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Aug 2023

Saw this trend over on Twitter and I thought it'd be cool to see the films the creator's are into on this site.

Basically the 13 movies you frequently take inspiration from in your work (TV Shows and Music AREN'T ALLOWED) :v

Mine are:
1. The Street Fighter (1974) - I like studying this one for me to nail morally questionable characters. Motivated me into making my audience on their toes into figuring out who's going to be the main character.
2. My Name is Nobody - I like studying this one for its use of optimism and charm.
3. Fantastic Mr. Fox - COMEDIC TIMING OH MY GOD.
4. Napoleon Dynamite - I admire how chill everything is and the weird scenarios that could TOTALLY happen in real life. Just the conversations the characters get into. Has that Southern California energy.
5. Macross: Do You Remember Love? - This movie is like what I want my writing to BE? Sorta like a level-placer.
6. Macross Plus: Movie Edition - Religious symbolism and how they do silent storytelling.
7. Back to the Future - Studying the amount of detail.
8. Guardians of the Galaxy Vol. 2 - How wacky I can get with cosmic stuff.
9. Into the Spider-Verse - THE DIALOGUE.
10. Night of the Living Dead - How to do bleak dark stories with screwed up endings.
11. Predator 2 - How over the top and campy I can get.
12. Kung Pow - Adding itty bitty comedy moments that you can't help but quote constantly.
13. Matchstick Men - How to portray mental illnesses

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I can't even name one, where do I find 30? I can probably name 13 TV shows though.

The Mummy(1999) — Good looking characters and fun banter with plenty of adventure is something I try to have.
Back to the Future — The setup to the other movies was just great and I like to leave little details like that as foreshadowing.
What We Do In The Shadows — The tone, the mix of horror and comedy, the mundanity blending into absolutely absurd stuff. Also, the show is amazing.
Guardians of the Galaxy Vol. 3 — Could pick any or all of the three, tbh but this one was so good. I just love the emotional core of the movies surrounded by just the silliest jokes that make the quiet moments stand out. There’s different types of grief and loss and at the end there’s still hope and I really appreciate that about the series.
Cooties — Another horror/humor mix that has that kind of dumb humor I like. Really good movie.
Unbreakable — This movie had such a slow start and then it builds up and you get to the end and the reveal makes the slow bits worth it and that’s something I like to do sometimes.
Lord Of the Rings — I like stories about unlikely heroes who are flawed and this trilogy gave me that. In the end we have a hero that couldn’t do it alone and, even though they succeeded, was broken by the end as an actual consequence.
Flash Gordon — Listen, this is a terrible movie, but it always reminds me that things don’t have to be award winning epics to be entertaining. It also has Queen going for it.
Pan’s Labyrinth — I love the blending of fantasy and real life horrors and using fantasy as an escape. Also, I like to play with the ambiguity of reality, unreliable narrators, and dreampunk.
Paranorman — Love the dark themes mixed with all the light hearted moments. Especially the backstory of a certain character. I like messed up backstories.
Batman: Night of the Phantasm — Because superheroes.
Suzume — This has the “regular person in irregular circumstances and also, magic” vibe that’s in my WIP.
Howl’s Moving Castle — Fantasy, romance, a ton of magic and pretty art. That’s mostly what I’m about except for the romance.

Mostly, I like to focus on themes, concepts and aesthetics. And also I should probably write more horror judging by this list, but I absolutely love using humor and mixing genres and breaking people's hearts before making them laugh.

Back to the Future is by definition the perfect movie. One small detail in my rewatch I've noticed was why the Mom would fall in love with the Dad in the first place. It was a "blink and you'll miss it line" where Doc says she has this condition nurse's have where they fall in love with their patients. A lot of people point out the "plot hole" that Marty doesn't know his new parents but like... the entire movie is dedicated to him SHAPING them in the new timeline.

