507 / 587
Mar 2020

I don't doubt they're eventually gonna bring it up to the Webtoon standard...but...21

Here's my whole issue with them having to fix all these bugs and glitches: None of this is necessary, because this redesign in itself, at least how I see it, was unnecessary.

Like, I don't recall people saying "Man, I like this website, but you know what it needs to be like: Webtoon!"
In fact, there's many people here who said they liked this site because it was not like Webtoon, or the redesigned SmackJeeves (which is essentially watered down, hardly functional Webtoon).

And add to this the problem with the algorithm I've been hearing about (people saying they're having less views, subs, same premium comic recommended over and over) that I honestly can't even really wrap my head around...like...was there even a look at this thing. A opinion about it? Or was a "redesign first, take (and maybe ignore) questions later" situation?

At the end of the day, I feel bad for the web designers as I feel they're being forced by investors, or somebody high up who doesn't know what the hell they're doing. But damn...they and the comic writers impacted by this have a long road ahead of them...

...a road that we'd never had to have taken if we just stayed with the better design, and more gradually implemented (and also, TESTED) new changes and features.

lol IDK if it was aimed at that but my conspiracy post was not me trying to be deliberately inconsiderate of Tapas staff and their own goings-on.

Listen, guys, I understand that right now, the world is sort of on fire and the economy isn't in a stable place. People are losing their jobs, being required to work from home, or being made to go into work in dangerous conditions due to being 'essential'. People are stressed and have even more going on in their lives outside of work. I understand that Tapas staff has been working diligently since that update was made (and yes, it hasn't been that long since the update was made, and two of those weeks have been spent with worldwide lockdowns being made and the workforce being ground to a halt). The current COVID-19 crisis has certainly put a wrench in a lot of Tapas staff's plans, both related and unrelated to the office.

But as time goes on, things will be forgotten. Priorities will shift. And now's an important time to reflect and remind Tapas staff that just because the discussion isn't updating every 30 seconds, doesn't mean it's not a problem anymore. I've already seen a multitude of questions and concerns in here that have gone skipped over, even after being repeated, entire threads even where Tapas staff has left the thread to die with no response. It might not be their intention, but from a user's perspective, it looks like the equivalent of ghosting.

Again, I understand the coronavirus has slowed a lot of things down, and even without it the Tapas staff has a lot of moving parts and stuff going on.

But it's the lack of communication that's got me and many others beating our heads against walls. And when that communication does happen, it's basically up to a coin flip whether or not we see a corresponding action.

The point of my post was to highlight some major issues with the current ecosystem of Tapas and how it's been slowly but surely becoming a scrubbed down corporate version of the vibrant place it used to be. Because even if Tapas isn't going to make comments on the subject, either due to not being able to due to the current worldwide crisis OR as simply as not being able to because yes, there are certain things Michael and Yoon apparently "can't comment on", that doesn't mean we should just forget about it and put up with it.

Despite demand, banners haven't been brought back. Novel formatting tools are still as watered down as can be. Thumbnails beyond the series landing page are no longer visible. Tags aren't even visible on the comics anymore (I'm feeling really bad for Harry Bogosian rn, a lot of his storytelling in A BETTER PLACE was done with tags you could read and interpret and it made it a really cool ARG - 'Alternate Reality Game' - experience of sorts. And I know he's not the only person to do that.) The front page is constantly the same genre/series that rotate through the banners and Trending and Recommended sections, regardless of whether they're Premium or just 'mainstream' free to read comics (again, Sarah's Scribbles, Fail By Error, etc. all of which I still keep seeing on every Comedy genre comic landing page, regardless of how small fish that comic may be). The music player isn't available on the app.

Basically any kind of individual expression that added to the unique experiences of each comic on this website has been scrubbed down so clean that all you can see is bone. Maybe it's presumptuous, but from my perspective, it's very obvious that Tapas is trying to bundle us all together with the same styles, formatting, and expression so that they can make it easier to sell us as a whole to investors.

