What do you consider to be the weakest area in your art?

[pilot-obvious]

My anatomy at odd angles. It just always looks off. I should probably do more studies and research!

[allenthomas]

Easily mine is anatomy and posing. I would say it was environments, anatomy, and poses but I feel like I've gotten at least confident enough not to say that environments would be a flaw anymore. But I have been trying to branch out and try different poses and read books to improve my drawing.

[jkb4753]

HANDS, though! I've been doing hand studies in my free time for the past month. It's like, BDSM for my painting skills: It's painful and stings to be bad at something, but I'm getting better every time I draw hands and now I kind of like it.

[migxmeg]

I have a flavor of the week for what I'm unsatisfied with but if it's something that I think I can focus and practice then that's ok (right now I hate the way I drew arms, but I will fix it with some studying). In a deeper way I think my time spent to result ratio sucks for a wannabe webtoon artist. I'm going down a path with an inefficient art style and need to figure it out somehow.

[FancyDreamer]

Everything lol. Although everything is slowly getting better. I don't do will with faces that aren't straight on... I also struggle with straight on faces, but not as much. My body proportions are not consistent. I'm also not consistent when drawing the same character. I'm not super good at hands. Hair can be difficult. How do arms work? There's really a lot that I consider weak in my own art. However, I do enjoy my art, and I do like most of it. It's just not where I want it to be yet.

[CosmicLeon]

Oh, good question. I think I have issues with posing, particularly posing with foreshortening. And the bottoms of shoes/feet. Its a struggle. XD additionally I think that my 'clutter' placement in environments could use some work. like when i draw an office, 'WHAT DO I PUT IN HERE?' so, trying to figure out how to make a messy environment, rather than an unnaturally clean layout.

[cloudwilk]

Ahhh yea, there's always that something that doesn't quite work, huh? =w=

Right now I'd say.... For awhile, I'd overdo it in a way? And it'd detract from what was the important part of the frame. I'd say that's where I'm working at the most right now- making things pop but still work together.

[Aleksei]

Backgrounds, by far xD
Later, in a close second will be coloring. Or maybe just shadowing. The colors department right now is fine, but adding shadows its still a problem with me. I still don't find a technique that I can feel confortable with, so I just stick with the common cell shading.
Lastly, only because I have been practicing like crazy with the comic, it's anatomy and perspective. I can't have enough practice, though

[rajillustration]

For me, I wish my lineart was cleaner. I'm pretty good at lineart overall, don't get me wrong, but there's places on there where I'm like eesh, so messy (but I post it anyway because I gotta finish this thing)

[IndigoShirtProd]

Foreshortening and proportions. Whenever anything's foreshortened, something just looks off. I do it often to practice but I can never get it just right. And the proportions of my chatacters are never consistent, especially on my more realistically drawn characters. Heads are either too big or limbs and torsos aren't long enough. It's so frustrating.

[Berserker]

I'm not very good at blending shadows. Somehow a lot of blending or soft brushes tends to make everything look somehow fuzzy. So I started using a more crosshatching style for my shadows and even highlights. I think it has a neat look. But definitely covering a weakness.

[R.n.P]

I think for me its hands

[Scarlet_Cryptid]

For me, I could probably stand to improve drawing things like horses, or better differentiating faces between characters (aka 'same face syndrome'), and I always struggle with the right level of detail in my backgrounds (how much do I need for it to not look like a cheap afterthought, how little can I get away with), but the thing I'm most frustrated by...

... is things I like about a drawing getting 'lost in translation'. You know, when your sketch looks great, but somewhere between cleaning up your linework, inking, coloring, and adding finishing touches... something just... gets lost. No idea how to fix that, and it's so, so frustrating.

[AmysGames]

Backgrounds. I don't particularly enjoy drawing them, so they usually end up thrown into the panel as an afterthought, resulting in a lack of detail, lack of realism, and inconsistency between panels. I'm slowly getting better about it, but it's still frustrating.

[Mizukiji]

No it's fine if you're comfortable to learn by observing other's art, I'm doing the same thing too haha

[Mizukiji]

Well I suck at toning/ blending lol haha

[TeaMea]

It's feet for me. How does one draw feet? It looks so wrong every time. Even with reference. And the references aren't always nice to look at.
Also perspective backgrounds! Buildings and such. I had hours of classes when I was still in school but I still cant do it

[Caro]

vehicles! Cars, buses, motorcycles.... I can do em but they take me more time and I stiffen up with em. My line confidence goes down significantly with that stuff.

[SkittishMoon]

Consistency, Backgrounds, Posing and HAAANDS!!!!

[ogjuic]

keeping a consistent style. tis the pain of learning how to draw when making you your story