Can someone at Tapas please address this? (Revenue share cancelled for completed season)

[VersusVII]

Now I understand why a girl I follow said "I had to take a lawyer or get the help from someone accostumed with copyright to help me figure out the contract and be able to advance some requests" while telling how she became original. Tapas seems a bit predatory

[DasIstWunderblyat]

"That's why read the contract and never sell your IP out"—yes, duh. That's not the point. Good for you you don't fall for it, I don't care.

I just want to know why Tapas has that kind of clause and from the wording sounds like they deliberately make it easy to make. I want to know the testimonies of other creators (why only Miqin spoke up?). Is it true? Hell, I wanna read the contract if possible.
Because having a predatory contract is still predatory, and something done in a bad faith, whether you "Just read carefully uwu and don't sign in, guise" or not. The clarification from this could be really helpful for people who are considering working with Tapas.

[VibrantFox]

Honestly I think with any company or situation with a contract poeple tend to strongly suggest getting an agent or a lawyer to help with legal matters, course idk how accessible that is in terms of location and cost but I know i've seen it brought up often enough

What's frustrating or I guess just disappointing is that even if a company or other entity seems trustworthy you've still gotta do what you can to avoid potentially being misled

[thepenmonster]

It's a shitty way to discover that all businessmen are scum and all companies are predatory. Especially so when it comes to art fields where there are a million young folks hoping to make dreams come true. Comics, TV, movies, games, don't matter. And they get away with it because if you demand better the next artist on their list wont.

[hakei]

Contracts differ a lot, even for those in the same project — for example for our unpublished Tapas Originals project, the contract I the artist received was very different from the contract the writer received.

A lot of us are under active NDA, has other projects tied with the platform, not active on social medias, and/or only stick to close friend groups. Like I know more in-detail stuff about miqin's situation but I'm not sure if I'm at liberty to disclose it.

Remember when the Webtoon contract discourse was happening — out of the many Originals artists, only a few publicly spoke up with their details.

Tapas has much less contracted creators than Webtoon so there's going to much less people willing to speak out publicly with their contract details.

But predatory contracts at this platform isn't new -- the creator of Chinatop has spoken multiple times about their contract:

https://twitter.com/4threset/status/1631357115507044352

(reminder i did 50 panel episodes for $50 per ep when I was on originals.)

[candiedcotton]

Hm.

I don't know what the contract was, but from my understanding the author signed with a different company who merged into Tapas. Or am I misunderstanding that? Kakao?

That would mean the original contract was void at that point so it wouldn't matter. That'd be the point I assume in sending the new contract that she accidentally signed.

The old contract doesn't matter, whatever it was. I'm a little confused as to why it does seem to matter to folks. Or maybe I really am missing something.

I believe the new contract is what is actually relevant, and yeah, it was shady. I think people ought to be a bit careful of victim blaming here (not that I think anyone is doing it intentionally, but it's an easy mistake to fall into).

Nobody is going to sue her for what she said on twitter. They'd be stupid to try. Not sure what country she's in or the laws there, but I think in most modern countries it'd be a waste of time to bother.

[Cavechan]

I know, but someone has to be here to get the conversation going and bring up these questions. Only way change might some day happen.

Like I know more in-detail stuff about miqin's situation but I'm not sure if I'm at liberty to disclose it.

You absolutely do not have to. Actually I would straight up say: please don't. Contracts are so tricky and it's true a contract can vary greatly and how @candiedcotton brought up that the Kakao buyout could have completely changed the contract because the original may have been void.

[IndigoShirtProd]

I don't know what the contract was, but from my understanding the author signed with a different company who merged into Tapas. Or am I misunderstanding that? Kakao?

Tapas was bought out by Kakao like a year or two ago. I think they mean that they signed with tapas, and then after Tapas got bought out their IP was cancelled by Tapas and they they signed a new contract, still under Tapas.

[candiedcotton]

Depends on the country laws, but generally, yeah. The original contract is void the moment the company is dissolved. A contract can be bought by another company, but usually with a rewrite. That's most likely exactly what happened here, so the old contract is totally irrelevant at that point.

[ShidoDraws]

We are talking about companies set in Korea, they are quite known for being very predatory with their contracts. It's very well discussed in the K-pop industry but it's not going to stop future generations from pursuing a dream. Usually in K-pop you start with a debt, you owe the company money until you can break even with the money they spend on your debut.

