Those who are ineligible are typically those who are under 18 or have a visa that restricts them from working with a U.S. company. If you live outside of the US and don't have a visa that restricts working within a U.S. company, you are eligible.
OMG I have a long story idea for a long time! I think I am going to pitch it! I am also excited to work with a different format for mobile (I usually make small gag comics)!
Hi. Regarding this requirement:
"If you're not currently publishing with us, please provide links to your websites or social media pages"
How important is the existence of an active social media page? Would a dA account that I haven't used for years still be a positive or more detrimental to my application? And if the artist doesn't have any social media pages/websites but would be willing to create one and maintain it for publicity would that also be acceptable?
Likely, you'll have a contract with Tapas and whatever is in that contract READ IT VERY CAREFULLY. For anyone who does not have experience, have someone with experience read the contract with you to help understand it. Sometimes wording can be misleading or confusing in order to give the contract company the better end of the deal.
Make sure that you are not giving away your rights as the creator to YOUR WORK. This is still YOUR WORK and you should own it and have the final say in what happens with it. Personally, I find the wording of even just the OP to be a bit suspicious and I remember there was a fiasco a while back about Tapas rewording some of their policies so they essentially own the works of other people. Also suspicious the staff chose to answer every other question yet ignored this one. hmm
As far as I'm aware, any series created through the Incubator program Tapas owns a sizable percentage of it (up to negotiation though obviously between each individual incubator creator). I don't know if they'll own it indefinitely or if after a number of years all rights will revert to the creator, but I imagine they'd want a say in the creation of any physical media to sell.
And per the fiasco with the ToS, Tapas only wanted to offer bargaining rights for their creators when pitching to other companies.
But feel free to clarify @STAFF, if I got any of this wrong.
So, for this, can we include extra documents? For example, I have a document with just extra information regarding details about the universe the comic is taking place in, details about the story line (like, how certain things came to be, etc,) and such, and I was wondering what exactly we have to put? Like I get that we gotta put on the list but can we add extras?
Furthermore, I am under 18 but my parents would be willing to help w/ money stuff, or the other stuff that is like only 18 and over can do, so can I still submit?
Child labor laws make working while younger than 18 quite complex.
Here are the rules for California (where Tap is based out of).
https://www.dir.ca.gov/DLSE/ChildLaborLawPamphlet.pdf1
Page 3 I suppose. In short, if Tap ever allowed minors to work officially for them (either as contract workers or employees) there are a bunch of forms to fill out for both parties and Tap would have to be checked out by a state office.
More trouble than it's worth. Just wait a few years until you're legal. ^^
Sorry, I'm just looking for clarification on a question covered by the FAQ! If you are an artist/writer duo, should you apply under a Tapas account of one of the individuals, or should you make a "duo account" for lack of a better term?
Because of the co-production agreement one would be approached with if chosen for the Creator Incubator program, selling physical copies at a convention is something that would be discussed during negotations.
Providing links to other social media sites allows us to get a better sense of you as an artist and as a person. This program is about forming partnerships with creators, it's not just about the story. You can definitely link your dA account and/or create a new social media page.
^^^ 
Works created in the Creator Incubator are co-productions, meaning both the creator and Tapas have ownership.
The best way to include this extra information is to incorporate it into the full synopsis.
On the same form, you can include both Tapas account names.
A friendly reminder for everyone to please read the FAQ5 before posting questions in the thread.
Thank you for making it clear up front that the creators in the program will have zero control over their content. Personally, not something I'm interested in, but it's good to know for those who are.
Instead of rushing into conclusions i think is better to ask.
A shared ownership doesn`t neccesarily mean a complete loss of control. Anyway, as you said, is always wise to read the contracts no matter how much you trust/distrust someone.
About questions for @STAFF
How much involvement does the Tapas Staff has in the developing of the story and the route it takes?.
@DiegoPalacios I'm in touch with two current Incubator creators and as far as I know, their stories as they are producing them now are pretty close to their original pitches. Unless you really need help and ask (or I guess if you have something problematic in the story that needs to be addressed), I think Tapas only asserts control over the story when it comes to when to start locking episodes, when to start uploading, and logistical stuff like that; perhaps pacing too, to meet the season length target.
No jumping to conclusions. Just wait until there is something you want to do with your work... create prints or books or other artwork, make cute things like keychains, plushies, etc... advertise it... have the story go in a different direction than you originally intended...
And then realize you aren't allowed to do any of those things.
Like I said, for some people that's fine. But I personally can't imagine not being able to do what I want with my work when I want. For me, loss of any control is the same as zero control.