1 / 36
Apr 2018

There hasn't really been a thread like this since '16 and it's a topic hot on my mind, so...

Let's have a discussion about higher education in relation to making comics. About the value of a comics-specific degree in terms of training, against a degree in wider fine art, illustration, or creative writing. About what makes an art school worth attending - is it the prestige, the connections, or the quality of the training? About navigating making comics within a fine art or creative writing course - how to legitimise your work within the structure, or make space for it elsewhere. About what might be the best 'compromise' course - what to study in aid of making comics, other than sequential art (given that's not a choice for everybody.)

so, did you go to / are you planning on going to art school?

what pathway did / will you study? (sequential arts, illustration, conceptual art, etc) and how did this aid and/or hinder your work with comics?

what is your opinion on comics-focused degrees, in comparison to other art degrees? in terms of job prospects and the quality of the training.

what advise would you give a young cartoonist today planning on attending art school?

Also, if you could share the region and decade when you went to art school, that'd help with the conversation - the experiences of art school and cartooning in America would be wildly different to Japan or France.

(Also, I'd personally really like to hear the opinions of British cartoonists on how art school has or hasn't influenced their careers, and their recommendations for places and courses that would best aid a career in comics.)

  • created

    Apr '18
  • last reply

    Jan '21
  • 35

    replies

  • 3.6k

    views

  • 16

    users

  • 59

    likes

  • 10

    links

peeersonally, im a british 18 year old currently studying art & design at diploma level, and im planning on going to art school in just over a years time. my main aim is to get the best training to excel in comics, but i also want to be an artist in a wider sense, both for the jobs and because i like the work.

ive been looking at one comics-specific choice (because theres only one), and also joint degrees in fine art and literature, or fine art and creative writing - although some people have suggested i look into illustration instead for comics. im super divided - a year ago, my decision was easy, i was gonna go to the comics option come rain or shine. but now i think my perspective on art has changed, my plans for my career have changed, and im seeing lots of different options and cant quantify what would be best for me.

what draws me to the comics-focused degree is that ill be surrounded by people who speak my language. ill be able to have indepth discussions about the mechanics of comics with classmates and lecturers who know what im on about, and know more than me, so i can learn about the specific medium i want to work in more than any other. my studies will be in comics, my projects will be in comics, ill have an opportunity to be entirely absorbed in the medium. also, like, a lot of the time i get really fed up with the process of fine art in academia, and it would be nice to be free from that to an extent.

the flipside to this is that its very very niche, and three years is a long time to just study comics. im worried about running out of info - if not comics to read and study, then at least theory material. and if i want to pursue a creative pursuit other than comics - a fine art project, a podcast, anything - i might hit brick walls in terms of time and training both. because of this, im considering joint honours in english and art that might offer the right training, but also be a little broader.

my other concern is more specific to the british situation, in which the place offering comics as a degree is a newer university in a small working class town up north. its really nice, ive seen it and i do love it, but its not prestigious at all and it doesnt have the funding other unis do, and its not in a thriving university town environment, or even a city. also, being so niche, theres very little selection of students, they need to accept near to anyone who applies to keep numbers up. so i have concerns about maybe not clicking with my classmates, not as much as i might at somewhere like goldsmiths (this could be unfounded, and sounds kinda wanky, but its still a worry.)

im just annoyed how jobs ask for a degree even though you dont even need a degree to make art. anyone can be creative. wtf i need to waste 50k for you to tell me whether or not my art is good enough for you to plaster it all over your company. art is art people either get commissioned or they dont, none of this degree BS.

Well in my country there's no an official career for illustration the closest careers are graphic design, 2D animation or 3D animation.

I study graphic design and most of the people that I know that are into comics choose to study graphic design because they teach you the basic, and it is less expensive, but there are also a lot of self taught artists and also institutes that offer you diplomas for illustration (like specializations) and academies that doesn't give you an official education degree but teach you a lot.

I don't know too much people with a fine arts backgrounds that are comic artists, but some of them end up being illustrators, cartoonists or pop art influenced artists.

