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May 2018
  1. What does "F-1 visa" even mean? (^^; where do we look for this?

  2. "A single season will consist of 20-25 episodes, with each episode being roughly 30 panels." is a single episode expected to be like... a full chapter, so to speak? because ~30 panels is WAY too short (at least to my standards?) it barely fits ~two scenes or reveals enough information without feeling rushed. Or is the project expected to be short and sweet from the get-go? is 30 panels just a bare-minimum?

  3. Dumb question but juuust in case, the story doesn't need to be all feel-good, ~sunshines and rainbows~, grimdark stories still get a shot, right? (i ask this because i can hardly find any dark and grim stories on the Premium page, so i was just wondering if there are any preferences i need to be aware of? i know genre is not an issue btw.)

I do believe that they can be printed along with a lot of other things but that is just my assumption. I would think that if you did print them and sell them some of the profit would have to go back to tapas.

It's for tax reasons.
If they paid someone "under the table" to skirt around these things, surely Tap would be audited causing headaches all around.

Oh, I'm not critiquing their obedience to the law. I respect that in fact. It's just a big obstacle to the normal fellow is all. XD

so, if you are not under a work visa, or living in usa, are you ineligible? just wanted to know this before commiting to write the pitch.

It's answered in the newsfeed.

[...] we will also work closely with you to develop your project for opportunities like print publishing or TV/online series deals, if you so desire.

You can also publish it for print with your own resources, if you have your own preferred printer, but you'll probably end up hammering that out with the whoever is assigned to you.

Ok yeah that's what I was wondering. I'd rather be in direct contact with the printer than do things through Tapas. Thanks~! ^^

We would suggest selecting your strongest pieces/the pieces that will best convey your idea to us. The file size limit is 25 MB for a .zip file.

We will be utilizing a form for submissions this time instead of an email. There will be appropriate sections for you to fill in for synopsis, summary, etc.

  1. 30 panels is just a rough estimate of the amount of panels for an episode and you are definitely welcome to have episodes with more panels.

  2. We are looking for compelling stories, not just feel-good stories, so grimdark stories do have a shot. (We actually have a few dark Premium titles...)

Those who are ineligible are typically those who are under 18 or have a visa that restricts them from working with a U.S. company. If you live outside of the US and don't have a visa that restricts working within a U.S. company, you are eligible.

OMG I have a long story idea for a long time! I think I am going to pitch it! I am also excited to work with a different format for mobile (I usually make small gag comics)!

Hi. Regarding this requirement:
"If you're not currently publishing with us, please provide links to your websites or social media pages"

How important is the existence of an active social media page? Would a dA account that I haven't used for years still be a positive or more detrimental to my application? And if the artist doesn't have any social media pages/websites but would be willing to create one and maintain it for publicity would that also be acceptable?

Likely, you'll have a contract with Tapas and whatever is in that contract READ IT VERY CAREFULLY. For anyone who does not have experience, have someone with experience read the contract with you to help understand it. Sometimes wording can be misleading or confusing in order to give the contract company the better end of the deal.

Make sure that you are not giving away your rights as the creator to YOUR WORK. This is still YOUR WORK and you should own it and have the final say in what happens with it. Personally, I find the wording of even just the OP to be a bit suspicious and I remember there was a fiasco a while back about Tapas rewording some of their policies so they essentially own the works of other people. Also suspicious the staff chose to answer every other question yet ignored this one. hmm

As far as I'm aware, any series created through the Incubator program Tapas owns a sizable percentage of it (up to negotiation though obviously between each individual incubator creator). I don't know if they'll own it indefinitely or if after a number of years all rights will revert to the creator, but I imagine they'd want a say in the creation of any physical media to sell.

And per the fiasco with the ToS, Tapas only wanted to offer bargaining rights for their creators when pitching to other companies.

But feel free to clarify @STAFF, if I got any of this wrong.