And I feel that if Tapas' can reserve the right to give bare bones customer service voice explanations to very reasonable and justified questions, then the community should reserve the right to make informed decisions about their future here and whether or not Tapas is a place where they can grow.

I just happen to be doing some of the informing here. You can say that it's based purely on emotion, but the fact of the matter is, I've been here since 2013/14. I'm not some newbie coming in with conspiracy theories or some asshole being an asshole for the sake of it, I've been here for six-going-on-seven years - and stuck by Tapas and all its decisions through a whole darn lot of it - and so as a result, I've seen a lot of shit, from both Tapas and the community, for better and for worse, that has continued to shape and reshape my perspective and opinions of the website, based on a solid history of repeated experiences with the platform. And I'm not the only one - the proof is also in the veteran artists who would have been here just as long, if not longer than me, who've already left as a result of Tapas' actions and behavior these past few years. Just as I have the right to either leave this website or ride it out hoping for better (which obviously includes a lot of demanding btw lol), so too does everyone else here, and you can't make that decision without being informed.

To be perfectly honest, the lot of you like to say that our opinions don't matter as much, because the forums are only made up of about 50-100 people. But on the flipside, Tapas should consider themselves lucky that the forums aren't more commonly used by the public at large. They think it's stressful when 50 of us are bumping the same chat for hours on end? Try thousands. Because I guarantee you we'd be seeing a lot more mixed opinions if the forums were more accessible or advertised. Why do you think we see less complaints about LINE Webtoons compared to Tapas? Because they don't have a forum. Anyone who makes complaints about LINE comes here, for god's sakes. Give people an outlet, and you'll see a lot more discussion unfolding.

The fact of the matter is, I have the right as a user who brings free to read content to the platform to disagree with Tapas' methods, as well as their responses to said methods when they're called into question, as much a right as all of you, because like many of you, we're providing a service to Tapas with the traffic we bring in, many new faces who may have never even HEARD of Tapas without our help, alongside the work we post so that the website can actually have comics to showcase to the public. Back in the day, before Premium was a thing, it was Prime, and those users were only different in the sense that they got Ad Revenue. Then Premium came along and Ad Revenue became accessible to everyone, which is great - but on the flipside, a lot of our work is now getting intentionally buried in a system designed to favor the mainstream and trendy, because it brings in the most money. But they would have potentially never gotten the seed money to expand their services to include Premium contracts if it wasn't for the massive library of comics and reputable creators we had here. Could you imagine Comic Fury trying to go for investment options? To be fair, it's run by one guy, but I'm p sure the only reputable comic I've seen on that platform is Keiiii's Heart of Keol. And I'm not entirely certain if they're still mirroring there.

Yes, Tapas is a company. They need to make money.

But it's the way they've gone about it that's entirely disingenuous. I would have no qualms with Premium series if we weren't being made to feel that it's Premium or nothing. I would have no issues with the ink system if it wasn't so questionable in its conversion process that has already raised many eyebrows. I would have no issues with a few buggy updates here and there, Facebook just updated yesterday and its app has been baloney since this morning.

But it's the lack of transparency and communication. The fact that every answer to each question is either a generic, soft-boiled customer-service-rep response, or a rigid "sorry we can't answer that question". So where are the people who can? Why are we seeing less and less from the PR side of Tapas as time goes on and why is it that we only see it when shit hits the fan? Why can't there be good news, either of the current goings-on or what's to come?

Tapas needs to re-prioritize what they really want for their platform as a website/app and as a brand. They absolutely need to find a PR specialist who can retrain them on how to engage with their community, because it's obvious after becoming so corporate these last few years that they've fallen out of practice.

And if they do re-prioritize and that idea of what they want Tapas to be is not something I'm comfortable with associating with? I'll definitely take advantage of the door. Honestly, depending on how staff responds to this, if they ever do (I understand that I'm not the most conventional person to have a discussion with lol) this is probably going to be the defining moment as to whether or not I continue to use this platform. I was fine with not getting rising statistics out of it (for any of you who've seen my recent thread regarding a personal sub count that's been practically locked in place for a record 4+ years, you know what I'm talking about lolol) but if I'm not getting joy out of it, that's when I draw the line.