With webcomics I assume it's the same thing but in the opposite order.

The sad reality is, webcomics are still new to the international majority even if you discovered webcomics back in 2014 they've been around in Korea much longer. There are industries dedicated to creating webcomics and people outside of Korea are competing to get that five second fame.

Korean companies are notorious for exploiting Thai, Filipinos, Chinese, Japanese people, that's why K-drama/K-pop was so popular. It wasn't until 2016 when other countries who weren't the targeted demographics became the targeted demographics. I mean, no shame to Brazilians who has always been interested in Asians. They are one of the saddest bunch, cause human trafficking in Korea is a thing.

I digress. Now that you know, Korea is just being Korea at least until the public here actually do something about it. But that probably won't happen since there's people who encourages you to make your own site to host your comics and then there's those who advertises that they are a indie comic hosting website (with even smaller readership base). The Internet can only be spread so thin, guys. The issue can't and won't be resolved unless every artists and writers on the internet come together to make a choice. Nothing will change in the contracts because Korea is not going to change their ways any time soon.

Edit: Also, Webtoons is millions of dollars in debt right now, I wouldn't be surprised if Tapas is already on the red too. That's when companies take desperate measures, they kick people until the place burn down. Though Korean companies do have the tendency to keep going even when their gut is telling them to stop. It's just sad honestly. It's about public image... I suppose.

[candiedcotton]

Either way, if they were contracted by one company that was later dissolved or bought out by another company, the contract is no longer valid because the original company does not exist, and new terms need to be implemented. Most countries have these kinds of protections and it's just common practice.

I make a living being contracted by all sorts of companies, and in the game industry, company mergers are the norm. I've never had a contract survive a merger of any companies and it always has to be rewritten (I've done this probably a dozen times at least).

It can also take a while for a contract to be fully processed, and for something like Tapas I wouldn't at all be surprised if it took that long. Or the author in question had tried their best over a lengthy period to work with Tapas before finally breaking down and saying what they said. We really don't know.

[Freemints30]

Webtoons is millions of dollars in debt right now, I wouldn't be surprised if Tapas is already on the red too. That's when companies take desperate measures, they kick people until the place burn down. Though Korean companies do have the tendency to keep going even when their gut is telling them to stop. It's just sad honestly. It's about public image... I suppose.

Pretty much what Ive been thinking.

This whole situation reminds me of tokyo pop before that company collapsed. Doubt tapas would sue cus this creator had the balls to say pirate their creation.

But yeah that weird weak ownership, signing young starry eyed creators as young at 18/19 (that's like still high school for some folks), canceling series suddenly after telling them they would be renewed for a 3rd volume. Shift in emphasis on what they assumed makes them money dispite evidence to the countrary (Tapas Korean import, wait for free... that whole thing was a disaster the google reviews), over streaching to different media to the point you wonder if they should just focus on thier comics (tapas live action tv and their attempts to get an anime by only importing series just incase of they make anime, so abandoning English speakers ). Shady contracts, crearors losing partial of thier IP. All we need is a disater of a contest and the circle would be complete

Question is how long until history repeats itself and the seemly successful facade ends (Im having doubts due to the layoff, losing their entire novel team is a red flag. Cus companies can be under going trouble but still want to expand for the sake of appearances for investors)

[Kaisei]

Has Tapas responded publicly at all? (in general, not necessarily about this specific contract?)

As someone who gives money to Tapas precisely so that they can pay artists, writers, translators, and editors; I want some assurance that they are acting more ethically than pirates.

If you can afford it, it's generally a good idea to hire a legal agent to read over contracts because legalese is difficult to understand and you can bet that the company has their own legal team. However, individuals (in this case, writers and artists) are often not in a position to negotiate better terms. They may realize the terms are unfair but acknowledge that they won't get opportunities if they don't accept the terms. In an ideal world, companies wouldn't offer predatory terms in the first place.

