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Jun 2015

While I've had people hating on comics of mine, like one time when I was featured on Inkblazers, I recieved a 9 page long hate-mail of why my The Steam Dragon Express manga was utter shit story-wise, and couldn't be saved, but the one I always remember is not hate for any particular comic.

When I was 16 I wasn't really good at anything, as I was failing in school both socially and academically, and with no particular skills, I decided I was just going to say "Fuck it, I'll do manga." I wrote a Facebook status about my decision, and this one girl bombarded me with how unrealistic it was that I would ever be able to get even one manga finished, and I would never make it in any sense of the word.

Well I made it. Screw you, girl. I've got loads of series under my belt now.

Oh yes, I appreciate attention to detail and a certain level of plausibility in my fantasy/scifi (note: plausibility, not realism), but his main complaints were that the hand-guards on the swords I was drawing were too narrow, and didn't agree 100% with real katana-guards. There's attention to detail, and then there's hysterical nitpicking.

I think he might have had some form of Aspberger's; he was completely unable to grasp that what he did was inappropriate and rude, even though I told him that he was going a bit overboard, and he did, as I said, wander around the con and complain to several other comics-creators, and has apparently been known for doing so for several years. I hadn't gotten to see any of it before, because up until this year, the comics I had for sale did not have much in the way of swords in them.

so besides the fact my roommate said my art looked like a child's and I shouldn't be posting it online someone just told asked if i had ever heard of photoshop on my cover page

I mean I know I'm not very good but still I'm learning I just started like a month and a half ago

Indeed.

@scullpanda and one of the best ways to learn is by POSTING your work online and asking for critiques/pointers. Apparently your roommate doesn't realize that!

I prefer to do everything by hand and not on my tablet because i like the feel more so I'm making more mistakes on Forsaken33 and she doesn't seem to like that also i had people steal my story and use it for a LARP then they tore it apart and these were people i knew

Look, @scullpanda . Here's the thing. No, your art isn't perfect, and yes, it could do with some improvement - but as long as you actively work towards improving your art, it's going to get better! I promise, it will! The only way to do it is to practise - and a regularly updating comic is a good way of giving yourself a reason to practise! Also, you shouldn't keep yourself from telling your story just because your art isn't perfect. If we all waited until we were masters of art before we started drawing comics, there would be no comics.

And drawing by hand instead of digitally is a perfectly legitimate choice. There are a LOT of professionally published comics that are inked traditionally, and quite a few that are coloured or screentoned by hand as well! There's no rule that says you have to draw it digitally just because digital art is a thing that exists.

Finally - if your roommate doesn't have any constructive or encouraging things to say about your art, perhaps they should keep their opinions to themselves, and those people who stole your work, used it and then tore it apart (I'm assuming that they tore up your original pages?) are clearly cruel idiots, and I hope you aren't spending any more time with them than you absolutely have to.

My first comic hate was from the comic club in college. They were uber into the superhero comics and despised anime and manga. I was there ladled as anime artist and bad artist. So They really did not like me there. But I went every day to absorb all the knowledge on comic making that I could. AND I DID!

On my comic specifically, I just had someone being like, "OMG YAOI!! GROWS!!" at witch I just rolled my eyes and deleted the comment.

The first I remember was like 6 years ago. A weird girl posted a long message about my loud colors, childish characters and bad drawing. Also she said that my drawing give away a feeling of repressed sexuality O_o.
I think it was because i was making happy innocent drawings and she liked gore things.

I don't actually remember the 'first' hateful comment I got it's been a while, and I guess it didn't affect me hard enough to stick with me to remember for this long.

The first ANNOYING comment I remember for sure, and that's because it was from a friend of mine. Before I started drawing comics I just wrote stories (I actually wanted to slowly phase out my drawing and just work on writing, in fact I still do), and he did the "I'll only read it if it's a comic." "You should make this into a comic, I would be awesome and I would SO read it." "You're good at art so you should use that and make your stories into comics it just makes sense." And he got a lot of people to agree with him, and they too all thought it was the best idea ever and decided they would only read (or continue reading because they stopped reading at that point after hearing about it being a comic) if it was a comic. So eventually I did make it into a comic, and that resulted in a "OH MY GOD the art is so good, so I told you you could pull off a comic this looks fantastic!!" and I asked him "Yeah ok, so I get that you think it looks good, but what did you think of the story, was it ok, did it flow alright? Are the characters ok?" to which he responded. "I didn't actually read it. I just looked at the pictures and they were amazing."

The whole point of me making that into a comic was so that he and other people would read it, in the end most of them just looked at the art and complemented that instead of actually looking at the dialog. If I wanted people to look at my art I would just make art. Not go through the stress and work of making a comic.

My first real comic hate was at a convention. I was just graduated from my videogame school and started to do Echo19, which is the real first comic I do. A man came, we discussed a little bit, and when he heard that I was graduated from my school and wanted to continue in graphic designs, he froze and said "I'm a professional graphic designer/illustrator AND a teacher at [another videogame] school".
Then he continued to tell me that all I did was trash, that I got nothing for myself in every way : the story, the action, the drawings, the pacing, everything was really trash (I never got drawing classes, so I learned everything by myself). I remember him showing me my friends's comics on the booth and kept telling me "you see ? THIS one is PROFESSIONAL. Yours ? No, nothing.".
He told me after that I should go to better schools and spend money on them instead of wanted to find a job, because no one would hire such a drag that knows nothing. After this, he told me that he wasn't sure that the school would let me enter, given how bad I was at drawing.

He was really nice, huh. So when he walked away, I rested on my chair for 2 minutes, because he just destroyed me. Then I got up, just said some really bad words about what he said and picked up what I found interesting in his monologue, and continued my life.

