Let me give you a context to why Tapastic endorses this. Contrary to what you may think, the writers are not men with fetishes but two women working as actresses/tv writers, which is why:
* The story has plenty of CAPITALIZED BOLD (for names and places) and CAPITALIZED ITALIC (for actions and effects), because that's how tv writer writes a script.
* The story is your typical MTV reality tv show.
* The pictures look like storyboard images.
They have no background in webcomics, and judging by how they use tv script's techniques to write these tapisodes they clearly have no idea about what a webcomic/light novel is. I'm guessing that the story itself was a failed tv show pitch reformatted as tapisodes.
As you can see from the screenshots that @BlueWindyHood posted, they didn't bother to rewrite it so it fits the new medium better, which is a sign of their lack of care and love for the medium. I saw the writers' twitters and they didn't endorse their own work to their 14k+ (combined) followers, just a re-tweet of Tapastic's tweet mentioning their product. Not a single, "Hey, it's my work, please check it out!" from them, not even some enthusiasm, "Cool, it's up!" or something, which is odd and only further proves that they don't care, about Tapastic, about webcomic, or even about their own story.
How can writers with no love, care, skills, and history in webcomics get to be published, endorsed and financially backed by one of the biggest webcomic platform? Turns out they're friends with people at Tapastic, Tapastic said so themselves.
Take in existing stories, make them mobile friendly
To create the first batch of Tapisodes, we worked with some of our friends over at Hollywood and brought in their scripts.
Scripts are good “base stories” for Tapisodes, because scripts are written to be produced into movies and TV dramas and therefore are essentially made of bare-bones scene descriptions and dialogues. While authors mostly rely on imagery and comic creators mostly rely on images, scriptwriters must rely on performance in order to share their stories and vision.
If you think about it, a vast majority of scripts haven’t been made into movies and TV dramas yet for a number of reasons, including lack of budget, resources, technology, etc. So what are those stories doing? Probably sitting in someone’s drawer, waiting to get discovered one day and finally see the light of the day. Wouldn’t it be cool if we could make those scripts mobile friendly and distribute them to mass audience? That’s part of what we want to experiment with Tapisodes."
My suspicion was true (I wish I had read the announcement beforehand), the story was a failed tv show pitch reformatted as tapepisodes. They said that the scripts are good 'base stories' but they didn't even change ANYTHING to make it more reader friendly despite promising to make them mobile friendly.
The reason why scripts use capitalized bolds and italics is so they're easier to spot, because you don't want to read the whole thing again when you're just trying to find something in that one particular scene. It has no purpose in this new medium, it gives casual readers discomfort and it distracts them from the story.
It makes me question which comes first, the tapisode idea or the script? Did the 'tapisode' idea was born to justify the reformat of the script? It seems so, because:
* There are SO MANY great unappreciated scripts posted in the internet where the writers are waiting for someone to buy them at very little cost, so why choose these particular writers aside from them 'being friends'?
* **The story has underage children sex as part of it's theme, it's borderline CP material that can go wrong very fast or attract unintended audience****. Why didn't they choose 'safer' scripts for their FIRST test product while they will ALWAYS choose 'safer' options with webcomics?
* Why, despite telling us that the script is 'a base story' they proceeded to copy paste the entire script for their new product? It's as if the product was made for the scripts. If Tapisode was created for it's own sake, the script would follow Tapisode rules, not vice versa.
Writing a script for people to shoot and writing stories for people to read is a totally different thing that needs different skillset to work. So the case here is it seems like some people in Tapastic wants to endorse their friends, or they want to borrow 'Hollywood' name to make Tapas app looks grand (hint: the writers worked for BuzzFeed, some 'Hollywood' people they are), but their friends only have scripts, not webcomics, so they created a whole new product to justify this.
So you know now that rules don't mean a thing for Tapastic. It applies to the rest of us but don't apply to their friends. Tapastic wants quality (aka popular) story/webcomics from us but they absolutely don't care when it comes to works from their friends. Tapastic is strict with NSFW works, they won't endorse you and you might even get banned, but their friends can publish borderline CP material and they'll endorse the hell out of it, even at the expense of their own company.
Just look at michaelson's reply, there's nothing that addresses the issue why they chose to publish this story despite violating their own guidelines. They'll push this cringe-worthy story executed in a lazy and uncreative way to the death even if nobody wants it and everyone hates it while the hard working artists with original and creative works are blatantly ignored, left alone on their own.
This is not a problem of 'inappropriate content/censorship' this is, plain and simple, nepotism at it's best. You're beyond disappointing with your double standard and hypocrisy, Tapas/Tapastic. I'll uninstall the app and tell all my friends to use adblocks from now on. I'm done with you.
Also,
The team here just simply doesn’t do poor quality. It’s not in our DNA. We make things we are proud of and things we would be excited to use and recommend to our friends and family. ---Josh Bakken, Senior Director of Tapas Media
Please tell us how proud you are of this work of yours and I'll probably share it with my friends just to see how hard they will cringe.