smile:

thank you~ Each is around 30 sec to 2 min for these. Maybe a bit longer for the traditional stuff, but generally trying to keep it fast and loose.

How do you find a good balance between studying and making comic/creative work?

I find it extremely hard to not just do one or the other, so I tend to go through phases of intense practice and then intense creating. While I'm creating, for a lot of situations, I do use reference, so in essence, I am still studying and of course, creative work develops your style, visual storytelling etc, but I think it probably would be beneficial if I could work out a way to balance the two.

@Kelheor ah longer studies are important too, but these fast ones really help with comics/animation work.

@Iridescent_Bismuth I suppose I have 2 answers to that question.

One is to just make it a habit really. Even if its just 5 minutes everyday, it will do wonders over the long run. And over time, you'll develop a routine to the point where not doing it at all just feels wrong, even if you have other work to do.

Second is the one you kinda already mentioned. Ideally, your studies should be related to the comic/creative work you're already doing. Your studies should directly lead to your comic/creative work.

So for example, I'm doing some illustrations based off a moth/lichen inspired fairy character for a mentorship. Hence the moth animation study above, and I have a bunch of other studies involving lichen and moths and the like. So now that I'm working on the illustrations, even though I still have references pulled up just in case, most of the information is already in my head and I'm free to just draw/paint.
Its more of a struggle (and more time-consuming), I think, to over rely on references and figure out the hard parts as you go in the middle of an illustration, rather than just do some studies beforehand so you're not going into it blind. Even if it's just some really quick sketches that no will ever see, its still helpful to do them.

The reason most of my studies involve people, is because that's mostly what I'm drawing for my comic. Heck, I'm doing a NSFW comic and did a bunch of studies for that but nobody will ever see those lol. The idea is these studies are for you and your creative work, not for the public. So even if they're bad or lazy or sloppy, it does not matter.

Burne Hogarth is my anatomy study jam. I repeatedly go back to his books on a semi regular basis.

I love your colour studies! Colour is something I think I've always had a bit of a natural instinct for, but I definitely should do some colour studies!

I just got the brush pens last week. I'm pretty heavy handed, so I find it really hard to get good line variation, so thanks for telling me that I'm doing the right thing!
Sometimes I like to go over my quick studies with pen so that I can define the form from the gesture and get extra practice with organic curves and stuff. It gives me a bit more muscle memory for certain hand positions too. I'm terrible at hands though, so there's really not much muscle memory to be seen :stuck_out_tongue:

Hands never get easy lol.

And oh wow those are with a brush pen, that's really impressive then cause your lines look so steady and consistent. I have such shaky hands whenever I use brush pens, so i usually prefer smoother ball point pens or even fountain pens.

If I'm being honest, I mostly don't even use pens for traditional stuff any more. I prefer a nice soft coloured pencil.