The closest places where you can study illustration as a higher education career are Chile ( Arcos institute , Duoc institute ) and Argentina (Parlermo's university that is pretty well known in South America) if I am not wrong. Actually I see some really good chilenian comic artists here on Tapas, like the author of Non Non , Serendipity , and Let me call you

Where I live it's not so common to do commissions to make a living unless it is for advertising agencies, newspapers, magazines, editorials in general or fashion brands they are the only ones who pay you good enough .

edit:
@ChanYE I think it depends of the place, but also there are some companies that have an ISO certification or some kind of internal guidelines that require you to have a degree, for example in the case of the publicsector.

Where I live if the company is not so big or are specializaed in a creative field they usually don't really care as long as you have a good portfolio or work experience.

Mmh tough subject.

I have friends who are good after finishing their art school and other from being self-taught but the difference that I've seen is, the artist who is self-taught is often more doubtful about his skills than the student.
The reason is because the knowledge of the student is backed by professional while the self-taught artist relies on tips from internet which can be great but also really bad.
So imo, an art school is great if you want strong foundation (i'm only familiar with 2D/3D animations school for videogames, architecture and movies).

For me, if you want to focus on comic, 2D/3D animation schools are the best. Whether it is for a movie or a videogame, it's an art of telling stories through visual so the basics are all the same (storyboard, composition, know how to cut your scene, know how to write a story that fits the standard etc)
You will also be able to do your own 3D models that can help your process for your comics, you'll be able to do animation to promote your comic in a more exciting way. Heck, you might even be able to do a small videogame spinoff.
The possibilities are endless unlike art school that focused only on comic, those aren't that great.

I'm from france, so i can only speak from where I live but here, comic school are kinda eh. They teach only the basics because this is the only thing you need to learn for a comic. In comparison, you'll invest the same budget and time than 2D/3D animations for less knowledge (because 2D/3D animations will essentially cover the same topics as comic school).

Of course it all depends on the school, you should try to see their programs, see if it's worth it or not.

That's a lengthy post but a little about me, I'm graduated from a 3D animations school program in 2012 (in Canada) and right now I'm able to make a little bit of living from my comic work (only from commission mainly from people outside of france also not from companies haha), my 3D knowledges helps me to see potential avenue that can help the process of my comic but also creating different type of projects, i'm a bit more versatile while working on projects that I love :slight_smile:

Maybe developing a solid portfolio can help you prove your skills in the case of an artistic carreer. I met someone who studied advertising that is an amazing artist and a person with a degree in graphic design whose art was amateurish for graphic design standards.

I think a smart person hiring an artist will check the portfolio and in the end what matters is the learning behind the degree.

Okay, so to preference my unpopular opinion let me tell you a story about my life... haha.. ah..

I went to a 4 year private university in the US to major in Biology with the goal of becoming a veterinarian. It was $43,000/year for 4 years and most of it I took out in student loans. I graduated top of my class, got into Vet school, but then subsequently dropped out of grad school (goodbye $8000 non-refundable entrance fees) due to my father passing away. I spent almost a year unemployed with massive amounts of student loan debt, with a STEM degree that everyone touts should land you an awesome job. Eventually I got a crappy low paying job at the university and went back to school to get a Masters in Business and this time did it via tuition waiver. However, it took selling my house many years later to finally be debt free. (Happy ending I now have a fabulous paying job so things worked out in the end, but it took a really long time!)

What did I learn? Do NOT go into college without a financial plan. Art majors notoriously STRUGGLE to find work. Especially in the US. Some freelance artists do pretty well as graphic designers doing logos and branding or working for marketing companies. If you are super duper lucky you might work for Disney or a video game company. Almost no-one is ever hired on salary for a major comics publisher. Dreams of working for Marvel/DC? Not a good life plan when you have student loans that don't care if you got your dream job or not.

My advice, coming from someone who is much older than the average tapas user, is that it is OKAY to follow your dreams. But make sure you can financially support yourself as well. If there is a particular company you want to work for (such as a video game company), contact the company and ask them what sort of requirements they have for hiring. Do they want an art degree? Do they prefer marketing? Do they just want a beautiful portfolio? Then make a college plan. Make sure the cost of the degree is worth the potential job at the end. If you want to freelance, do some research about how much freelancers make in their areas.

Even better go to a University in a country like Germany where school is virtually free and you take away a huge amount of financial risk and it will give you more time to plan out your career and try different things. If you are in the US? Please don't go into debt without a good plan. Remember you can always minor in arts too if there is another degree that interests you. That way you get the experience of art school with a bit less risk.

is this mainly because of loans? if loans werent an issue, like in Germany, would your advice be different?

i realise art graduates dont exactly get the jobs racking in afterwards, but luckily students loans in the UK currently work in such a way that you dont pay them back at all until you earn enough, and only when you earn a significant amount do your monthly fees go beyond, like, a tenner. so my perspective rn is fuck it, ill do what i love and either get rich or get it for free.