And if you guys come to a similar decision, whether it be tomorrow, a month from now, or years from now, please don't ignore your freedom to do so.

That being said, we're also free to stand up and demand better because the majority of us make up this website as users who do Tapas a service of providing our work, in bulk, for free. Some may say that yes, they do a service by providing the platform ... but they're not the only platform out there. And unlike other platforms, Tapas seems to have made it their mission to give us less and less reason to continue posting here. At the moment, the giving/taking ratio is very skewed between the userbase and Tapas. I understand that Tapas wants to be able to provide options to creators to make a living off their work through things like the Ink Support System and Ad Revenue, which is supposed to separate them from other platforms like LINE, SmackJeeves, and ComicFury ... so why make it so hard for us to actually get visibility and hit those markers we need to hit to actually get paid out? I can't even remember the last time I was at the $25 benchmark required to pay out. It's been at least two years and I'm giving it a gracious estimate based off the top of my head, I'm fairly certain it's been far longer than that.

Don't form connections with corporations or let yourself be held down by some imaginary obligation to a relationship that doesn't exist. You can still cherish the memories that come with this place, but don't think for a second that you don't have a choice or that every decision you make is penultimate. Give yourself some credit for what you brought to the table, because if you hadn't, those memories wouldn't exist in the first place. Don't let Tapas take all the credit for them - if you hadn't made those memories here, not only would you not have noticed, but you would have made memories that were just as valuable - if not more so - elsewhere.

Explore your options. Do what's best for you and your work, because both you as an artist and your work, something only you could possibly create, deserves better.

And most importantly, be informed. Ask questions, and then ask them again and LOUDER when they aren't heard. Be patient for those answers when you have to be, but don't settle for ghosting or for plausible deniability (i.e. "we can't answer that question"). And for god's sakes, whatever decision you do make, please stick by it. Responses from staff are great, yes, because it's more than some companies will provide - but please, for the love of god and all that's holy, don't reward them for the bare minimum of responding, because that's all it's become at this point. That's like if your kid painted all over your walls, you yell at them, they respond "oh whoops i painted on the wall" and you go "OMG you're such an angel, i forgive you, don't worry about it!" I'm not saying don't ever move on from these issues or don't come to an understanding with Tapas, but don't forgive them just for responding. Forgive them when there's enough time for them to have taken action and stuck to those actions, including in their future decisions.

I mean jfc why do y'all think I'm so unapologetic towards Tapas at the moment, when years ago I would have stood up for them at every turn? Because after years of those mistakes stacking up, they've proven that they think rectifying issues they caused should be bare minimum for satisfaction. I don't want to just see them fix the issues they caused, I want to see them learn from them so that these issues don't happen again. And the fulcrum of their issues is sans communication, next to lack of transparency and honesty. The unannounced and buggy-to-hell/watered down/LINE Webtoon copypasta website updates and the lack of visibility towards smaller 'non mainstream' comics and the like are all just the tip of a much bigger iceberg.

Thank you, and I hope you're all safe and healthy in these times.

The Jontron reference is perfectly appropriate. Now I obviously need to watch the FlexTape video all over again for the 10000th time :laughing:

Yes. All of this. Thank you.

Now most of us are aware that for many companies, especially smaller ones that need investor support, the start of a new fiscal year means they need to crunch to put out new ideas/new features/etc. so they can keep their investors' interest and money as well as draw in new ones. You need to be able to keep up with a changing market and changing technology, etc. and if you can't do that as a company, no one's gonna want to stick with you or take a risk with you. That's why we tend to see a lot of updates - sometimes very sudden and questionable - this time of year. Twitter recently (I wanna say finally because who tf doesn't these days) added a Stories function to their app, from what I've heard. SmackJeeves got bought out and underwent a huge - horrible - redesign. As I mentioned in my last post, Facebook just underwent an update that I haven't noticed on desktop because I still use the Ponyhoof mod like the 13 year old I am; but on mobile, the app is slowing and crashing anytime I tap on anything lol

But see, these updates are supposed to bring something new to the table. Something to put them ahead of other companies or at least help them keep up (/cough Stories /cough).

