@BreeBaxter Some of us have jobs lol. But anyway, I shall offer a most prudent review.
Teaser 1 was the very definition of nonexistence, and yet it managed to convey a quite existential message: Must chronology exist in fiction? Or can the source of each story simply be construed as a separate beginning?
Teaser 2: Electric Boogaloo can only be described as an acid trip among acid trips. Its subtle vulgarity was quite surprising, yet it still boasted the same power of expression as its prequel. It was distinctly Bree.
Teaser 3: The Teasing Continues had the same energy as a certain caffeine addict without her coffee. The storytelling suffers from a severe case of overused concepts. It is clear that this tale was crafted in the absence of a Pumpkin Spice Latte.
Teaser 4: The Reckoning failed to deliver. Like every candidate for presidency, it promises much, yet accomplishes little. This manuscript belongs on the trash heap.
Teaser 6: The Greatest Tease was a true masterpiece. After many failures, the TCU has finally returned to its roots, and the resultant success has been matched by the ever increasing interest in anti chronology. By ignoring the proclivities of society, Bree Baxter has reached the pinnacle of existentiality and forged a complete and accurate depiction of the uncertainty of life. Readers of all varieties will appreciate this rose blossom in a desert of tired concepts.
