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Jul 2022

Your poses look a lot more relaxed too, more natural.

Can't say if this was an improvement as I was a writer more than an artist. It been a month and a half before I decided to make my own artwork.
I didn't attend any courses or taking any lesson through professional in between offline or online tutorial.
The biggest break through I've achieve was practise drawing pose by using preset anatomy during this one month nonstop skecthing.

One thing I've noticed is I was very not good at faces. Any time I feel a need to edit something, it is almost always a face.

The right is an edit I did before I uploaded the episode.

I also started using more yellows for lights than white to make things look more inviting. Not that I avoid white light but it depends on the mood.

Oh yeah, there has been quite the advancement in my drawing style =P
It went from 'I don't know what I am doing, but I am doing it anyway', to 'this kind of pass as a comic!'
I had to take on a lot of tutorials to get from point A to point B, though. I am learning new things by every draw I made. Those are one of the things that I like more about drawing, that you always improve as long as you want to improve =D

Compared to my old comics... I improved everything :joy:.

However, one of the things that I'm most proud of is drawing distant figures. I could sort of draw people in the close or medium distance, but a crowd or long shot? n o p e

As far as process goes... I just did comics over and over like a dumbo until I noticed my own habits and bottlenecks, or stumbled on an improvement by accident. In fact, if I go back, I can see obvious points in which I decided things like "gonna change my speech balloon shape now." and "it is now time for Color". For example, I used to draw octagonal balloons because I couldn't reliably draw round ones.

the distant figure is definitely a challenge. Hard to make them look natural but also without too much details. Your 2022 distant pose is definitely a massive improvement :o

Thanks! And yeah, it's like this perfect storm of, "I know I'm supposed to simplify this, but which details do I toss out?" that seems almost insurmountable at first.

I think that's a big theme in art in general. You can look at master artists and recognize that their figures are essentially blobs of shape and color, but they're masterful blobs of shape and color.

Speaking of which, I really like your middle pic with the horse and foliage. I think it really boils down the essence of complex forms, which... in comics... is very important...:persevere:

Thanks! The old errors really stand out to me so it's good to get another perspective.
And the big eyes, if I'm not paying attention I notice I'll just default to big anime eyes.

@sable40k
Stumbling on an improvement by accident is at least half my art journey :joy:

@thecrystalrook I am contractually obligated to ask if you are a Dragonball fan. Those improvements look great! Especially the dimensionality on the armor.

@TheSingularitySeed I know, right? Sometimes I'll even be watching a tutorial and the author will tell me the answer to a problem I stumbled through earlier. Except their solution will be way easier...

(It's nice to know that artists run into the same problems, though.)