What We Do In The Shadows is like the coolest comedy ever. Loved the line "You brought a documentary group in our secret vampire society?!?!". Also the whole build up to "The Beast" and the Werewolves.

Pan's Labrynth I need to watch that since Pinnochio is in the same universe oddly enough.

Ah man... this is a tricky one. I actually think books and shows had a much bigger impact on me than movies actually did, and that I write more like a comics or TV writer than a movie writer. Let's see... (sorry in advance, I can't be bothered to look up the date of all these movies)...

Star Wars: A New Hope - I just think this is about as close to a perfect movie as has ever been made. It's so simple and captivating. The clarity of storytelling, the use of simple themes and archetypes... and yet with a setting and concepts that would have been so alien at the time. It's a perfect example of really good execution of classic story tropes turning a complicated mix of pulp sci-fi, Westerns, Samurai movies and WW2 films into something almost anyone can enjoy. I think knowing that's how I feel about this film, and why I use it as my go-to example for explaining the mechanics of storytelling, says a lot about me.

Wallace and Gromit: The Wrong Trousers - It's a short film at just around the length of a TV episode, but still a film (it won an Oscar and everything!), and it feels like a film because it packs so much in. The Wrong Trousers perfectly blends understated Northern English humour, Hichcock-inspired drama and amazing action sequences, like the model train chase sequence, which is just perfection to me.

The Incredibles - Watching this with the commentary on taught me so much about how to structure and storyboard a story. Brad Bird may not really be the nicest person, but he is very, very good at constructing emotional stories told very clearly and with attention to detail (and was hugely influential in use of that formula in The Simpsons early on). The Iron Giant is similarly great, but The Incredibles is the one I've watched a ton of times, so makes it onto this list.

Glass Onion - God, I just love this movie. You can re-watch this movie and see all the clues right there in plain sight, the interplay of cleverness and simplicity disguised as cleverness, and cleverness that seems like simplicity is incredible. The way it uses visual storytelling and small details it throws in, even down to the wardrobe, to help flesh out a large cast and make them all feel well-realised.

Enter the Spider-Verse - This is a fun movie with a great heart that nails not just natural feeling speaking dialogue, but larger-than life cartoon characters. Everyone has so much personality, and the humour is great. I also really like how it exhaustively explores deep themes, like parenthood and expectations, while also being a fun romp on the surface.

Legally Blonde - Not because this movie influenced me especially, but because it perfectly uses the beats of Save the Cat, both exactly to the letter, and yet not in the most boring, uninspired way, and if you're looking to understand how I write, understanding that I value using carefully constructed structures and then bending an unusual narrative to fit them will get you a long way.

Four Weddings and a Funeral - This was my older sister's favourite movie when I was a kid and she was a teenager and she watched it over and over, so I basically have the whole thing burned into my brain. I think the style of the comedy and dialogue did influence me... or maybe just Richard Curtis in general since he was everywhere in British comedy back then.

Emma (1996) - Speaking of things my older sister watched a lot! Jane Austen adaptations! Especially this one! I think that even though they're very old, there's still something very "true" in Austen's work about the nature of romance and relationships. Austen writes romance like a battle of wits or a tense negotiation, and I love when film adaptations get that and really make you feel that tension. Everyone's fully clothed and acting very proper, but they're all about to explode.

Tangled - Until Encanto, this was my favourite Disney film. I still think in a lot of ways this is the most "me" Disney film. I just find the choice to make the villain a narcissistic and controlling abusive parent figure, and so to make a large part of the heroine's story recognising and overcoming the trauma that's left her with, making it as much an internal struggle as an external one is fascinating and fresh.

Final Fantasy VII Advent Children - This is not a particularly good movie, but I watched it a ton in Uni because I was just desperate for a movie with this sort of... overblown, dreamlike, anime feeling. In FF7:AC it's like the laws of physics are based on "what would be cool?" Or "What do you feel like you ought to be able to do?" It's simple, big melodrama and the power of friendship allowing a group of people to basically do the D&D "Peasant Railgun" meme to fling a guy into the sky.

