Yeah...this has some problems...
Items 1 and 2 are infodumps, which should be worked organically into the story. You can perhaps make point 2 into a prologue, but that probably wouldn't be better than being worked properly into the story.
Items 3 and 4 are contradictory. The protagonist is not accepting help from his sister, but he was just working alongside her?
5 and 6 beg the question of why a head of state is going around troubleshooting darknesses.
But the biggest problem with 8 is that it is NOT an inciting incident. The protagonist is already doing hero stuff - this message from his father, no matter what form it takes, does not actually cause him to change what he is doing. All that is changing is the location of where he is doing it, or what his heroing is directed towards.
EDIT: On reflection, you have a quite serviceable inciting incident, it just isn't what you think it is. It's in your point 5 - the encounter with the young woman. Imagine for a moment, this: your protagonist meets this woman, and becomes infatuated with her - who is she, why is she doing this? Suddenly, his heroing for the sake of heroing seems hollow, and he begins to question his purpose in life. He decides that she seems to have found the meaning he has been lacking, and wants to help her, even if it means disgracing his family. So, when his father provides the call to become the chosen one, he now has reason to refuse. THIS would create the type of conflict, both inner and outer, that an inciting incident should provide. Does he refuse the call and go to the young woman's side. Does he accept the call and try to do whatever he can to find his way to her while being the chosen one? Does he decide that she is a more suitable chosen one than he is, and try to arrange for her to become it? Etc.
Look, let's start this from first principles.
What does the protagonist want?
What is preventing him from getting what he wants?
What will the protagonist do to overcome this force of opposition?