Yes and no. I took out loans to cover my tuition, which would have been fine had I continued to pursue vet medicine, since vets in US get paid very well and jobs are readily available. People take out loans for a variety of reasons even in countries where the tuition is very low. You still need to have a plan in place to provide for yourself through your college years. For things like your living costs, food, supplies, books etc and most importantly your time. Loans are not bad if you have a way to pay them off, however I see students come through my office every day who regret it or at the very least wished someone had really talked about the investment before they made it. I do have a student from the UK, I'll have to ask them their opinion.

Just be very careful when you take your loans. Read all the details specific to your loan. All loans mature eventually, and you will have to pay them back one way or another. My loans had a deferment period, but eventually I had to start making payments. Also the longer you drag out your repayment period the more you pay in interest. If I had waited the whole 30 year period I would have eventually paid twice as much as the original amount!

I think the UK has a forgiveness program where you can teach in certain areas in your field for so many years and your loans disappear. Those types of things are good too. The US used to have a program like this, but it doesn't exist anymore to my knowledge and those who used it had to pay mountains of taxes since its considered income when loans are forgiven. All I'm saying is that the financial aspect is worth just as much research as the program you want to enter. Get all the information you can, especially from the administrator you are borrowing from. Know what the market will be like afterwards.

You can absolutely make a career out of art, don't let anyone tell you otherwise. Just be as prepared as possible and armed with as much info as you can get and I think it will save you a lot of stress and heartache later.

I think this depends on individual culture as well as how much it costs in your country (or if it is free) but my personal experience and understanding is that getting an arts degree is only worth it carreer-wise if your art matches the ideal in your country or if you can't go the self taught way for whatever reason (maybe you find it easier to learn with a teacher).

For example comic industry here in Sweden is mainly: European style (for stories), feminist/otherwise political comedic charicatures and comic strips, and humor strips. If you fall anywhere outside this, you will struggle much harder to even get into a comic school, and even if you do, you'll just go on to be rejected from the industry with the excuse that "you aren't educated enough" or the more honest "your style isn't what we want".
Manga inspired styles are especially hated by the oldschool art elite. In fact it is in art schools pretty much anywhere but asia and if you enjoy doing art that is considered "manga-ish" you shouldn't even bother with art school. It's a drain of money, energy and patience and your teachers will hate your ass and find bullshit reasons to fail you.

If you are planning to stay indie/ online targeted /global / self run, there is literally no reason to go into art school either.

Only reason you'd need it is if you feel it would help your improvement, or if you are planning to work professionally in any traditional media or local art/design related job.

in the uk the financial situation is fairly simple (right now)... the maximum a uni can charge is just over 9k a year, a loan covers all of that and you get smth like 6k a year to live on (more or less, depending on your financial sitch.) youll get the same loan wherever you go, repaid in the same way. im not worried about never paying it back and gathering interest, because there really is no 'its gonna hit you' point unless you make big bucks - it gets written off after something like 30 years, paid or unpaid. the only difference from uni to uni would be exactly how much you pay, and what grants they offer - and even then, thats rarely gonna be more than 1k out of a 45k debt.

ultimately, being a cheap ass, my only solution to the finance is to not think about it. if i think about it, ill never go to uni, and i really want to go. ill have to take it as it comes.

also, like, pray that we get a lefty government who makes it free

In danger of sounding pretentious as hell, I think comics as any other art form deserves the recognition and seriousness that is the dedicated study of it and specialization, that I think is the purpose of a higher education.

But I don't think higher education is for everyone. Some thrive in a class room setting, other people wither and dies in them.

I really want to get an education in comics. I learn well in a structured school setting, and I like getting assignments and such, otherwise I have a hard time getting out of my comfort zone and prioritize what to work on.

