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Jun 2021

Thank you very much for your kind advice. I'm always on the lookout for advice, I sure need it. I'd initially made the decision to space things closer together because of lack of compute power to handle the large files, but I've upgraded so that's not holding me back as much as before. I never really thought about spacing things. I suppose I was economizing space because still think about webcomics in connection with a printed page, even though I've never designed CG for a printed page.

I did go looking on Webtoon's site and found a nice file that spoke very specifically on the spacing they want for panels. It wasn't up last time I checked so this was really good info for me, and I'm dropping it here in case anyone else hasn't seen it. https://webtoons-static.pstatic.net/creator101/en/pdf/Creators-Resource-Handbook.pdf?dt=202104080111 They mentioned what you did, that only two panels should ever be visible at one time so as not to get distracting, and I think that's good advice. I also looked up some original creators on youtube showing their process and how they layed out their comics and I was surprised to see that they drew it closely spaced, and then did an entire reformat phase to achieve the webtoons spacing look. A lot of extra effort, but it was good to recognize that they're facing the same sort of computer limitations I am.

And of course I spent today looking at my comic on both the Tapas and Webtoons apps and decided that I've probably got my font too small too. :sweat_02:

Thanks for taking a look at my stuff and giving me the feedback, it really means a lot, and now I've got a lot of thinking to do about reformatting and how to accomplish it.

Glad it was some help and yeah that PDF looks super helpful! it puts all my words together very concisely.

When I worked on a laptop I used to pre-slice my convas. I still do actually. I'd put maybe 5 panels into a canvas only. Now-a-days I just slice the canvas into thirds, but its definitely helped me.

Essentially what I've really learned from vertical scroll, is you wanna spoon feed your readers. Easy reading, easy pacing, easy following of the characters, easy to view colours etc etc. Everything should be as effortless as possible haha

Good luck with your reformatting!

That's so helpful! Thank you for taking the time to answer all of these questions with such well-considered responses. It's very appreciated. :star:

Kind of a dumb question, but do you read all the comments you get / is it even possible to? I've noticed featured comics get so many comments so quick this is something I've always wondered

You had 4 assistants while you were a canvas artist? o.O

How common is it for popular canvas titles to be made by a team of people, to your knowledge?

Is there hope for a solo comic artist to make it big? xD

I make it a goal to read as many as possible. It's actually a very enjoyable process because I'm lucky enough to have very nice readers. I almost never get mean comments, so I'll spend about 1-2 hours checking in on comments after I post an episode, replying to them, liking them etc etc and then I'll go back over the next few days and reply to ones I find interesting. I'll typically read almost all of them unless it's an old episode. I don't have time to go back to old episodes to see if there are new comments on those.

I do know, that not all artists will do this. It is quite time consuming, but I always find that comments are very sweet and it's the least I can do to read them and reply considering how much my readers support me.

Well, I'm a bit out of the norm. I was at a point where it was either hire assistants to take on that work, or quit making comics because I just didn't have the time. Frankly I was at my wits end already even with assistants. So props to all those out there who do comics with a full time job, or full time study, cause I did and never again, I'm not even gonna try haha.

I think it's actually more rare for Canvas artists to hire assistants, most of them are 1 person comics, maybe 1-2 assistants here and there for bigger comics.

In fact.... I think all of my friends who were featured didn't have assistants. But they also got picked up within a year of doing the comic so they had to put up with work+education+comic for a shorter time than I did hahaha.

Hi there, just wondering, I like eastern/manga style as well, but since You are featured; what are the chances for black and white stories to become original??? I'am working my comic but I'm not fast when it comes down to colors. Can you tell us more on that matter, do stories need to be coloured or there's a chance for us, the ones how draw black and white to become original?

How You draw 40+ panels per week, when I can't draw even 1 per week?

Violence and for the sake of violence is also a no no. If there's a plot motive for having It in there you can negotiate for it but like, the real question is "do you need it?". Cause fi the answer if no, they'll want you to take it out.

do you mean all types of violence here, or just gore? because if it's all types of violence, it sounds like most action stories are a no-go.

Looks like you're still answering questions! I want to ask too hehe:

  1. How long was your hiatus before you launched the Webtoons Originals version of your comic? Do you still have to follow deadlines DURING that hiatus period?? Asking because I've seen comics go on for like, a full year between seasons or before launching.

  2. Any tips on gaining viewership on Webtoon Canvas? Kinda having trouble over there at the moment.... :sweat_01:

  3. How did it feel to get the email from Webtoon saying they wanted to feature you? (also i wanted to confirm whether it's true that editors are the ones that contact creators when they get featured hehe)

  4. Lastly, what are your favorite Webtoons atm? For me I really like Muted, Suitor Armor, and Brimstone and Roses - those got to be my top three, haha.

Much less. Webtoons doesn't like black and white comics very much. The most famous example of one that did make it though is I'm the Grim Reaper by Graveweaver. They started out black and white on Canvas but were asked to change it if they wanted to go to Originals, so they did and they now do full colour.

So it is possible to become an original as a black and white comic but a) it stacks the odds/chance of being an original against you and b) even if you do get taken to original, you'll likely have to redraw the entire comic in colour anyway.

And by stacking the odds, I'm saying that they'll have to find other reasons why your comic is worth the time and effort they'll have to put in to change such a big portion of your comic, compared to someone else who might be a straight reupload from Canvas to Original.

It's ok if you're slow, slow and steady is fine as long as you're consistent.

Hope that helps!

I sold my soul to the demon. .... :laughing:

But real talk, you get faster with experience. You learn tips and tricks for increasing the speed of your panels as you get used to drawing panels, and industry secrets get passed around to help become more efficient, I also had assistants as well so that helped a lot.

