(This isn't just a promo, I swear)
So in the near future I'm going to be starting an original series on my YouTube channel, called LADYBIRD: Runious World. It will not be (fully) animated; I'm planning for it to look more like watching someone play through a visual novel, leaning heavily on dialogue and visuals.

Just another one of my clever tricks to get the most amount of immersive story out of the least amount of artwork (and if you think that sounds easier/more fun than making a comic or novel, then definitely give it a try! There are so many ways to tell a great story; find one that works for you!)
Anyway, as you might have guessed, the girl on the left in the red coat is the main character, a classic cute anime girl who's a little shy and anxious but determined to do her best, and learn and grow throughout the story.
She's also a black girl-- like, not "ambiguously dark skinned", actually black, and even sports a very common hairstyle for black children. And while I was designing her and coming up with her character concept, I realized...you really don't see all those things in the same character very often. ^^; Main character + black girl + kawaii sweetheart is a surprisingly uncommon combination. And I thought it might be interesting to discuss why.
My first thought was that it's just the usual pitfalls of tokenism striking again...i.e. every piece of media that stars a POC isn't allowed to be just media, it must also be 'representation', and as such must prioritize a flattering image over an interesting story. So if your main character is a black girl, she can't be anything less than perfect, strong, and great at everything, and an inspiration to everyone around her (even more so than white girls, whose characters are often pigeonholed the same way).
Even this 'innocent uwu baby' portrayal isn't acceptable, because it implies that she * GASP* isn't 100% independent and sometimes needs help. Never mind that it means she actually has room to grow and that the story can show her struggling with insecurities and overcoming challenges in a way the audience can sympathize and connect with...
I remember someone calling this sort of thing 'respectability politics', and after a bit of Googling, I think that's also a fitting way to look at it. This idea goes even further, implying that a black girl has to "earn" the right to be a main character (or even just a recurring character!) by essentially becoming a paragon. That if she's lacking in any way, or god forbid, immoral, the audience will resent her for it, or even assume her imperfections are proof of the writers' bigotry, rather than just accepting them as an intentional part of the character.
A great recent example of this was the...interesting fan reaction to the black antagonists in Castlevania: Nocturne. I haven't watched the show and have no desire to (believe it or not, I don't like the animation. I think their color compositing style especially highlights the flaws and makes it look ugly, but that's a discussion for another time...) but I did hear a bit about this issue on Twitter. Essentially, certain people seemed opposed to the existence of POC vampires and demons.
Fantasy fans are some of the most racist out there, so that tracks. ^^; But I think there's definitely another layer to it, which I saw people discussing: that white characters have the freedom to be evil and awful and celebrated/desired for it, but POC are restricted to their usual veneers of respectability, even in these fantastical stories.
Never mind that cultures in the global south ALSO have mythology about evil demonic creatures that they can draw from. Never mind that we aren't a monolith, and like any other group of human beings some of us will do bad things and make bad choices. Never mind that villains are interesting ways of exploring human behavior and motivation, and that we should be allowed to see ourselves in those roles without having to justify it and defend it constantly.
...Anyway, I got a little off topic. ^^ My character specifically (her name is Nell, btw) speaks more to a third issue that also limits the kinds of POC MCs we're allowed to see-- the "adultification" of black girls in particular. How they're not allowed to make mistakes or show immaturity not only because of the demands of respectability, but because they're often viewed as adults by society, who should just 'know better'. Their missteps are more heavily scrutinized; they're more often expected to be 'group moms' who just look after the characters who are actually allowed to be interesting.
I think this offers an interesting perspective on the lack of black MCs in YA media, girls or boys or otherwise...it's quite possible that the concept of a black kid of typical protagonist age (14-18) just doesn't really exist for many people? There are black baby children, and there are black adults, but there's just nothing in between...simply because society doesn't acknowledge it.
I could go on about ^this for hours (like, for example, there are a lot of reasons the Spiderverse series does not have contemporaries, and this is one of them. Do you know any characters in Miles Morales' demographic that are actually focused on in a similarly large franchise? I don't)...I'm going to restrain myself, though. ^^;;; My point is that one of my goals for Nell is to go against this sort of thinking, and to do it so blatantly that it makes people think about whether they've seen a character like her before, and to hopefully ask themselves why.
Why haven't they seen many black girl characters who are allowed to be cute and delicate? Why haven't they seen many who are allowed to be cared for and to ask for help? Why haven't they seen many who receive guidance and are encouraged to learn, rather than either automatically knowing everything or being disparaged for their ignorance? Why haven't they seen many who are main characters at all...?