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Mar 31

That’s super insightful — thanks for breaking it all down so clearly! Your experience with both solo and team work really shows. Totally feel you on the promo side — it’s hard to juggle making the art and getting it seen.

And yeah, managing a team really becomes its own job. We’ve got a small crew — just 4 people:

I’m the worldbuilder, producer, scriptwriter… and the one who pays for everything, haha.

Our artist does all the visuals.

A second writer shorts comic strips and the story bible.

And someone helps us with Instagram and promo.

We’ve made solid progress in the last 4 months, and there’s a lot planned ahead — expanding the universe and hopefully doing crowdfunding soon too.

Have you found anything that helps make promo or crowdfunding less overwhelming?

If you're curious, feel free to check out what we’re working on — we’d love to hear your thoughts!
https://www.instagram.com/joyfulnib1

Fully immersed in the ADB universe... whether I like it or not. 24-7 / 365 :laughing:

This is me.

I've done them back in the day because I really liked the work of the writer. But you need to be on the same page for it to work and they all fell through because we weren't.

That having been said: If someone isn't willing to let their partners have control over the final product, they don't have a partner, they have an employee. Then they better pony up some cash.

Do everything myself.
My stories are ones I hand wrote back in highschool in the 90s during boring classes. XD
Now I break it down to raw storyboards, then line art then full colour rendering.
Then plop it into a premade template I made which covers the volume, episode, page plus logo info. I do that extra part for online postings.
For me its a way to help with brain injury recovery (relearn hand, vision and cordination skills) + a hobby to learn how to improve and develop that style. After doing it for about 5 years now. Ive noticed a big change.

Later on if I ever get fianances, I plan to hire someone to redraw it all.
As for animated shorts. I do have a friend who has had multiple voice acting gigs on many anime shorts. Willing to voice one of my characters as a collab to build his portfolio and exposure.

Thanks ^^
I've had a look over what you've put up, the artstyle's pretty cute and gives me Charlie and Lola nostalgia, and I like the episodic format of it where you can kind of hop through the episodes to get little snapshots of the character's lives.

For the crowdfunding the thing that really helped me sounds obvious but:

  • having a fanbase. I'm not huge online, but the people who like and read the comic are pretty invested and were willing to give some money to get the book and perks. That's in part thanks to having been publishing the comic online for 2 years at that point PLUS I'd been talking about it to people around me and at conventions, some people who use social media but don't like reading on screens for example.
  • Preparing A LOT. I wasn't just selling the book, I was also selling extra goodies with the higher tier donos and personnalised illustrations inside the book to a quality that I won't ever do outside of the crowdfunding campaign (full colour portraits). That got a few people to up their pledge to get the extras. In general planning to have a good amount of time to make the goodies and the promo material is a good idea, I rushed everything in 50 days and I do not recommend for anyone's mental health, I was exhausted during and after the campaign even though it went as smoothly as humanly possible.
  • Knowing why your comic should be in paper format. My entire comic was, and still is available online for free and I have no intention of taking it down because I don't want to lock this story behind a paywall, so I had to know WHY it would be worth it to buy the physical copy. In my case the answer is simple: I do really detailed pages with a bunch of details that just don't pick up on such a small jpeg on the screen, and that's not even my choice, it's a limitaiton of online webcomic hosting platforms. I also work in A4 page format so vertical scroll isn't the ideal format to view my comic, so all round it's better and nicer to read Petrichor on paper. Plus of course all the people who were interested but don't read on screens.

If you want to see what my crowdfunding page looked like, you can see it archived here as it was, the main difference being that the "buy stuff" buttons don't work anymore. It's in french but even if you don't speak it you can get the gist with the visuals.

I hope this helps!

I really don't have the time as my comics is a weekly comics and with other paying projects it would just get in the way.

I have a co-creator who created the story with me and designed some characters, but all af the practical work, writing, storyboarding, illustrating, editing, publishing and marketing, is done by me.

Creative partnership is a tricky thing.
Before jumping into one, ask yourself: why do you need a partner?

To share the load? Get a fresh perspective? Go further together than you could alone?
Cool.

But if you're expecting your partner to make all the decisions —
or cover the expenses you can’t afford yourself —
that’s not a partner. That’s a sponsor. Or a babysitter.
And those tend to burn out fast.

I’ve tried building partnerships many times — it just didn’t work.
Eventually, I chose a different path: working with a hired team, but building real synergy.

With people who made my project our project.
And that drives things forward way better than any “equal” partnership full of power struggles.

Really cool that you’re doing everything yourself — it shows how much heart and meaning you put into it.
Your story of healing through creativity is genuinely touching :raised_hands:
The comic is impressive: strong atmosphere, emotional style, and Lily is a powerful, layered character. You’re clearly giving it your all.

If you ever feel like checking out our stories and sharing feedback — we’d love to hear your thoughts!
https://www.instagram.com/joyfulnib1

Thanks so much for sharing your experience — super helpful and really resonates! :raised_hands:
We're also publishing our comic online right now and went with short-strip format — it helps introduce the characters more easily and fits the rhythm of social media (especially Instagram and Threads). It's a good way to build recognition and engagement step by step.

What you said about having a fanbase is spot on. We're still building ours, trying to interact through the characters, adding memes and polls. We know it's too early for crowdfunding without an active community.

The personalized illustrations you did are such a great idea — definitely something to keep in mind! We're currently figuring out how to balance cool bonuses without burning out :slight_smile:

Totally agree that the print version should be something special. We want it to feel like an artifact from the universe — not just a copy.

Also, I followed you on Instagram!
And if you're curious to check out our project, here’s a link to our socials:
Would love to hear what you think!

https://www.instagram.com/joyfulnib1

That’s awesome that you’re so self-sufficient — seriously impressive! :raised_hands:
And the fact that you’ve got your sister to bounce ideas with? Total win. You’re lucky — that’s a power duo right there! :boom:

This is some Grade A marketer bullshit.

I do both the script and the art for my webcomic (it's the first time I tackle a project on my own), but from episode 06 forward I've hired an artist friend as my flatter because I needed some extra help and that part of the coloring process is always a bit overwhelming for me. Going solo is fun because you make all the big decisions... but tbh I also miss nerding over the characters and story with someone else :_)

I do promotion on Instagram, Tumblr, BlueSky and lately also on TikTok. I try to post previews for the new pages, some character lore and I'm also working on small side comics and funny memes that might pick future readers's interest :_)

Hope this helped, best of luck with your project!

Love that you're doing everything yourself — it's seriously impressive. I'd be really interested to check out your socials and exchange some experience! We're also working on a webcomic, currently in the format of short Friday strips, and finalizing the bible of our universe. Our team includes a writer, an artist, and an SMM specialist, and I’m managing everything at once — from creative direction to marketing. Right now, we’re actively developing the story, visual style, and promotion. Would love to chat, share processes, and maybe even collaborate :slight_smile:

Here are our socials if you’d like to take a look:
https://www.instagram.com/joyfulnib1

I'm the entire team, though I dunno how efficient that team is, lol. All of the writing, cover work, illustrations, promo graphics, ads, etc. are done by me. I'm not the best at advertising because I hate it, but I do most of it on bluesky and sometimes insta. It can be a lot of work when I'm working on multiple stories, but I enjoy doing things the way I want to even knowing there's people who could do certain things better. That's probably why I don't do collabs. I like to work on my own stories at my own pace and in my own way.

My team consists of me and the five people who live in my head.

It's just me, I don't work with anyone. At most I just ask for some ideas or drawing tips.