I’m sorry—but if anyone is coming to Tapas thinking “I’m doing this to make money” then that’s problem number one. No one is making money on Tapas unless it’s friends supporting each other during Inksgiving or until they build an audience who separates them from the rest of what they’re reading, meaning that someone is creating a story that can’t be replaced.
What do I mean by that? If you take, for example, the princess-genre, people who aren’t into the genre say “they’re all the same”, but to an audience, a reader, they spend money on the stories they genuinely want to read, and some of those stories cannot be replaced by another with similarities. Maybe it’s because they like the leading lady a little more than the rest, maybe the male lead is more gorgeous than the others they’re reading, or the story is at a point where, if it stopped updating, there isn’t another story that can fill in the gap.
But, if there is, that gap is easily filled by the next story on their TBR. And if a reader has to choose between two stories of the same genre, one free and one paid, they’ll always pick the free one unless the paid story is something they find remarkable. And if a reader has a choice between WUF and paying, they’re going to wait—unless they really love what the author is creating.
And creators have to strive for this.
If anyone wants to make writing or drawing a money-making career—then Tapas is the LEAST of your concerns.
The way to profiting off your craft is to build relationships with your readers and producing something they genuinely love, not a quick read for funsies.
It harder work than anyone thinks. No amount of Tapas intervention is going to replace YOUR motivation and opportunity. If Tapas were to put your story on the front page as is, what would change? How would you keep the audience? And if they don’t stick around—why? And is it Tapas’s fault?
If anyone wants to make money with their comics or their stories, they have to spend money. My first cover commission cost $80 and I made nothing in return, but the cover I commissioned for my Kindle release was $200 and I made that back in profit over time. It’s a give and give and take.
And if there’s one thing I think everyone should do regarding networking—it’s approach people genuinely. Don’t befriend someone thinking “they’re going to be a great beta reader” or “they’re going to read my story” or “they might give me a shout out”, approach them because you love what they do and you want to learn from them.
I befriend A LOT of people, a lot of creators who are world’s ahead of me in talent and profit, but I do so because I freaking LOVE what they produce and I would love to learn more about them and their dedication. And NEVER once have I asked a larger creator friend for promotion or free merch/commissions or special treatment. I befriend them because they’re creating something that I know separates them from the rest.
And like I said earlier, NO ONE is building an audience by clicking post and sitting there with their fingers crossed, and no one is making money off their craft unless they’re spending money to produce the best of what they got.