Tapas had less to offer with their new update than they did before. There are a lot of removed features which have already been discussed and demanded to be brought back.

'Unnecessary' is a very underestimating but choice word to use because 'unnecessary' is the best way to wrap it up as simply as possible without me going into another novella rant. It's 3:30 AM here rn and I'm tired and I wanna work on my comics lol

Literally the only function of this new update was to remove what separated them from every other platform - and could have put them ahead of other platforms - in the first place. Now it's just LINE Webtoons Clone 3.0.

It makes me think of all the tattoo artists out there who've ripped off other artists' beautiful pieces to copy for themselves and only replicated 1/4th as good. Because they didn't have the skill set and didn't know how the original got to that level of quality in the first place. They looked at LINE and said "well that works, do that" without looking at all the personal steps and years of refining LINE had to take to get to where they are today. And as a result, it came out as poorly as when you run a sentence through separate languages in Google Translate 2 or 3 times.

Doing just that is literally Artist No-No Number 1! Don't compare yourself to others and assume you can do exactly what they do without putting in the same amount of work they had to! Aye caramba.

Naw it wasn't aimed at you @UzukiCheverie

I was just airing my general concern in the previous post over this whole 'perfect storm' of sorts
with 1. the revamp that was most likely at the behest of investors.
Because let's face it, investors usually aren't involved at all with the industries of the companies they're backing so they ask for things that aren't necessarily the best. Graphic designers will know clients ask for the worst things sometimes and even if the pros give all the reasons why X thing won't work, the clients still want their original wish list.
And who knows what investors are saying right now with the current outlook for the economy because of the pandemic.

and 2. staff response.
I'll be honest, I'm just plain worried about Michael since up to this past weekend, he's been fairly responsive, especially when tagged.
I wish there was a go-between for the Tapas company and the users of the site, at least here on the forums. It's a shame that Michael has to do most of this leg-work keeping in touch with us when he has other tasks.

(and don't get me wrong, I'm one of the people who hate the site redesign)

Yeah, all of those concerns are perfectly valid.

If I can put it simply, I don't think Tapas did a great job in choosing their investors. Maybe they didn't have much to choose from, seeing as how webcomics aren't exactly a booming economy with investors crawling over each other to get first in line. But it's very obvious that if their investors had a hand in this, they are extremely disconnected from what they're seeding their money into, to a very obvious extreme (to the point that it's almost concerning? Like y'know the decisions you're making could actually ruin you and lose your investments?) And that probably comes with the fact that again, webcomics aren't a booming economy. How many of Tapas' investors actually know what they're putting their money into?

Hell, I remember Michael telling the mod team (back when I was on it) a very funny story about him as the Editor in Chief explaining to a bunch of suited up investors what "Boy Love" was and why it was the upcoming trendy thing. Like just picture that lol These are the people making decisions for the company :laughing: I know that obviously Michael had to do a lot of legwork to get them on the same page and convince them it would be a worthy investment, but maybe don't put those same people in charge if they had to be fully explained what they were putting their money into? God, people with expendable income can be so dumb.

Honestly, it all brings to mind a very strange - but I promise it make sense - comparison to one particular video game company - Hello Games, the small team that developed No Man's Sky.

Do you guys remember when No Man's Sky came out? Despite its delays, people were so excited for it. And then it flopped because it was obvious the developers had bitten off WAY more than they could chew, they didn't have any PR to keep them from saying stupid shit (the lead developer did most of the talking and it lead to a lot of miscommunication and things getting blown out of proportion because he's just not a public speaker or used to dealing with the media), and the game, as a result, was full of bugs, and only had a fraction of the features they had promised or the gamers had been lead to believe would be in the game thanks to the lead developer not knowing how to word things very carefully to an eager press ready to blow up headlines.

