The Sketch a Day Thread!

[stiatent]

@migxmeg yep theyr'e cool indeed mayb for nex Halloween or a cosplay I'm sure you'll come up with an idea The girl with paper and cat look awesome too
Love the one with the guy grooving on his guitar, the angle of his left hand also adds that natural, motion feel too

@Kelheor is that an OC or Tifa (one of my fave characters) looks awesome either way and sweet layout on the piercings for the bald guy, his expression looks awesome gives me a mix between a stern and wise character

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@AfroAtelier nice seeing traditional painting art, never thought about it b4 but totally agree, very therapeutic seeing the paint brush painting over XD Awesome linework and the undertones were neatly done Nice seeing the process and paintjob, keep it up

Did this sketch while on lunchbreak - I'm clearly hooked on Issandro atm:

His powers are gravity/anti gravity manipulation and his fighting style inspired by Capoeira, there's some time b4 he appears in the comic but continue to work on him meantime, have to work on the bodypaint for his back, superpower effects.
His design is supposed to be layered especially with the bodypaint placement. -his body paint covers tattoos that reveal his true identity. Also have to do some battleworn textures too where the bodypaint starts to wash off.

His shirt and shirtless looks for comparison:

[migxmeg]

@Kelheor amazing...ly stubborn aww but thanks always for the support.

@nathanKmcwilliams see Erick, want to punch Erick

@stiatent thank you!! Wow these 3d models are just wicked - the clothes and texture I wouldn't even know where to start.

[AfroAtelier]

How long does it take you to create a 3d model, they look like a lot of hard work has gone into them!

Tell me about it, documenting each stage of the process is so rewarding. Especially if I want to come back in the future to examine how I did something. I still forget the combination of colours to make nani's skin colour, so I always have to refer to my cheat sheet or go back to my previous studies and figure it out

And great traditional work, I really like the anatomy and dynamic angles!

[nathanKmcwilliams]

Whaaa? Punch Erick? Why would anyone ever want to hurt his angelic face?

[migxmeg]

Must be that I'm so jealous of how amazing and cool he is.

@AfroAtelier Undertones!! I love seeing your process - thank you for posting. I'm never satisfied with my watercolors, going to grab that from you next time I try them <3. As for Stormlight, I haven't read that series (though I believe Mig is reading it now, so it's probably somewhere around the house). I used to read a lot of novels and for better or worse now it's 98% comics .

[igneriss]

First version of the sketch, and then version used:

.... aaaand already did a lineart:

They are Kestrel and Wilhelm, characters from my series ( : she is a thief and he is a water mage (...and a dramatic poet)

[Black_Conscious]

I've reference one of the Covers from the Movie Mulan, such as this and then added small/noticeable details to it like the Blossoms, since her father used that as an example at the end of the story I believe.

Actually I was gonna draw the other version of Mulan where she is wearing the armor she took from her father. You know I might draw that as well I just wanted to get down with this one first

And OMG HOW COULD I FORGET THAT EASTER EGG IN LILO AND STITCH!!!
I saw it one time like a long time ago lol, It actually took me a minute to see what you where talking about and then BAM

(reference photo)

[AfroAtelier]

@migxmeg OMG does migxmeg = Mig & Meg 🤯 I always thought it was just your artist moniker and not two names in one, mindblown.
And YES, i remember you mentioning that you do watercolour art as well! Would you be willing to share some of your watercolour sketches and paintings (or make new ones ) we'll be watercolour buddies
What genre of comics are you into at the moment? mine's always chopping and changing but at this moment of time its supernatural horror

@Black_Conscious wait a sec... I've got ot here somewhere... rummages through screenshots... Chris Sanders, the designer and director of lilo and stitch actually worked as an animator for Mulan and Aladdin.

Here are some of his storyboards for Mulan when I was doing a deep dive into his artistic style:

I'm totally nerding out but I find these so fun to share because, they're kind of like a piece of animating history as well as a brilliant way to study art styles.
Go for it and draw her with the armour, that'll look amazing!

