EDIT!! Trigger warning: references and mentions to sexual violence, pedophilia.
I've been in the mood to return to reading some more "scholarly" stuff of late, so I decided to pick a topic that was of personal interest to me: BL. Now, I am not really trying to push, defend, or propagate any one opinion on the genre itself, but if my personal bias does leak out any time throughout this thread, I apologize in advance. (I'm a BL fan after all!)
Considering that many current online discourses on BL that I encounter tend to tackle issues of "underage characters", or "problematic, abusive relationships", and the "female fetishization of gay males", I wanted to pick out a few choice lines from my various readings that address some of these concerns.
I read the first article that popped up in my search for relevant BL-related texts:
Unfortunately it was short as heck, so I ended up clicking on the article that was referenced in their citations for further reading.
The next one was quite interesting. It began by raising its concern towards the female gaze.
The full book is Girl Reading Girl in Japan:
https://books.google.ca/books/about/Girl_Reading_Girl_in_Japan.html?id=dqPBR-Nx77UC&redir_esc=y
I liked sections where they focused on the fact that BL originated as a space for females to be able to create content for other females. Literally girl-to-girl. We as westerners see BL as a large section of LGBT content, but BL's origins was a female-oriented genre that allowed females to explore their sexuality in safety, without using their real bodies. Understandably, an overwhelming majority of BL fans are female. The book further indicates that females who dabble in BL also use it as a means to navigate their own sexuality, whether leaning towards homosexuality (lesbian), coming to terms with relationship issues in heterosexuality, (being able to read about traumatic relationships without having to read from the position of a female-bodied character), and so on.
Finally, I made it to a journal article that I actually quite liked! Here's a highlighted section to build off of how females use BL as a space to explore their sexualities from a safe distance.
All the further lines I share from here on are all from:
Mark McLelland (2005) The World of Yaoi: The Internet, Censorship
and the Global βBoysβ Loveβ Fandom, Australian Feminist Law Journal, 23:1, 61-77, DOI:
10.1080/13200968.2005.10854344
So here we can tackle the often-raised concern of BL being a genre where females fetishize gay male relationships.
First off, referring back to the highlighted lines from "Girl Reading Girl", it is suggested that the female can take back power by being able to "play and act with fictional male characters" to her discretion. This can be akin to the modern argument, "If men can enjoy lesbian porn, then why can't women enjoy gay porn?". If it can be said that men have colonized women, women can also colonize men through their images. (Matsuura). If we try to step away from associating BL with LGBT studies, and more towards BL being connected to feminist idealogies, then the BL genre can be regarded as an avenue for women to empower themselves.
The opportunities BL gives to its female audience is not just limited to sexual exploration and communication with other females, but also economic or financial benefits.
Of course, we know that particularly in Japan, women don't have a very equal role in the work force. It has been improving, but there are still some societal and deep-rooted cultural barriers to females in the workforce.
The other concern in criticism of BL as a genre is that it features many violent sexual relationships, often depicting rape in its plot lines. In regards to that, the third shared image highlights a possible reason behind the frequent depictions of sexual violence in BL. While allowing depictions of so-called "deviant" sexual interests may lead to real, physical harm in the most extreme cases, at the same time, women are using BL as a tool to navigate otherwise traumatizing sexual violence through a fictional character that cannot face the same ensuing consequences of unwanted pregnancy and childbirth. In a sense, to be able to experience the trauma by separating their real self via a complete fictional entity can lead to female sexual liberation from what normally would tie them down.
Finally, the issue of underage characters in BL. The early sections of McLelland's article does address the overarching concern of virtual child pornography, and began its foray into yaoi culture as a way to examine it from a different, female, point of view.
Not entirely captured in this image is an early explanation on the original Japanese audience for BL. Originally an off-shoot of the Shoujo genre, its primary consumers were aimed for school-age girls who read BL as a subgenre to classic heterosexual romantic comics and literature. As BL tended towards more sexual relationships, when it expanded in the west, it's audience became more limited and targeted towards "adult content" rather than the original juvenile audience. Hence, that may be one explanation why many BL manga of Japanese origin feature school-age boys.
