Okay, I gave it a read and. . . there were a lot of problems that would easily turn a reader way from the story. Let's go down the list.
The first large paragraph was poorly done. The point of that was to set the scene but you don't do a good job of describing the surroundings. I don't know where this character is. Is she near a forest, on a mountain, in a hilly, plain area? Describe these things in greater detail to allow your reader to get sucked into the world. The last line in that starting paragraph brought up the next biggest problem in the chapter: typos and bad grammar.
Nothing will pull a person out of a book faster than typos. The typos in your story were very, very distracting. You didn't capitalize the first word of every sentence, you weren't consistent in your tenses (you switched between past and present tense), and you're grammar was poor at times. "That curse that had devour hundred's of woman and families for a thousand years and the hatred for it came with a fear for those who were cursed." should have been written as: That curse had devoured hundreds of women and families for a thousand years. The hatred for the curse came from the fear of those who had it.
On to the next issue: sentence structure. I struggle with this too. You have a lot of long winded sentences that should be broken up (see previous example). Your writing in a passive voice. Instead of saying "Such a beautiful face she had but now it was pale and looked tired" say: "Her once beautiful face was now pale and tired-looking." Get to the point when you write, don't meander around when it comes to details. Speaking of details.
Who the heck is Maya? You didn't describe her appearance so I assumed Maya was an old nursemaid. By the end of it I realized Maya was around Carla's age or younger since she has a mother. You lack descriptions in your writing that would set the scene. Because of a lack of details, I was under the impression that the girl from the first paragraph was Carla. Obviously that's not the case but still.
Your dialogue is very stilted and unnatural. Use contractions like "don't", "he's", and "wasn't". This will make the dialogue flow a lot better. You should read the dialogue out loud if you can. You'll be able to tell if it needs to be rewritten. And I think you meant "To no avail" not "To her avail". I wonder if English is your first language?
Now I sort of understand the curse. Sort of. It causes women to kill themselves and their babies. And I also understand why a village of sorts would be fearful of something like that. Now maybe an explanation of the curse comes later, but as for right now, even though I understand it, it's still uncomfortably vague.
Work on your action scenes and pacing. The whole debacle over Maya leaving to find Nadine and then returning to find group of people waiting outside Carla's door was really weird. Why were there people waiting outside Carla's door? Even if they knew about the curse, what brought them there? Why didn't Maya confront Nadine? Why was Vulcan and Mira there as well? What was going on? You need to make this clear to the audience.
Lastly, was Carla's death supposed to have an impact on the reader or was it just there to inform the reader of the curse? If it's the latter then fine, but if is the former, then you didn't build up her character enough for anyone to care. I hope she's not important to the story, because you wrote her out like she wasn't. She better not play a bigger role in the story. And if this story is going to be about Maya, then again you didn't describe her well. I don't know this character, therefore I don't care if she is now cursed. I think a good way to circumvent this issue is to write an entirely new chapter that takes place before this one. It can show when Carla and Maya first met, Carla being cursed, the relationships between the two of them and the other villagers among other things.
That's all I have. Good luck and keep working hard.