I was hoping for Tapas to be my main "home" for my current comic project, and I still wish it could be, but unless they change direction a bit, it'll be impossible.
Changes to the algorithm and a huge marketing focus on licensed comics have made it way harder for a mid-sized comic or novel to grow. I used to see top bar promos of my friends' work and think "oh cool, we've been friends and peers for years on the UK comics and illustration scene, placed in the same competitions, that kinda thing, so if they're up there, I could be up there!" and now it's completely dominated by imported Isekai comics so I feel like I missed my chance by getting in on the platform too late.
Ultimately, platforms and publishers come and go, rise and fall. As a creator, I've outlived Hyper-Comix/Awesomenauts, Smackjeeves and Drunk Duck (I mean, "The Duck" is still there, it's just.... not really relevant any more), hell I even placed in the finals of Tokyopop's UK Rising Stars of Manga the year before they went down in flames. It's best not to get too attached or to think any one publisher is definitely your path to stardom. I've done work for Penguin-Randomhouse and it didn't result in me being permanently taken on as a superstar illustrator. It was one thing I've done in my career. Maybe I'll work with them again, maybe I won't.
Tapas is a publisher that I like and I want them to succeed. I think their contract has some of the best terms I've ever heard of, and I don't say that lightly; it really does blow most of the other publishers I've worked with out the water. I like that they do host and celebrate LGBTQIA+ content and try to boost PoC creators. I would love to build a nest here, I really would, and if these "Tapastry" changes pan out, maybe there's still a chance. If they keep down this road of importing shedloads of content and burying us under it though, with an algorithm based on recent likes that means the only way to be visible is to be promoted on the main page because that'll also put you at the top of all the other pages anyway so the translated content they're promoted is literally on top of all home-grown "community" creators... well, the platform stops doing what I need it to. I need hosting, yes, but the main advantage Tapas has over just building my own website is being on an app that gives notifications and being discoverable as part of a database of comics. Currently I have the hosting and I'm on an app, but the app uses the notifications to aggressively market other comics that make my work hard to discover, so... currently it has no particular advantage for me over Webtoons or similar.
Hopefully that'll change and they'll realise that flooding the site with content like this that's available elsewhere and makes the site both homogenous and less valuable to the very original creators they're looking to interest so they can get exciting new content to adapt for TV is only going to hurt them in the long term... Otherwise... well, it'll be just another "platform that I used to know," and I'll move on to whatever comes next.