6 / 19
Jun 2016

So I mentioned this in another thread, but I'm sucker for awesome paneling. I was thinking we can post work either we've done or have seen that have interesting paneling.

I love Ishida Sui's work: He makes sure every page is unique, he'll break panels even for subtle reasons but never looks bad.

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    Jun '16
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    Jul '16
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Might not be your thing but Paranatural's paneling has always been pretty unique and wacky just like the comic.

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Like this early page where Zack turned the panels into a building.

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Or this more recent one where one environment panel consumes the whole background. Simple but so effective.

Read it here if you like. :)1

Edit: Links broke, fixed them! Sorry!

Whoa thats some really friggin' good paneling!! Mine's are pretty simple. You can check the rest of the pages here LostMyth3

NAO Tsukiji's Adekan has really pretty round panels



I love the tiny scene strips between the panels like the hallway and the stair case, I've never thought of that! Each panel's composition is really good too - you can really read the flow of the narrative. This person's awesome, definitely checking them out.

I've been trying to work on my panelling, making sure that things don't fall into a rut and pushing the boundaries of the panels when I can. Here are some examples of panelling I did for Time Gate: Reaper that came out pretty interesting:





@Noglastiaa ^_^ Thank you! <3 <3 <3 Panelling has always been something I've struggled with - thumbnailing is a pretty slow process for me - but working so intensely on Grassblades has really helped me get better at it.

Practise might not make perfect, but it certainly makes you better!

I like to experiment on panels quite a lot in Numb. Sometimes it works and sometimes... ehh sweat_smile
But to balance those few wilder pages I have more stable pages overall.



Well, as long as we can post our own! Here, this is one of the more interesting pages I made myself, it's still one of my favorites. I keep going back to it because of the last panel.

24 days later

I like to do stuff especially like that second one whenever I can, making the panel-layout itself interact with the action going on (burned up). I strive to make sure I never really make a page's layout exactly like one before it and so far I thiiiink I've managed to succeed at it ahaha.
AS BEST I CAN


I dunno if this counts but Eiji Miruno has a very unusual layout for his manga Tokyo Flow Charts. More or less, it is a 4koma which branches off to show alternate endings. (the series for a time was posted legally online to read in English but later was deleted, so it is sort of hard to show how it works)


The Moomin comic by Tove Jansson is also interesting because she will sometimes use objects as borders.

I'm still practicing with panelling but there was one from my old cascade cabaret OCT comic (that spawned my current one because i got too attached to my ocs after i lost round 4) that i was really proud of with my use of transparency
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this was the only panel in the whole comic that really went outside the borders so it was something new at the time