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Aug 2019

Anybody here has drew a classroom? I mean it's pretty straight forward. But the chair and the desk, oh God. How do you do it. There s like a thousand of them. Any tip would be great.

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    Aug '19
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    Aug '19
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draw the line art for a chair and desk on one layer then duplicate and move as many times as you need. put the people in later.

Sorry I can't help but think about that line from Aoi Honoo about desks





When it comes to a busy background scene, I tend to only draw the background once a page, or change the angle of the camera so I only have to draw a portion of it. But when I have to do desks, which I have done, I really like to start with desks as boxes and then draw the boxes in perspective before breaking down each of the boxes into desks. Also, if I draw one desk real good, and it's in isometric perspective--I can copy paste that desk as many times I want and just stick different books on them to look different. (like the desks above this in that one manga panel are in iso perpsecitve so I can guarantee they just did copy paste of one desk)

If it's not in iso perspective and is in 2-point or 1-point perspective, then you can't do the copy paste thing, but if you make a floor plan from the top down--of like the tops of the desk that are perpendicular to the floor-- then in photoshop or most digital programs like CSP, you can take that top down and then do transform with perspective and you can put the tops of the desks into perspective into your scene so that it's easier to pile on the rest of the info like the chairs and stuff. Kinda like this, it's hard to explain so I'll just show in a sketch


then from the tops I decided to do a 1 point perspective, and I can just make myself the opposite wall with a square tool, and then draw a line from the sides of the desk and from the corner of the square to figure out where my horizon is to draw the rest of the perspective in this scene

and like I'd probably crop out half of the bottom row since that would get distorted and look weird, but that's how I do really repetitive mechanical things in perspective. Like I would do this with nicer looking tops than the ones I drew in like a 40 px brush, this is more of a rough draft layer to draw over later, but it lays things out super, super fast. (also, I put my vanishing point way too far to the left, but you get the idea)

Lmao I just use Clip studio Paint's default classroom backgrounds. Paying $25 saved me so much pain when it comes to making certain backgrounds.

Compose the shot so that you don't see every single desk in the room, just a few rows.

You could also use this free 3D model as a reference (you'll need Sketchup)

What @fluffybonezz says, less is more.

You have a style that seems pretty inspired on manga.

Manga is characterized for appreciate the beauty of incomplete :heart:

Human brain tends to complete images.

In fact, a crowded image is more difficult to assimilate and it can put you off in a story if you need more time than others to assimilate new info :thinking:

Some faint vertical and horizontal lines and playing with the light can tell your characters are in a classroom.

After that presentation panel, you only need to focus the attention on your characters and leave everything else faint and just suggested, because they're the important ones, not the tables and chairs or the people who's just filling sits.

A page of mine as an example. I don't give a minute more than the very needed to backgrounds, but you get where my characters are with just an unfinished row of stairs.