[Kelheor]

It's Tifa! Love her so much!
Will need to work on a bald guy a bit to polish some of his features
Issandro's design is amazing btw!

[Black_Conscious]

the designer and director of lilo and stitch actually worked as an animator for Mulan and Aladdin.

OMG I NEVER KNEW actually when I see those two movies side by side I actually can see the similar qualities thats so fascinating and its also intriguing to see the story boards as well

and lol yessss I've been wanting to draw her with the armor as well

[LCT_m_a_d]

I really need to learn how to color inks

[Chita]

WOW!! That is a huge improvement indeed, all the studies are really paying off!
It makes me do more studies as well XD

[Chita]

A sketch of my dnd girl Form of Dread design. Playing as an undead warlock has more perks than I expected!

[AfroAtelier]

Today I'm back to work, on my way into work I picked up new Faber-castell polychromos colour pencils. I've wanted Burnt Sienna 283 for a while but then I stumbled across and colour I quickly tested and think it will come in handy, called India Red 192.

Both these colours will be brilliant for some of my characters with brown skin tones. Burnt sienna is important because that is a base colour in the watercolour mixture for characters like Nani that I draw and paint. After the paint dries i usually go over areas in pencil to smooth the transition between light and dark areas. Being able to touch up areas with the right pencil colour will help. Especially since I was using burnt orche which is lighter than burnt sienna.

@LCT_m_a_d definitely go for colour I remember your pieces "Control your inner-actions..." and "The key to a spirited mind..." which had colour, that was so eye catching and had this really nice pop to them. The shades of purple and dark reds in the clothing were certainly tantalising and I liked the use of fuchsia in the tree in "The key to a spirited mind...". The use of orange and grey scaling in "Control your inner-actions..." would definitely be something I would really like to see, especially in different colours.
And I'm curious to see how you would use browns and darker shades of colour

You experimenting and using more colours will be so interesting especially in observing how your work develops​🏾

@Chita LOOK AT ALL those curves and curls in the horns and hair! The hollow eyes really add to the eerieness of your character! Will you draw more of her?

[nathanKmcwilliams]

Shiny eye

Slimy eyes

Briny eye

[Kelheor]

I really need to learn how to color inks

In traditional you mean?
Love the shading of those crazy shapes

Harley for the next fanart I guess

[DanielRKM]

Daaaaaaaaaaang! That’s striking! I’d love to see some colors but that is just nice as is.
And yup, that was my Gremlin “Stripe” (from memory). It started as a doodle of Artemis, but I was seeing more gremlin in the expression, so I abandoned my original doodle and went with that.

[LCT_m_a_d]

@Chita This looks really cool.

@AfroAtelier I love hearing your insights on color. Especially when it comes to brown. I can see there's a lot of natural control over how everything blends in your pieces.
I kinda feel weird about mixing pop/vibrant colors in heavy inks. I should probably do it though since I do like experimenting with them separately. Thanks for the insight.

@Kelheor Those eyes are something else and the finger pressed up against the mouth is a nice touch! I still find those interactions hard.
Thanks btw. I was trying to go back to clean digital inks and coloring them like I did last year. (When my mind was far more fragile ). You did point out that they weren't bad and last weekend I got the impression that how I was working then was much more inviting than the colored pieces I've been now. Too much between pop colors, perspective, and half-baked inking. And I struggle to see a clearly comprehensive piece.

@DanielRKM Thank you! I'll color it. I'm in deliberations about that but I need to start

[Veropatra]

I don't have a real favourite Disney character, since it's difficult to decide. I like villains for their sassy, wicked, genius, and pure evil nature, sidekicks for their uplifting virtues and heroes because they are...well heroic and good role models. I can't choose just one when there are so many facettes to each story and character. Not to mention the many spin offs and Pixar etc.

And I love your sketch of Nani. She's beautiful. It almost looks like a professional rough sketch for the film

[Veropatra]

Some concept art for a potential future character, and the stages I go through to get the pics to become somewhat presentable

Stage 1: bald and rough sketch

Stage 2: add hair and clothes

Stage 3: lineart and colour

Stage 4: shading and light