We've seen these fallouts time and time again (no pun intended, another good example is Fallout 76, which did NOT recover well from its mistakes btw and they keep making more of them). We expected No Man's Sky to fall to the wayside and we'd remember it as this horrible game that failed miserably.

But guess what happened?

The developers got back to work. They went silent. They stopped talking to the press. People assumed they had abandoned the game and they couldn't count on it ever being fixed.

And then, months later, a patch released.

All the major concerning bugs, fixed, with fixes for the smaller ones on the way. A handful of promised features were put in.

And all those updates were free to those who had already purchased the game. They didn't have to pay the company more money for the mistakes they had already made.

And every update since has been free. No DLC paywalls. No microtransactions. The game comes as it is with its improved patches, for the same price as it was upon release.

And now No Man's Sky is a legitimately great game.

Right now, Tapas is at a crossroads, where they're currently No Man's Sky upon its initial - failed - release, and they can either keep being like Hello Games and get their shit together, or they can become Bethesda: saying things like "we can't answer that question" or ghosting in a way that says "Well we know it's a problem, but we're not going to do anything about it". I want to see them do better by being Hello Games.

I can't perfectly make the comparison without rambling, so if you have the time, I highly suggest you check out the Internet Historian's videos on both Fallout 76 and No Man's Sky and just compare them. Yes, the videos are a bit longer, but they're absolutely worth a watch (especially if you're into gaming and, in Fallout 76's case, really hilarious roasting sessions lol). Hopefully, if you do take a look at them, you'll see the full reasoning as to why I've made the comparisons and why I know Tapas can do better.

As it currently stands, assuming much of this is investor based (which is painfully obvious), it's clear that Tapas just doesn't have a good relationship or aligned priorities with the people seeding them money. And as a result, it's being led astray by people who probably didn't even know what a webcomic was before Michael sat them down and explained it to them. It's a big assumption to make but can you really say you don't suspect the same, even by the slightest bit?

And yes, I'm worried about Michael. I'm worried about Yoon and all the devs who have been here from the start who are obviously under a lot of pressure to satisfy investors otherwise lose their jobs. Most of all, I'm worried about their passions being exploited and distorted into something unrecognizable. Because believe me, I can practically hear the reservations and uncertainty coming through in some of the dev's posts when they post. I can genuinely tell that many of them wish they still had the power to tell us things, and keep us updated, and actually discuss the platform's quality and future with us, but they're now obviously in a position now where that's no longer possible.

They bit off more than they could chew and they've lost sight of their destination along the way :confused: It's really, really discouraging to see.

But it's been years now. Maybe it hasn't been long enough, but I'd like to see Tapas soon be in a position where they can 'shop around' more for their investors and who ends up on their Board of Directors and as a result, get investors who actually know what they're putting their money into and how to get the most out of it in a way that's productive for them, the company, and its users. Because it's obvious the people that are there now haven't the slightest clue. Tapas may not have been around as long as some of the other corporate giants out there, but they're not a baby company anymore; they're growing up now and it's time they started putting on their big boy pants and flexing their own decision making lol

Yeah I've seen IH's vids and have been keeping up with Fallout's saga with Angry Joe's rants and news updates. xD

But hopefully Tapas will enter that 'silent mode' and work on things in the background. Maybe this is the start of it? Still, people will go on about their reticence until results are shown. Certainly Tapas needs to be held accountable but boy, damned if you do, damned if you don't. -sigh-
Everything's just so up in the air right now the world over and it's quite depressing.

Yup, that's the hard part. Maybe it's 'too soon' but it's like what we're going through now with quarantining. People are gonna follow quarantine rules and then not see instant results - they're gonna see cases go up, in fact, as testing becomes more available and symptoms start to show, but it just means that we're actually identifying those cases now - and think "UGH QUARANTINING ISN'T WORKING." It is. Just not in the way that you think it is.

In Tapas' case, if they go silent, it's definitely gonna be "damned if you do, damned if you don't". Maybe they don't need to go DEAD silent, because I literally just highlighted all their communication problems above LOL but if appearing to be the bad guy for a while means they get their act together in the long run, I'd be content with that. Lord knows I'll probably still be here by then, despite all my complaining. But I know it's the public as a whole that's the concern. And making sure Tapas doesn't go under in the meantime.