Let's look at more highlights from the article:
Now, here is where I disagree with the author's sentiments. Mark McLelland describes yaoi culture as "a non-pedophile network" in contrast to the often male-dominated pedophilic interest groups online. While he states that "there is no evidence whatsoever to suggest that these women have any connection with pedophile networks", there is also no guarantee that these women DO have connections with aforementioned networks.Regardless, the key word in both his and my point here for BL fans is "fictional".
We all know that the males in BL are not necessarily realistic depictions of gay men nor gay relationships. A frequent discourse I see around the internet is that by perpetuating constant unrealistic and inaccurate male homoerotic fiction, it in lieu hurts or damages real gay men and their relationships.
This highlighted section offers an alternative suggestion behind why the males in BL is often unrealistic. It suggests that these boys are simply "the idealized self-image of girls", hence neither male nor female. In addition, by emphasizing that these fictional males in BL are not "male", then they also do not necessarily represent "children" in the same logical sense. The characters are representations of the female ideal, a symbol upon which the audience lavish their most idealized sexual fantasies, and their darkest fantasies.
Due to the sexual nature of stories and its general youthful characters, BL toes a dangerous line with child pornographic laws. In Japan, yaoi, along with any other generally "deviant" sexual genres such as lolicon, is not criminally prosecuted due to Japan having a category of law similar to Antragsdelikt, which is a category of offense which cannot be prosecuted without a complaint by the victim. As the "victims", fictional characters in erotic works cannot complain, and thus creating, consuming, and selling such content has become integrated as a part of Japanese pop cultural society.
However, with the increasingly globalized world and a growing BL audience, fans of BL outside of Japan now face the laws and regulations of their own countries.
As the highlights point out, western fans of BL end up taking a defensive position regarding their activities. There is no deep-seated origin story of how the "shoujo genre branched into the shounen-ai genre" in the west like how it grew up in Japan. The law of Antragsdelikt applies only to a few countries, and in Germany, the this category of law cannot be invoked regarding fictional child pornography.
In fact in most countries, child pornography, whether real or fictional, is illegal.
There have been previous cases where people who ordered manga from Japan were arrested, convicted, and sentenced for breaking their home countries laws.
https://comicsalliance.com/man-sentenced-to-6-months-in-prison-for-buying-lolicon-manga/
Of course, while these cases highlight the issues of an international fanbase for erotic manga, in some cases, conviction completely depends on what registers as "offensive".
The problem highlighted in the Australian law is that the definition applies if it "[causes] offense to reasonable persons", and homoerotic content is already somewhat outside of the norms, least to say "cause offense". Meanwhile, for other countries, laws are strict:
Andrea Wood (2013) Boys' Love anime and queer desires in convergence culture: transnational fandom, censorship and resistance, Journal of Graphic Novels and Comics, 4:1, 44-63, DOI: 10.1080/21504857.2013.784201
Once again, due to the varying degrees in law enforcement, and the fact that regulations regarding real, virtual, and fictional child pornography across countries vary, international BL fans find themselves feeling defensive over their interests and activities. The more that commercial BL finds itself into the spotlight outside of Japan, the more opportunities for "reasonable persons" in the West to find the content offensive and make fans of the genre feel even more stigmatized. While my thoughts may not be wholly accurate and possibly missing a complete view on the topic, I do feel that the western concern on BL, regarding the fetishization of gay males, depiction of harmful sexual relationships, and frequent underage characters is justified considering the global outlook. However, we mustn't forget that BL had its origins as a genre by females, for females, for the greater liberation of control and communication between females regarding their gender roles and sexuality. BL may now be better known or infamous for its impact on the LGBT community, but it has also been an avenue for women to empower themselves through fiction.
--
Sorry that was so long! If anyone wants to add on their thoughts to what I've provided, feel free! I can't guarantee that this thread won't go down like all the other BL threads, but I did want to put out some academic background behind the whole "BL blah blah" thing that happens here and elsewhere on the internet.
My personal background behind this is just as a BL fan. If knowing my ethnicity, gender, and sexual orientation will help you better understand my personal outlook on the subject, I am happy to share.