The thing about Last of Us is that it was a movie to begin with lmao. In fact, you can sum up a lot of Naughty Dog games this way. They sorta had the groundwork laid down for them which is why I'm annoyed whenever Playstation decides to make adaptions of their "cinematic video games".
Like okay... it's bad enough they hold the industry back by trying to make a medium another medium (film), it's ANOTHER thing to be like "Btw we're making a TV Show/Movie out of this". It's like... What's the point of making it into a video game then?
Isn't what makes those games feel special is that they're... I dunno... playable films? I remember Sony asking Seth Rogen to write for the Uncharted movie and he outright said "... But that'd be missing the point of the games....".
Also it's going to be real funny seeing them adapt Part II. I wasn't a fan of the story direction there, but the thing I liked was what a lot of people seemed to hate... and that was Joel's death. Someone said it best where they're like "If they change it, then that means they're AWARE that Part 2 has some problems... if they don't... they run the risk of having the general audience realizing how unremarkable the story is without their selling point (Pedro as Joel)."
As for adaptions, I'm more of a fan of when creators adapt certain concepts as metaphors or whatever. Iron Man 3 was one of the coolest adaptions I've ever seen in my entire life and I'm dying on that hill lmao. Same with Guardians Vol. 3. Loved what they did to Adam and how he's supposed to be like his comic counterpart, but the High Evolutionary let him out too early... but in his MOM'S eyes he's essentially his 616 Variant.
The Iron Man 3 thing with the Mandarin was so cool that I actually got annoyed that people wanted a more concrete "comic accurate version" when THE ENTIRE POINT WAS THAT HE WAS THIS BOOGEYMAN. Trevor Slattery represented Tony's hedonistic-addiction life-style while Killian represented Tony's playboy attitude/obsession. The Mandarin was clear-cut propaganda to make people afraid of communism. Killian manipulated the media to make him Tony's worst nightmare by screwing with his fears through Afghanistan/Iraq imagery which was prevalent at the time.
Spider-Man: No Way Home is probably the most accurate adaption I've seen what with it exploring what Ditko intended before leaving the company. The Green Goblin was even some random stranger like how Steve wanted it to be.