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Oct 2017

Awesome idea! I wonder if we can do something similar with writers.

I'm GMT, and on mondays and wednesdays and weekends im around 1pm-12pm, wouldnt have the time or energy to do anything on other days

I've been very busy, but I'm still up for this. I'll usually be available for most of the day on the weekends, and I'm limited to the evenings on weekdays UTC -5.

I'll be hanging out on unu.ai for the rest of the night. Would anyone care to join me? I'm joe20150506.

okay im logged into uni.ai, have you got a swarm we can join or do we need to make a new one?

The website I mentioned is a bit buggy when it comes to time zones. Home cities are a bit less ambiguous.

As an update, we've shifted direction to promoting a chatroom on UNU2 as a way of familiarizing people with how swarms work.

I just got a time-intensive gig out of nowhere (I last spoke to the prospective company months ago) so there goes my free time for the forseeable future. :stuck_out_tongue:

Sorry, already working with Owlturd Comix on a collab comic (that updates infrequently), and it still has a miniscule subscriber count.
Although I'm trying to get it popular on my own coat tails and not Shen's because I want it to be popular because it's good, not because it has a popular artist/character in it.

If you want to check it out, here it is.

In theory, a swarm of anonymous novice artists should be able to produce a work of professional quality

Only if they have a really good director.
In terms of manga, there's usually the head author and the assistants who do the grunt work in order to make the deadline.

In the manga that I linked prior, I'm working with two others: Shen, who I unofficially appointed as the editor who takes a look at the story, storyboard, rough sketch, script, and the inking to give the thumbs up to continue (since his name is attached to the project), and a girl named Kass who does all the shading and screen tone art. But the quality lies on me, the head artist and director of the project, as I'm making the sketches, rough drafts, story boards, scripting, and other miscellaneous tasks in order to get the quality that I want the comic to have. Although Kass does a great job at shading, it's moot if the line art is poorly done. And even if the art is good, the writing needs to be good otherwise the readers won't stay interested enough for the next issue, which is why I always have an editor of sorts to read over the script.

If you have novice artist work on a project, the end result will still be a novice project.

But, if you have a team of skilled artists working on something, seeing that they know what they're doing, then you'll output something at professional quality.

But with swarm technology, a group is able to think for itself and make its own decisions. It's direct democracy, and real-time too.

If that were the case, then you end up with a very mixed story. Without a clear vision of how the project should go, you might end up with a story that meanders on until an immediate stop.
Also, in a direct democracy, you might end up with a few individuals bitter about the decision made and refuse to work on the project (or worse choose to sabotage the project) out of spite.

Again, with swarm technology a group stops being merely a crowd and starts acting like a collective. Are you at all familiar with human swarming1? A swarm is able to provide its own leadership.

Possible, but then, they weren't forced into this in the first place. They knew ahead of time that collaboration was the name of the game.