^ a little negative no lmao?
Art school is definitely not for everyone, but it's not a definitive dead-end like you're making it come across as. People at my school have been picked up by studios like Pixar and Dreamworks before they even graduated, and most others usually find jobs after 6 months.
Some people don't have the luxury of waiting that long, but there's always things like doing artist alley, commissions, or freelance work. Art isn't like any other job where you can stay with one thing for the rest of your life, you're constantly moving around as projects end - but the thing is, the more you work the more your reputation is built. The more people know about you and the demand for you grows.
It's also a piece of advice I'd been given, that you should never judge yourself on how successful you are in the first 5 years. You're still a novice in art, so of course people aren't going to be falling over each other just to kiss your shoes.
Much like any other business, art is HEAVILY reliant on marketing yourself and your skills. This of course, also implies that your skills have to be desirable to other people. Making investments, making sure what jobs are worth your time and effort and not just picking up any rando that offers you $100 for a bunch of assets they need drawn within That Week. It's also another reason why you can't say you want to be One thing and One Thing Only, you have to learn how to adapt and accomplish what other people want you to do. If you have a wide array of skills, it's easier to find jobs that you can qualify for.
Personally it helped me tons in focusing my attention and managing my time. Not to mention I definitely feel a lot more knowledable on art as a subject and the fundamentals - for example I had no idea what a cast or form shadow was. Do I necessarily have a portfolio atm that I could use to apply to studios? Not really, but I definitely feel like I'm capable of doing so and have the confidence to achieve a studio job if I wanted to.
It also helps because you make connections with teachers and other classmates, and you never know who those people are gonna be. My acrylic painting teacher from last semester was classmates with Scott Robertson, Craig Mullins, etc. for example. Not to mention these are people who often have had experience in any industry you can think of, so it helps to have someone who's already experienced things first hand help you figure out what you want to do with your art.
Not to mention, colleges usually bring in employers during graduation or even prior to graduation - so some people get picked up before they even graduate.