[joannekwan]

Now that I’ve cleared what I’m about to type isn’t violating any NDAs or so forth I can say that:

A time ago I was made aware that Tapas was seeking writers for some IPs they (Tapas themselves) were developing. One of them was a romance and this is what I believe miqin to have applied to. I had considered applying myself but I was not as confident in my mass market writing anywho …

The next is all speculative:
I’m confident that any contracted work, artist, writer, etc. get advances from Tapas to produce an agreed amount of episodes, like “we’ll pay you $Y for writing or drawing X episodes”. I believe getting any split of revenue share, through ads or ink unlocks, is more of a bonus thing and that would be negotiated at the initial contract.

Now I don’t know how involved miqin got with developing plot and characters or if she just wrote dialogue from an outline that Tapas gave her. But I think if she was under-compensated for that it would have been included in her post. The main gripe is the cancelation of residual revenue in perpetuity which is apparently negotiable. It still sucks not to get the additional revenue, but I would think the initial wages were paid.

[thepenmonster]

active NDA,

Unless the company is dealing with something that can put the public at risk, NDAs exist solely to suppress the information that the company is up to some shady shit.

We are talking about companies set in Korea, they are quite known for being very predatory with their contracts.

This is 100% true. Source- Currently living and working in Korea.

My boss is cool, but I've had to rewrite the bog-standard EFL form contract a few times because no one ever thinks about them as anything more than a formality.

[Caro]

This is a great opportunity for folks to start thinking about their contract literacy. Contracts across the board regardless of the industry tend to be in language that can be difficult for a layman to understand.

I think a major major thing people don’t understand and NEED to understand about contracts is that they are there to be negotiated. Its almost always a terrible idea to take a contract at its first draft. I’ve taken months to negotiate contracts both on my own and with a lawyer and it is a very normal thing to do.

I negotiated the heck out of my first contract with Webtoon to protect my IP. To date, I still own all of my stuff with everyone I’ve worked for aside from when I’ve been contracted to design for pre-existing IPs. You don’t need to sign contracts on the spot and you can argue for your rights and move on if they can’t offer what you need.

[Cavechan]

I appreciate you bringing up another perspective, but this is still not okay. I don't think artists are entitled to special treatment or anything, but artists and creators shouldn't have revenue share pulled out from under the rug like this. It's like the Demon Slayer rumor that the creator may have been paid as low as US$20,000 and isn't making a cent more from the franchise despite it being a worldwide success of hundreds of millions of dollars.

When we see this happen, I think it's very beneficial for the community to bring it up and discuss it as a whole because this is the best way we can prevent shady contracts from continuing.

And yeah maybe some 18-19 year olds will accept the contracts even knowing that they are predatory and not getting a good deal but doing it for "their dream" but I believe many will quickly realize that the amount of work they have to input is not at all even close to what they SHOULD be compensated.

At the end of the day, these companies are just unreliable and not a good way to make a living creating comics, for me at least. That's why I personally am building up other opportunities for myself to help support my comic creating.

@Caro Absolutely! Spot on.

[Zugaikotsu]

Edit: Also, Webtoons is millions of dollars in debt right now, I wouldn't be surprised if Tapas is already on the red too. That's when companies take desperate measures, they kick people until the place burn down. Though Korean companies do have the tendency to keep going even when their gut is telling them to stop. It's just sad honestly. It's about public image... I suppose.

Kakao is worse than WT, according to their latest investor reports. No wonder they are literally robbing people. (Yeah dont bother to come with this "mememe there is more we don't know", or "Aye read ya contract buh buh buh" you'll be ignored as hair in a man's chest.

[Zugaikotsu]

I appreciate you bringing up another perspective, but this is still not okay. I don't think artists are entitled to special treatment or anything, but artists and creators shouldn't have revenue share pulled out from under the rug like this. It's like the Demon Slayer rumor that the creator may have been paid as low as US$20,000 and isn't making a cent more from the franchise despite it being a worldwide success of hundreds of millions of dollars.

When we see this happen, I think it's very beneficial for the community to bring it up and discuss it as a whole because this is the best way we can prevent shady contracts from continuing.

Totally support this. We have to keep being loud about these things, otherwise they'll just try to replicate their abusive practices in other countries, or keep sucking the souls of their native employees/contractors in silence.

[cherrystark]

I just want to put it out there that this phenomenon isn't just unique for comic creators. This also happens to web novelists. There are a lot of platforms who pray on writers and steal their IP and the rights for future work for little to no money. Be careful everyone!