12 / 15
Nov 2019

Right now, I've got one new comic I'm working on and several older comic series that I've stopped working on. However, I've hit a plateau and had the idea of continuing my older comics.

  • Part of this is that I'd like to loosen up my art style. I feel like the drawing is getting too tight.
  • I also have a bunch of story ideas I can't wait to make! and characters I'd like to develop.

Does anyone else run multiple concurrent titles? I know some manga artists do it, but they have assistants...

So far, I think the best way to go about it would be:
1. Keep the art style minimal
2. No regular deadlines
3. Keep the drawing process streamlined: not too much redrawing.

new comic

older comics I want to pick back up


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    Nov '19
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    Nov '19
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Aw shucks. <3
I feel I am slowing down a ton though, the amount of work paired with recent medical issues really put a damper on my output and overall motivation. I've kept it up for a bit over 4 years, it's time to evaluate things and adjust my plans to accommodate my current life circumstances.

I actually would encourage deadlines of some sort. Like a minimum of one page on each a month, or one of them will be left behind.
Right now I'm writing my main novel, a side story that I started in CampNaNoWriMo this year, and now NaNo's project, and then a side SIDE story my main novel, and then another project I've been thinking about for a while. But each have different "rules".

  • Main novel is always the focus before bed even if not writing that day at all. As I fall asleep I take time to think about what scenes I left off on, and how to continue forward. I also try to think about this during my 1hr commute.
  • Main novel's side story is scheduled on Tapas to release a 200-500 word (or so) update twice a month (or so, alternating weekends), and as I take time to write on it for 15minutes, I just add that to the queue on Tapas and leave it.
  • Camp story is updated kind of as I feel like it right now, but I'm aiming for at least two updates a month and these are not scheduled or on any announced release so the readers for it on Tapas are left in the dark as much as I am about creating it - don't do this if you can. I also have a rule imposed where whatever wack-a-doo thing spews out I have to deal with. I made a giant statue a rhino, come to life, gotta deal with that now. I even wrote the word rhino, no backspace, gotta deal with it. This is hard and not like my regular writing so it forces me to be creative in the moment.
  • NaNo's current project will likely not be worked on post November unless I have energy. I'm rewriting a story that I haven't read since I wrote it about 3 or 4 years ago so I'm working off of stuff that left impressions on me.
  • The extra story that isn't a side or rewrite - hasn't seen the light of day, no release on Tapas, just mulls about in my head from time to time and "someday" I'll get to it.

I actually might end up taking time off my main novel or putting everything else on hold while I work on writing this as a story while doing edits for Book3 of my main novel. I have more than enough time to play around and figure out what I'm wanting to work on. I'm just sick of the "extra story" not ever being worked on or done anything with; I've mulled over it for too many years at this point that I want to make it into a thing.

So yes, it is entirely possible to work on multiple things. Just be aware of deadlines can be a good thing or a bad thing but you can adjust them as you see fit. My main novel updates twice a week and I've just in October adjusted my update amount of word count from "as much as Tapas allows" basically down to about "500-700" window. It means that although I already have a huge amount of backlog to get to before Tapas is even at my "current releases", now I'll have even more time. A chapter that was 3000 words now is 4 or 5 releases instead of two, so instead of the chapter being out in a week, it takes almost three weeks to be released now.

I have two ongoing comics I am working on. One finished it’s first chapter and is currently in hiatus until December, which is when I introduced my other comic.

I started the process of simplifying my style while also keeping it uniqueness, and am hoping that the comics will only overlap minimally. One going into hiatus while the other is actively posting its second chapter and going back and forth like that.

The most important thing is to get your work flow in such a way that you can optimize your drawing time, and not stress about deadlines. Even for artist that don’t have multiple comics the pressure they put on themselves to update regularly really kills their work. Most of use have day jobs and other life concerns, webcomics are a labor of love, so have fun with it!

Eheheheheh.....
... it would remind me too much of a period of my life where I was writing several different stories at once.... and making no progress on any of them. I deliberately work on one comic at this point just because of how poorly my previous attempts have been, though that's not to say everyone's experience will be identical to mine of course. :slight_smile:

Right now, i'm working on two. The first is the third season of my main series:


and the second I haven't updated in eight months:

at the moment my focus is creating elseworlds stories outside of my main continuity.

It's my eventual plan to do this. But one of my webcomics (the only active posting one I have as of the moment) is done in a much more simplistic drawing style and is single page episodes. The other comic I will eventually launch with much more complex in style and plot. By having that distinction between the two, I'm hoping to be able to keep both active without stressing myself out unduly.

Here is the one I have going right now:

I have two. One is bi-monthly and the other is whenever I feel like. One has a big buffer, the other I just bang out all at once. I'm starting to discover I enjoy just doing it right then and there. I dunno. That feeling could change, we'll see eventually I suppose.

I don't even know if I'm still going with my stuff. I usually just stare blankly at Medibang Paint then sleep.

I have two I'm working on. They're both very new so there's not a lot up. One is more thought out, detailed, structured, plotted out, and art-heavy, to satisfy my apparent need for all of those things:

The other is super loose, experimental, and will be a series of congruent mini-stories. The characters and story arcs have been rattling around in my head for over a decade, so I'm just doing whatever I want with it and it's very relaxing. :slight_smile:

I actually really want to find out more about my personal storytelling workflow, so I'm trying both a more structured approach and a more loose approach. I script and plot out Moonflight and write and rewrite it, but Antlers I just scribbledraw in the spur of the moment and post it. I know pretty well where the story is going, but I'm open to letting it take me places too . Between the two I hope to find out what my writing/comicking style is all about.

19 days later

sorry to hear about that... what sort of evaluation conclusions have you come to?

ps. do you use assistants?

hahaha, I make nowhere near enough to hire assistants. I've always done everything by myself.

Right now I've settled on focusing on prose/webnovels, since I can push out more content with relatively less physical demand on my body. So I'm going to finish my current webcomics at a pace I can manage and then once they're all complete, I will only do one webcomic at a time from then on.

that's pretty amazing... and productive.

that makes a lot of sense. you can certainly create more stories faster through writing... In print comics, Becky Cloonan seems to have switched from drawing to writing comics too, though she still draws covers and some comics pages here and there.

...I have a backlog of stories that I'd like to get done and I've outlined my comic way into the future. Though, I write my comics in screenplay format, which aren't publishable as is, so prose might be something worth considering.

Good luck with everything. You seem to have a well considered plan.

Some day I'd like to be able to hire artists to draw my stories or assistants to help, but yeah, that's contingent on income...