But that's if they're even working on it. There's so much going on right now, it's hard to perceive what's in our future and in Tapas'. I just know that as it is right now, it's not working. They can't keep doing the same thing expecting it to eventually work out.

I'd like to think that if they're not already at a turning point, all this backlash whips them into one, because they desperately need it, for the platform, the community, and the staff's sake.

But at the same time, while I feel bad for the devs, I'm not going to start forgiving the decisions that have been made - and the complete lackthereof on the flipside - until concrete actions are put into place, even if it's not for a while. It might seem crass, but in my honest opinion, I can empathize with the devs and still hold Tapas' actions accountable. Just like how I can feel bad for someone but still have the expectation that they need to get their shit together if they want to continue a relationship. Because constantly forgiving and feeling sorry and not expecting better is how you end up with complacency and mistakes being repeated over and over and over again. It all goes back to what I mentioned above about our rights as users to decide whether or not its worth weathering the storm. Especially if that storm may never have a breaking point.

We'll see how the next few weeks go for sure :slight_frown:

And now we wait for the harvest....

I do hope the silence means they're working on a fix and not because something bad is going on.
I still believe in tapas and I hope it will once again become the amazing place for comics it used to be.

It's a learning curve, companies that rely on their audiance need to interact with them. I think Tapas thought this layout change was amazing and we'd all love it, so they didn't discuss it with us in order to surprise us.
However, things that change drastically aren't always welcomed, and big things should be discussed beforehand.

But from here on things can only improve, I wish the staff all the best and please stay safe.

Can't we just go back to the previous version?

I really miss it and this version is really tedious to navigate on a daily basis. It lack a lot of things and its so bland. if it wasn't for the author that are still there I would have been gone at least a week ago.

I feel less and less that I'll be able to stay on tapas any longer.

That would be great.
As the good old quote says 'If it ain't broke, don't fix it'

And yes, I know many people abandoned tapas. I did too, however I keep checking back to see if there are any updates. I keep my hopes up. Tapas used to be amazing and I hope it can become amazing once again.
Until then, I'll be on webtoons ^^

You don't think that's been asked? When I did, this is all I got. It's not a answer that instills confidence that things will get better the quick, easy, and overall better way.

I do think it has already been ask if you look on the "first" top post of this very topic you'll see some of my answer. Rolling back have been asked from the very beginning. And I remember your message and its answer. But as some people said its been 3 week maybe it would be time to comment?

I've been the first I think to ask for the return of infinite scrolling. We've been told that "it will come", but when?

Even if I don't want to disrespect Tapas team, I feel like they are playing with us. They have answered our complaint 3 week ago and just after that they have started the waiting game to see when we will get tired of waiting for them doing something and finally abandon asking for things. Because they have all the card in hands. And us? We can't do anything. The only thing we can do is leave tapas for good. But they have all the traffic statistic they need and as long as their not a mass exodus of users (creator and reader) nothing will be done.

Well, from what I heard more and more users readers and creators alike are making a stand and leave until things get either back to what it was or the current layout fixed/improved.

It's not only the layout btw, the 24/h limit is gone (so the same popular comics hog the popular page 24/7) The same comics both free and premium get promoted very often. Hidden gems of comics/novels will stay hidden like this. And there's probably a lot more issues that makes it very hard for small/starting creators on tapas.

All we can do is wait and hope the staff will listen to us, and personally I hope that's what the silence means, so that the next time they answer us is with good news.

It's Saturday, the day when I usually read comics/novels when I could not do it before in the week.

I can't bring me to do it.
Because last week was so disagreeable. No matter how good and immersive the works are, if the immersion is broken when opening the page, when changing page, when liking, when commenting etc..., it's not a nice experience.