Do you not have enough time to draw more than 1 a week or are your panels taking you a very very long time?

Action violence is fine. It is gore but not just gore because torture can have zero blood and guts but still be brutal. It's more about how brutal the violence is. And whether it's there just to be a "shock" factor or whether there's a real legit reason to be there.

This is a big thing for Webtoons. It's written in even the Canvas terms and conditions that the romanticisation of brutal violence is against terms. (that's not how they word it, but it was something to that extent). Action, like Naruto, God of Highschool kinda thing, is completely fine.

Mine was about 5-6 months maybe a little bit more. You do have deadlines. Chances are if your favourite artist is on "hiatus" they are actually working at the exact same pace as during non-hiatus season. Sometimes it's cause we are building up a backlog, sometimes we might need to organise or discuss other things regarding the comic. We do get breaks here and there but not really more than a couple weeks unless there's an issue that's come up in our own lives, which could totally be the case! Usually though, it just takes a really long time to draw hahah.

Any tips on gaining viewership on Webtoon Canvas? Kinda having trouble over there at the moment.... :sweat_01:

I've always said this, but it really depends on your goals. If your goal is to get "big" on Canvas, or webcomic websites in general like Tapas as well, you're probably going to need to take a very different approach to if your goal for the comic is to make an art piece. That's not to say these two are mutually exclusive, it is possible, but again, your priorities will be different.

If you want to be big/gain viewership, common factors are choosing to do a comic with relatable and high demand topics. Romance is always in, cute/handsome main characters are always in. Drama is always in. Comedy is always in. Pretty, Korean/asian style art that is coloured nicely is in. Regular and very frequent posts (once a week preferably, once every 2 weeks acceptable but probably no less than that).

Anything more "indie" in genre and look is going to have a harder time getting traction. There are plenty of amazing, artistic and emotional deep comics I love and many people enjoy, but there's a reason why one is called indie and one is called mainstream. People like reading the same kinda thing over and over again. You can take many of those mainstream elements and add that into your comic, but yeah, It kinda really depends on where your priorities are.

Feel free to let me know if you know which way your prefer and if you want more in depth explanation, but that pretty much sums it up.

How did it feel to get the email from Webtoon saying they wanted to feature you? (also i wanted to confirm whether it's true that editors are the ones that contact creators when they get featured hehe)

I actually think I blanked. I had to read the email 7 times cause I thought I was reading it wrong hahaha. Mine was a weird situation because it was in the middle of a chain of emails I had been having with someone at webtoons (not an editor) and the Head of Content.... we stopped emailing for like months, so many months, and then suddenly the Head of Content replied and was like... you wanna pitch your comic to us to be featured?

It was so out of left field hahaha. So I actually don't know if editors contact the creators.... I didn't ask any of my friends. I assume so???

Lastly, what are your favorite Webtoons atm? For me I really like Muted, Suitor Armor, and Brimstone and Roses - those got to be my top three, haha.

I'm more of an All Time Favourite, kind of person over a current favourites. So in general my favs are: Your Letter, Amongst Us, Little Rain and Bastard.

Hi! I’m a formerly featured Webtoon do-er and just to add a slightly different perspective! I actually approached an editor myself when I did my featured webtoon and never actually posted on webtoon before that! A friend of mine who did work for them early on gave me their editor’s email and I asked if I could pitch and they gave me the okay. And within the year they gave me the feature. Though I don’t know how common that is and whether its still something they’d do now (though I’m still in touch with some editors there and I’ve been asked if I’d like to have another go at it [i dont think I ever will]).

I also don’t think I would’ve been able to get it if I wasn’t also already sort of an industry professional at that point so the circumstances might be different but I thought I’d add my experience here!

Also @ OP: congrats on your success!!!! Good on you for getting four whole assistants!!! :clap:🏼

That's interesting.

Why do you not want to get into the comic making again?
Just curious if there are things to consider.

I still make comics but I reached a point where I was able to make a solid income on a combination of book royalties, advances, patreon, and POD merch, and some other things but I also have much more freedom than I would if I were stuck with a Webtoon contract. I can work on multiple project and work at a comfortable pace.

And after their whole Crunchyroll thing I was really nervous about a potentially cut and dry animation contract with them because for the last couple years I’ve been in talks with studios and without saying too much in public here there is just an insane amount of back n forth with this stuff and so much of it is just negotiating and getting as many offers as you can and a cut n dry contract with ONE company is likely leaving a ton of money on the table. I dunno I’d be VERY interested in seeing a contract. In one of our meetings with one particular production company they asked if I wanted to learn how to showrun or just work on the show in some other capacity which is exactly the kind of nuance that I worry wouldn’t be present in a Webtoon dealing. Which honestly I just don’t know! I haven’t dealt with them on that level before! I would love to hear from anybody who has.

Honestly the fact that I’m in talks with studios is itself a testament to how much the Webtoon model just would never work for me personally. My Webtoon would NEVER be considered for animation on their end but in the rest of the world its potentially viable? Working with publishers who can more closely prioritize me in this way (vs. a big mega tech company who will mainly prioritize the giants) has been the most valuable thing in the world to my career.

Sorry for the long reply! I’ve got some feelings :slight_smile: I also think Webtoons is probably good for a ton of people! Its just not my path anymore!

Ah so you got the offer or possibility to make your comic into animation with Crunchyroll? That's nice.

Is it the same comic you had for Webtoon or a different one?
I guess that animation stuff is possible because you are under a certain publisher already right?
Not a self-published?

I hope we aren't hijacking the thread, it is still related to Webtoon and their policy xD