There is a school near where I live that I have had my eyes on for years. In Denmark (where I live) we have The Animation Workshop. It's an internationally renowned profession bachelor program that has three branches each at four years length: Computer Graphic Arts, Character Animation and their newest, Graphic Storytelling, that includes storyboarding, comics and other sorts of visual storytelling.
It's a state funded school, but you have to pay for materials. You learn both the artistic parts of the craft but also the marketing and business aspects of it. The course is quite popular and have a low acceptance rate, mostly because GS is very new. The first graduates just came out this year. What I have heard there were 60 places for 400 applicants last year, so you have to be good before you even get in. Competition is fierce.

Every summer The Animation Workshop also have some one week courses for everyone to attend, and I've been there the past three years. They are amazing! They offer classical drawing and animation and this year they also have a comic course I'm looking forward to attend! :smiley: (There are a lot of international people that attend, I can give you a link if you are interested) (No, I'm not sponsored, I'm just a fangirl of this school, it's like my dream holiday destination)

I have been told from several sources that I have the potential to get in, unfortunately my health does not agree. I can barely hold a work week of 16 hours atm (late diagnosed autism and prolonged exposure to stress does horrible things to your brain), and the school requires full time plus homework. It has been a bitter pill to swallow, that I might have to give up on my dream of getting into the school.

Personal bitterness and crushed dreams aside, I have been seeking alternatives. At the moment I just seek information where I can. The internet is your friend.

I've also started looking into a one year course in Malmö in Sweden, Serieskolan, that may be easier on me to complete. There is also a school in Copenhagen, can't remember it's name, and don't know how long the course is. I just remember someone mentioned it to me.

same! i dont think its a pretentious opinion, the recognition of institutions is what gets any artform legitimacy, which can only aid the medium and the market.

i haaaaaaaaaaaaaaaaaaaate you lemme get in on that im so jealous. totally link me up, id be willing to haul ass over to denmark if this course was affordable to outsiders. is it taught in danish?

hey! im autistic too, and i feel that low stamina, its crushing. its the reason i left technical theatre (what an exhausting, never ending job that was), and it really makes college a struggle rn, tho i dont think i struggle w it as much as others. how long have you been dx'd and how long do you have til youd be going to uni? i think its possible to improve your stamina over time with developing coping mechanisms and a better understanding of yourself as an autistic person - a few years ago i never went outside and every outing was exhausting just thinking about, but ive got a better understanding of my sensory needs now and when to take breaks for myself, and its a lot easier to hold down school and outings alike. its still exhausting, but just about doable.

dont fully give up on going to this place, bc i think in the years after being dx'd things get way easier to handle just by knowing what youre handling, and then even how to handle it.

Good luck I getting into that one! But don't feel disappointed if you don't. Competition is tough as fuck :joy: It just so happens to be the one school you should focus on if you want some actual important contacts in the business in sweden so everyone wants in.

Scroll down to the summer courses https://animationworkshop.via.dk/en/programs-and-courses
All courses are taught in English. It is a bit pricey, but considering what you get out of it, it's worth every penny. Classes 9-16 for a week, materials, food and lodging (nothing fancy though, you can put up a tent or sleep in a classroom), and you get to spend a week in the company of about 30-40 of the craziest most weird ass people all sharing your passion! It would be so cool if you could be there!! :smiley:

I've been diagnosed for three years now (I'm 26). I managed to get through a two year business academy education, but then collapsed when I had to go job hunting. I'm in a rehabilitating internship atm, drawing for a one man board game company. I'm working on coping mechanisms etc. I'ts just up hill after ignoring my needs so long.

I haven't fully given up. It's just for now. I have just taken a blow, feels like a setback to me, and I'm still dealing with that, since it was quite recently. It was also a pretty annoying string of events. My boss really think I have what it takes to get in, and he told me it was a two year education, so I thought I could probably manage that. I then started working on portfolio and figure put living arrangements and such, then figured out it was a four year education and there would be no special need support what so ever, and I had to be realistic that I wouldn't be able to handle it. Hence why I'm bitter over it.

Oh I know about though competition. It's the same with The Animation Workshop. It's the best in Denmark, so everyone is gunning for that too. Plus apparently the French love it, so we have to compete with them too... That's what some students said anyways... When I said easier, I meant time wise, it's only one year, not four :slight_smile:
I didn't know it was the best in Sweden though... I was just told about it from some professional comic artists I met at a festival last year.