I never liked Tapas reading experience, mostly because long form comics (my favorite) are making my computer freeze, but now I feel like I was nitpicking. These were problems I could work around. I can't work around getting constantly disconnected from what I read. I'm going to keep trying, because I'm not ready to abandon the works I'm reading, but at this point, I know it's not a case of 'need more time to adapt'.
No (forseeable) time will make Latin script read from right to left. I don't get why don't they fix AT LEAST these arrows? It's such a small change and would bring a huge improvement.

Free comics used to have a spot on the popular page for 24h, if they didn't update a new page/episode after 24/h they got taken off the popular page.
Right now....that limit is gone. So what happens is; all the free comics that have many subs/views will stay at the top popular rows all the time.
I have a popular comic that hasn't been updated for 2 months because it's completed, and a few days ago I saw my comic still around the top rows on the popular page. This makes it hard for new/small comics to ever get there.
There are so many hidden gems of comics/novels out there but they stay hidden this way.

Premium comics never had the 24/h rule, which kinda makes sense since many of those comics don't update weekly, and cuz they're just premium.

Though I have no doubt that Tapas wants the best for its community, it's obvious that there's a lot of upper management/external say in how the site operates nowadays. Seeing as how LINE Webtoons is one of the leading websites in webcomic marketing at the moment, it's no surprise that potential investors and their own current investors coming into the new fiscal year (when investments for the year are renewed) would want to see Tapas try and compete with them in a way that might directly imply copying them entirely. Tapas is a small company still, especially compared to LINE, so finding investors to keep them afloat is key, especially if they want to continue expanding. And when you're that small of a company, not only are there potentially less investors to choose from who would be fine with putting their money into a small and indie market like webcomics, it also means you might end up having to just do "what's popular" instead of standing on your own merit - because doing the latter could mean investors not wanting to take a risk with you. If you can prove you're not a risk - by, say, mimicking other successful websites - you're more likely to get seed money.

It's admittedly the same reasons why SmackJeeves suddenly turned into a LINE Webtoons clone even after being one of the longest running webcomic platforms over the last two decades. Before its update, SJ was a relic of the early 2000's BBCode message board days, and while I can't say it couldn't use a few quality of life tweaks here and there, the new update was so off the mark that they shot themselves in the foot. It's obvious they got bought out or sold themselves to investors who wanted to see the same thing that even Tapastic is going through right now - a complete brand shift to hop on the LINE Webtoons bandwagon in the hopes of cashing in.

And you might say hey, why not just invest in LINE if you want LINE so bad? Because LINE and their webcomic platform is Korea (?) based. Tapas has its roots in the Korean market, but it's quickly becoming an America-recognized platform with their primary office now in the US. So that's the American market that they're trying to nab before LINE can swoop in and snatch up the entirety of it.

As much as I wish this could be the case, investors have already put their money into Tapas expecting them to make these changes to keep up with the market. Money's been sunk into it. At this point, the devs have very little say, and that includes Michael. Which is why we're seeing less communication between the staff and their audience as well - because they're obviously under legal oath to manage what level of transparency they have. Consider this a double answer to both your post as well as OBC's:

Now I'm not saying this is right. In my earlier post, I mentioned that this year, Tapas really should set their sights on getting a proper PR person to maintain their public image. Because right now, the biggest issue with the platform is their complete lack of transparency - the only time they're even meeting the bare minimum of communication is after they've fucked up and need to do damage control. A PR person and re-prioritizing what sort of platform they want to be will keep them from getting to that point where there even needs to be damage control, but they're never going to reach that point if they keep doing the same shit they're doing.

I think the best we can hope for is not a complete reversion to the old look, but perhaps steps that can be made to help it function and behave more like the old version without it being sunk cost. Because as I've said already, the biggest problem with this new update is the fact that it didn't seem to introduce new features, like companies would typically do this time of year when they're hunting for new investors and fighting to keep their current ones - it seemed to take away more than it presented, which is the complete opposite of what these updates are supposed to be for. As I've said, Tapas is a small company in a risky market, so they need to do more than most mainstream companies would have to do to keep and/or gain investors. Take Facebook, for example - they've grown into a multi-billion dollar company and a household name. If Facebook fucks up, we roll our eyes, but do we stop using Facebook? No, because Facebook is so ingrained into our culture now that it would take Mark Zuckerberg literally becoming Hitler to stop using it, and even then they would still be able to stay afloat.