Scott Pilgrim vs The World - This is almost a cheat entry because it's really the comics that influenced me. I read the comics first, I was a huge fan of the comics and while I enjoy this movie, I don't think it does the depth of the plot or especially characterisation of the comics justice. All that said, the movie does capture the snappiness of the dialogue and humour of the comic, as well as the use of anime and game tropes as metaphors for mundane, real life stuff.

Shaun of the Dead - Speaking of Edgar Wright.... This is such a smart movie. It's interesting as a coming-of-age story about characters who are a bit older, but are more like metaphorical children. I love using Fantasy to explore mundane human experiences, and this one does it so well. It's the most perfect execution of a weird British show like Black Books or Spaced (it even has most of the same cast as Spaced and the same creator) turned into a movie with movie stakes and pacing. Also this is the only zombie movie with a realistic ending where the army are competent, which makes my pedantic brain happy! :sweat_02:

The Heat - Not necessarily a great movie BUT! The fact that this is one of my favourite movies says a lot about me. If you've never seen The Heat, it's a Buddy Cop movie where Melissa McCarthy plays a working class beat cop who plays fast and loose with the rules, and Sandra Bullock plays a highly ambitious FBI agent who really wants to be the cool boss guy, but alienates everyone because she's incredibly abrasive and uncharismatic... and then they have to team up. The awkwardness of these loser characters bumbling their way through everything... the way it addresses on a meta-level how a woman, or a female character with exactly the same traits as a male one who'd be seen as cool, gets perceived as "annoying" or "unlikeable" and they have to be brought low and humiliated to be accepted... This is just such an interesting piece of media.

Whew, I did it! Thirteen!

A lot are visual/feeling/theme inspired, not writing styles.

Anime Movies: (I love non-romance, feely animal anime movies breaking my kokoro)

1) Night of the Galactic Railway (1985)

2) One Stormy Night (2005)

3) Life of Guskou Budori (2012)1 (movie 1~3 by same director)

4) You Are Umasou (2015)1

5) Spirited Away (2001)

6) Rudolf the Black Cat (2016)1


Other Animated Movies:

7) A Good Dinosaur (2015)

8) Bambi 2 (2006)

9) KungFu Panda (2008)

10) Luca (2021)


Other Movies:

11) My Girl (1991)

12) The Neverending Story (1984)

13) The Road Home (1999)1 (Chinese art film)

OH HELL YEAH YOU GOT SPIDER-VERSE TOO LOL. The dialogue was so real that I couldn't help but compare it to Far From Home (those films weren't too far off from each other when they released)? When I watched the latter, I deadass was like ".... How come the animated film had characters talking like real people than the one with actual actors?" (Full disclosure: I love Far From Home A LOT, but it just went to show how far Into the Spider-Verse raised the bar on having characters be natural). Even my Dad, who hates animation, gravitates towards the film for how real it was. It was insane.

Also oh my God Advent Children is on my list. I originally dismissed that movie, but after playing Crisis Core for the PS5 and being broken to pieces by that ending, I'm SUPER CURIOUS about it (especially after the whole post-credit scene with those gray haired people). Sucks that they adapted into a game but like... it's only for mobile (Ever Crisis). Reaaaallly hope they release it for Switch or something (which... judging by them releasing Chocobo Racing GP and Pocket Edition, they actually might which is HYYYYYPE).

I watch that movie pretty much every time they play it and it's always so good. The whole setup for the third movie and Biff in the second is so neat. Also, they a really good job with time travel even thought it's such a pain to write.

Still hoping they go ahead and make the sequel eventually. The running gag with The Beast was hilarious. It's just such a great movie with some of the best comedy writing.

I haven't gotten around to watching Pinnochio, funnily enough. Definitely have to though because I usually really enjoy Del Toro's work.