Ehhhh it's basically the cool kids hangout/ "have studied there" of the swedish comic industry. I was eyeing it myself and applied but got rejected, unsurprisingly :kissing_smiling_eyes: But I've heard that it's really good. Over the years they have had several professional comic makers as tutors in there, and they have strong ties to the publishing business. If traditional publishing is your goal, it's a good place to learn from those who are in it, develop your skills among likeminded people and tie some valuable contacts that could get the ball rolling for your comic carreer.

As for me, I found out with time that the oldschool/traditional publishing industry in sweden isn't very positive towards manga. There are a few manga titles in it but the attitude is generally negative. One of the most (if not the most) popular swedish manga creators in Sweden runs their own publishing. There is obviously a huge demand for manga here and general publishers want to procrastinate on recognizing that for as long as they possibly can.

As I said, school vs no school depends on intent as well as culture. I am not willing to change my artstyle just to get into swedish publishing culture, and I don't get anything out of aesthetic education. I did 3 years of aesthetic classes and in terms of my art development they were a waste of time (full of stuff I already knew or was already in the progress of figuring out myself and understood better when learning on my own time). My friend on the other hand felt she learned a lot in those same classes, and improved on what she did already know. She isn't better or worse at art than me, just different. Learning is just different from one person to another.

My stuff doesn't appeal to the swedish comic industry. Too bad, so sad, it does well online instead. One or the other isn't better or worse, just different. Therefore, I feel that the "Is higher education better or worse?" discussion is sort of... not gonna go anywhere because it differs on a case by case basis.

How long is a string?

Also tangent but... this is also why I get a little annoyed when people complain that their comic isn't doing well on Site X or that Site X isn't doing enough to promote Genre Y, all they ever see is Blabla romance and BL or whatever people complain about, and that the site should do Z to make genre Y more popular on the site.
Like mate. There is a medium out there where genre Y FLOURISHES. Move yourself over to wherever that is and give it a try. It's the realization I came to and the thing I did. Why ya gotta come over to the one place where people like me can flourish and tell us it has to be like all those places where we already got rejected??

You don't see me walking into that comic school shouting WHY THE FUCK U NO LOVE MY MANGA-ISH GAY ART
Like no I just move on and go where the people who will love my gay-ass art are hanging out. Everybody wins.

Tangent over I suppose :kissing:

My degree is in Creative Writing. Could I have written without their help? Yes. Could I have been exposed to as many fresh ideas, and histories, and contexts if i had studied alone? Probably not. You need other peolpe to grow your craft. Take advantage of your youth and post-secondary education.
My biggest hang up has been to do an MA in writing...

This is exactly the biggest boon from doing an arts degree in either comics or creative writing.

My university is mostly this, but it helped, to some degree. Sure, I didn't have a thousand Hemmingways or Kerouac's to lean on, but it was a tighter group which fueled more discussion. I feel I got more out of my education because of this.

could you talk more about your experience with creative writing education in terms of comics? like, did you find a lot people also interested in comics and able to teach you more about that specifically? was visual storytelling covered - and if not, how did you fill that gap?

im seriously considering a creative writing degree, considering my second Big Thing is poetry, and i do love all forms of writing. i think outside of studying comics specifically, itd be a great way to get the right training when combined with an art course.

Well, my degree almost never discussed comics. However, a narrative is a narrative, and anything you can write into a short story or a novel you can write into a comic. So, those are very transferrable. However, if you really want to focus on what can transfer, studying film scripting is a great start.

Comics actually came after my degree. So I can't say that there was anything I did to particularly focus on them during.

That being said, many of my colleagues were interested in graphic novels (and my make this distinction from 'comics' on purpose). Graphic novels take more cues from traditional writing than old style serial comics do. They have recently become very big where I live (Canada), so there have been courses developed at my university to specifically study their style (thought not many).

If you want to do creative writing, I'd say go for it. It may seem peripheral, but it's not. Knowing how traditional storytelling works and what the historical tropes are is very important to constructing any style of narrative.

oh fr. ive been really sucked into film studies lately, its really tantalising in its similarity not only to comics, but also to theatre, a lost love of mine. i often feel like if you cant study comics, the next best thing is studying film (or really, animation, which is just film but More Specific)

i totally agree! ive had some good advice re creative writing vs lit, and the big question is finding a place where both the art teachers and the writing teachers are good - ive been warned that its important to find a course where the teachers write stuff you actually like. im tempted to lean towards literature on the basis that to study how others do something is arguably the best way to learn how to do it, but im still divided.