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Apr 2016

Don't have any good scenery in Void, not the best with architecture honestly, but there were a few scenery shots from my main project that were fun.

Yo thanks! I gotta visit some day and do the comic Tour 8'D I've only been to California once and I was in middle school so I barely remember... plus I went to the north. I want to eat all the Los Angeles food!

I also gotta read your comic because it's cyberpunky (me fave,,, ) and the main dude has my same name 8'D I hope he will be the coolest.

@alaingrey NorCal is better anyhow! Though I'm biased because I've spent 99% of my life there till now XD
And I'd be happy if you checked out Centralia! Grey IS a pretty great cool-guy name~

Ahhhh gosh there are so many good environments here!!!! You guys are awesome!

I used to HATE drawing environments and perspective, and now I,,,REALLY ENJOY IT???? maybe its stockholm syndrom

Definitely looking back on this post for inspiration o
I don't have too many major ones but here's a few from Model Student^^b




This is like the best thread idea ever!!!! So many beautiful scenes! <3

And this one has a text error in it. First and last time I'll ever make that mistake. I chalk it up as a learning experience lol.

I´m a weirdo, I really like to draw scenery XD So, examples!

heres a couple I was super happy with !

Still in the stages of trying to launch my webcomic, so here's a few panels....




I used to hate to draw backgrounds, because euuurghhh perspective, but when I started Grassblades, drawing proper environments was one of the challenges I set myself - and I really think it's helped me improve. Used to be when I drew a house, it was literally just a box with some holes in it for a door and windows, and a generic roof - there was no sense of personality to them whatsoever. It was like that house kids draw in preschool, only I knew what perspective and 3dimensional shapes were.

Now, when I draw a house, I feel like I know how to make it look like something specific and personal, rather than Generic House A and Generic House B.

This goes for all environments! I feel more confident drawing forests and rivers and grassy plains, etc., - than I did a year ago!

Examples:

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I don't really hate drawing backgrounds... sometimes I tend to overdo them.XD
For my comic U-speed, it's the race tracks, school buildings, city, etc.




Hmm. In my imagination (remember, not on the paper ) lol is "japan 50-s" mixed with European villages and surreal fairy +current days stuff/ But not always it possible to show on the paper. For someone who drawing on the paper, nice solution -screen tones, it really helpful. On pc I guess It more easy to make.

I'm not really ever suffer to carry with backs, (coz I like minimalism in art), only problem sometimes is to draw them identical to each other and remember decorations and lil details on the back.


Did someone say scenery? I hope you're ready for lots of images because I really love drawing scenery and I draw it at every reasonable opportunity. And probably at unreasonable ones too. It's my favourite thing to draw, even more than my characters. Here's a selection (and this really is just a selection - I wanted to post even more), from oldest to newest. They are all from Lemongrass.

Everyone, these scenes! Utterly stellar stuff, it's amazing to see how the meat of the story gets a killer glaze with your background elements. There's a lot to love in non-figural work and it's very obvious when an artist loves their characters so much they give equal attention to their worlds.

There's No Such Thing as Jason -- I.T. takes place in the bland, non-confrontational suburbs and at Jason's rather formal, private university so there's a lot of very stiff, "acceptable" structures. Most of the emphasis I place on the backgrounds is all to further establish mood, a teeter-totter of presentable society versus the very rough edges of each individuals' psyches. I try to integrate these ideas as I work but I'm also learning about composition and basic technical design, too, haha!




The watercolour splashes I make and use for the pages are an attempt at one of many things, the most basic being an imitation of TNSTAJ's original watercolour look after some heavy editing of ink and colour pencil illustrations! It's the raw, "nervous" feel I love, love, love, hah!