So, yeah... it was the first comic hate, and I was doing this comic for merely one year or half a year, so it was really hard! But I didn't give up at comics. : )

Armour. You have to have armour.

You also have to have the ability to disconnect your ego and your passion from your project for a short period of time.

First off, people are often negative. I once heard critics described as "people who know the price of everything and the value of nothing." critical people are hard to differentiate from flat out haters, but in the end, all that matters is that you have something negative being said about your baby.

So you have to have armour to protect your ego, and you have to have the ability to look at your work dispassionately. Every time someone says something negative about your work, it's time to look at it, and see if there is some actual truth in there once you have stripped away the vitriol and hate. Turn the negative into a positive, always.

This does not mean become immune to negative comments, it means to rob them of their harmful effects, and to learn from what legitimate complaints are hidden in them.

Eagle
(Since I am my own worst critic, no one else comes close)

I wonder if that person in particularly was engaged in some kind of sword academy or practised ancient fencing as I do, or simply he was trolling LOL. Personally one of the first things I started hating about my fantasy webcomic the ninth circle1 , was the way I dealt the swordmanship. Because when I learned how truly a sword (a specific kind of sword) is used I though about my fighting scenes "whaat, this thing I did makes nonsense" XD
Another part of my first hate-story of my webcomic was when I realized I had drawn 50 pages of a battle with little story plot developed. But some of my readers told me it was ok :/
and by the way @AnnaLandin, Grassblades is a great webcomic, I am subscibing

@Blacksanz He did mention something about studying medieval European swordsmanship, but from how he put it, it seems he did not actually practise it so much as read about it. He even tried to convince me that medieval European swordsmanship was vastly superior to Japanese swordsmanship in every possible way, blah blah blah (I had at no point claimed Japanese swordsmanship to be superior; Grassblades is merely set in a world visually influenced by East Asian popular culture; it's pretty much a samurai movie, except a comic) and got very arrogant about it.

And the thing about swordsmanship in comics or other popular media is that 99% of the people reading it will have no clue that the swordsmanship is inaccurate - or, knowing that it's not accurate (most swordswinging in fiction these days is in fantasy-stories, after all), just don't care. I did not set out to make Grassblades a sword-manual, and made to claims of accuracy. As long as you achieve the emotional impact you're after, and it's not absolutely vital to the progression of the story, there's no need to be 100% factual in things like how your characters handle swords

Also - thanks! smiley I hope you'll enjoy Grassblades more than the sword-dude at the con!

I didn't get too many nasty comments (maybe they talk about it behind my back, but who cares) XD
But it's good that you've received some hate, for real, it means that your work brings emotions (even if negative)!

I remember that I was once called a sexist schwein for creating a rude female character. That person explained it that I used her to make my male character look poor. IDK
At first I was super upset but then I told my friends about it and we were laughing all day about it smile

Wow, some of the people you guys have met are real assholes! There's a difference between constructive criticism and flat-out hate and these guys are swimming in the deep end of that spectrum.

Humm, given my comic's subject matter I'm surprised no one has accused me of anything yet or been rude to me, I am lucky in that regard (so far). It's my very first comic ever, too. Though at the same time I am a little sad because within those hate messages might be valid criticism, which I'd like but I'm too shy to ask anyone (´つд⊂)

I think the worst thing that could be considered "comic hate" was when someone said my protagonist was dumb. Even then, that wasn't even close to hate, I just don't think that person understood how sheltered my protag is.

While I certainly can remember some real bad hatin' I've recieved, is it a good thing I can't remember what my first hate was? XD Since I posted crappy scanned comics first when I was quite young, I'm sure it was probably a bash on the art quality.

I also really haven't recieved much hate for Daniel yet...or at least that was so impactful I can remember it. XP

...I'm already nervous about the idea of going to a convention, much less having my own table at one, but the idea of something like THIS happening scares the hell out of me! o__o I commend you for not letting that awful dude get to you.

I've never had hate for my comics, luckily. A friend of mine from sixth form did have an annoying habit of referring to my comic at the time as 'gay porn' despite it only having a tame gay romance subplot that appeared much later on. I was worried that some of the other sixth formers would hear, as there were a few who liked to make fun of me as it was. In the end, I decided I didn't care what anybody else thought, and started referring to my comic as gay porn at every available opportunity in front of my friend, until he got sick of it and stopped teasing me.

I couldn't agree more!

I haven't received any blatant hatred so far, and I guess even if I did, there wasn't anything constructive in it (like "ewww!!!") so I've easily forgotten them. The most negative I have received so far is about my art style style. It's manga-style so it's in grayscale, screentoned and anime-ish. It's not something I should feel bad about, though, since I understand that each of us have our own preferences. What I can do is practice more to keep getting better to the point that I can turn preferences around. LOL /o/

Yup, it's scary, but frankly, I don't see a lot of haters like this. I think you can have one in some convention, but it's not the majority of the people who come to your booth ! : D

It's the only time when someone told me this. I don't really know why, maybe he applied the technique of looking you down, telling you that you're the worst, to make you fail or working harder. And also, make rivalty between you and your friends. :/
As I was on a convention, I said that I had no time for mourning. Then thought about it later, when I was in front of my drawings, and remembered the things he told me. I took some time with profesional friends to see what I can take from his mean comments and worked on it. The main problem is that it's hard to choose what's good and what's wrong when the person was really, really bad with you (like mine, the dude had a really, really big ego and talked louder than me when I wanted to say something).

But yeah, have an armour about bad comments or comic hate, whatever it is. If the comment is just mean, leave it be. If it is mean but they point out major flaws, take your time to digest it and talk with other people about it. If you have a flaw in your pacing, for example, just go and ask your comic artists friends.
It needs some guts, but it worths it.