9 / 29
Feb 2022

This happens to me all the time. Inspiration comes at the worst time possible(after I had thrown a lot of effort into the panel. I need to learn on how to let it go :joy:
Also when I’m frustrated with a panel I will move on to other panel so it’ll wash away my feeling of failure from earlier panel lmao

When something about a scene feels really wierd and awkward, and I can't for the life of me figure out why.

  • Drawing people in the distance.. the thing it bothers me that many of their details do get lost.
  • Drawing a crowded scene that no matter what I do, it's still feels empty.
  • When doing a tricky pose and the characters that you've been drawing a lot don't look like who they are.
  • Whether to over-simplify or over-detail
  • Phone notifications

  • Mom coming into my room

  • Ah look a site I've visited 30 times today already. Guess I gotta check it again.

  • The podcast I was listening to ends and I have to spend 20 minutes trying to find a new one

  • There's just not enough time in the day

  • Having to duplicate the lighting over all of the pages in the update

  • Looking for backgrounds I could use in a large city I don't even live in

  • Getting bored (Like me with thinking of new things to write on here)

Varying the shots of different panels to make dialogue scenes more interesting to look at. I hate it but it's necessary.

Headshot A is fine. Headshot B, I can manage. Isometric shot though, is the bane of my existence. Too much work that affects the flow of a scene tremendously despite their subtle, almost unnoticeable nature.

I have a problem with too many layers too. I hate having them and seeing them, so I merge a lot or put them into folders. I like to open a project and see only one little folder under the "layers" menu.

Also @Scarlet_Cryptid I feel exactly the same about interruptions. :weary: At every interruption, my brain will switch off the working mode and there's no guarantee it'll switch back on.

not really a pet peeve but my enemies are the tiny cornner spots that the fill tool can't make it into

For the people who use mulitple layers:
Get rid of that, it will make you improve a lot.
I was unsing multiple layers for sketches, it was getting ridiculous.
Multiple layers for coloring.
My sketches got 100% better when I stopped zooming in, turning
the canvas and using the eraser + correcting the line instead of new layers.
It´s weird and uncomfortable in the beginning but it´s worth it
The same goes for the rotating the canvas / zooming in
@GingerLoge @masi

Welllll teeeeechnically ....

Nowadays I only use one layer for colouring, unless I'm drawing reflective surfaces. It was a hard habit to break though; when you feel the need for everything to be just right, the prospect of losing that data and being unable to replicate it was kind of scary :'D

EDIT: I just thought of my actual answer to the OP. It's when this happens:



I used to make layers for every little thing :sweat_smile: One for the rough sketch, another for the cleaner sketch, another one for the cleanest, before I even move on to inking and coloring (hoo boy, one for every shade and highlight).

Nowadays I try to tone down my fear of screwing up and just work with one or two layers. I agree it's been improving sketches to a considerable degree, so my art's been turning out a little messier but I ended up liking the new look anyway. :joy:

I still have problems to place the head on the body when drawing a figure, but I think that´s kind of ok because
I draw the whole figure with a placeholder head/egg and then add the head.
The biggest improvement happened for me when I forced myself to only use one layer, no turning, no zooming.
It´s really surprising. I also do another practice of not sketching at all. I jump straght to the outlines.
It´s incredibly hard even though we all used to draw like that when we were kids, kids don´t sketch.
It´s a good practice to check your skills and to get better at measuring proportions and perspective.
It doesn´t look good but I´m getting better at it :smiley:

Somehow I can’t quote the reply lmao. Anyway @GingerLoge yeah me too, multiple layers makes it feel like the art isn’t connected somehow lmao.

@Lensing I actually don’t sketch anymore and jump right away into lineart so it’s actually just body lineart, hair because sometimes I want to change hair style lmao. Also background, so at the most I have 3 layers for lineart and I agree that doing it in one layer will make me improve better. Thanks for the suggestion :grin:

This. I am currently doing a crowd establishing scene and I am soooo frustrated. Also the point about whether to over simplify or over detail :triumph:

You can use the free lasso tool to fill the lineart? But it’s true it isn’t as quick as fill tool :joy:

I guess is more a pet peeve from drawing in general than just comics, but I really really hate drawing hands! I would be so happy if everybody had Powerpuff girls sausage arms.

The good thing though, I also didn’t notice there’s supposed to be tree there. So good job (?):joy:

That my body wants to do this "hurt" thing...why can't I just draw without having all these pains? Lol