SagaHolmgaard, I think you are on the right track. You've got the right basic elements, and I think it could just be fleshed out a little.
I like to think of the blurbs as being similar to elevator pitches - the kind that you would use to attract agents or editors to a project if you were trying to get them interested in a script or novel. Generally, I find this little formula a good place to start if anyone is struggling with their own pitch (terms in uppercase are meant to be swapped out with your own elements):
When PROTAGONIST encounters PROBLEM, they must FIRST ATTEMPT AT A SOLUTION. But COMPLICATION means EVEN BIGGER PROBLEM.
If I was to massage yours a little to punch it up, I would probably do something like this:
After a successful coup dethrones the emperor, Albus vows to save his father and reclaim their empire from the power-hungry (General? some indication of her rank/title would be helpful here) Irene. With the help of his bodyguard, Stryka, he sets out to (First step of the quest?). But COMPLICATION etc etc
Often, focusing on a single protagonist makes for a stronger intro to a story, even if the piece is ensemble based. That way you can focus on what motivates them and tip the reader off about how/why they should be emotionally invested in the story.
This is my current blurb. Thanks for the feedback, guys!
After a bad break-up, Meg is living on her best friend's couch, desperate for change. When she finds a small farm on picturesque Neptune Island, she jumps at the chance to escape the big city, just like the characters in her favorite farming sim games!
But quirky townspeople are harder to befriend in real life. And maybe the reason the farm is so cheap has something to do with the dead body in the river.
A watercolor/traditional media comic for fans of Stardew Valley and Harvest Moon.