In Tapas' case, this raises an important question - why is it that when they updated, they not only did the bare minimum of progressive innovation, but brought even less to the table than when they started? It's all obviously an effort to try and mimic what's successful but that's not what's going to set them apart and make them the better decision for investing in the long run. Short term, it works - long term, they're possibly doing themselves more harm than good.

Yup, and I don't think anyone should ever bar people from leaving the site either. As I've said it many times already, we as creators have the right to decide if we want to host our work here, to put our time and energy and labor into this platform. If we're not getting what we want out of it, whether its traffic or monetization or just plain enjoyment, then we have the right as creators to pull out at our own time.

In fact, that right to opt out from Tapas' platform is exactly why the Right of First Refusal TOS update was so controversial - because it planted the idea in people's heads that if they wanted to leave, they'd need Tapas' permission. This wasn't the case of course, ROFR is actually a very good tool for creators to have when contracting with websites like Tapas so that they can leverage more money to keep their comic on Tapas' platform (in the event that other platforms like LINE try to persuade a creator over to their platform). But it's a good tool for contracts. When it was put into the TOS, it created this blanket application to all users that implied their rights as creators were being taken away. And that was one of the first biggest turning points for the website when people would actually make a stand and leave - I know Anna Landin was one of many artists who left the platform as a result of that mess. And even though ROFR hasn't affected individual, non-contracted artists since then, the damage was already done and the message had been made perfectly clear to those who interpreted it as such - Tapas sometimes makes decisions without any communication that makes it so that we can't trust them as a company.

People have called me out before for calling that line of thinking - that Tapas doesn't actually care if you leave or that you shouldn't care about leaving them - 'toxic' or 'silly' but would you disagree with someone wanting to break up with their boyfriend just because they're unhappy? You shouldn't have to wait for shit to keep getting worse and worse to leave. If you just don't feel like your place is here, that's your right as a creator and user. I'm not encouraging people to leave, I'm just reminding them that they don't need to be clinging to some imaginary relationship with a website that may or may not be giving them anything in return.

Just because we aren't paid on contract by the website doesn't mean we can't expect better. In fact, as creators who provide their work en masse, hundreds upon hundreds of episodes spanning genres and years of work, all for free, we have just as much, if not more leverage to demand a better platform than those who are paid to be here. Because we're not paid to be here - and yet many of us are still here providing our work and in turn, our labor, not to mention free advertising for the website every time we share our comic to direct readers from external platforms. Every time you post your link to reddit, or to Facebook, or Instagram, etc. you're doing free advertising for Tapas, and in return, they allow us to host on our platform - but even that's barely worth it at this point with such a poorly developed backend that's massively affecting our frontend. Besides, Tapastic isn't the only webcomic hosting platform. So a basic "we provide you the platform" just isn't great leverage to debate as to whether or not we have the right to demand better. There are others out there that will bring you, at the very least, more fulfillment to post to if Tapas isn't giving you that anymore. The decision about whether or not to leave or weather the storm though? That's yours. Don't let anyone convince you it's not.

I tried to figure out what comic you draw and couldn't find it, but if you do manage a popular/mainstream comic as you say (and I'm not accusing you of lying, I just can't find your work xD) then I'm really humbled to see this point of view. It's not one of arrogance or privilege, it's one of genuine empathy and concern.

Like people think every time I or anyone else here call out the Premium creators, it's hate at them. And while they've definitely been through their fair share of crap and are justified in feeling outcast simply due to their success, we all need to recognize it's not hate for the creators or their work, it's just rejection of a system that's obviously biased and doesn't benefit anyone who's working just as hard - if not harder - to bring their free to read content to this platform with barely anything in return.

And yet I keep seeing Premium creators stepping forward with things like "well stop hating on us, Tapas is a business, they need to promote their Premiums to make money!!" Like okay. But - and this is a VERY hot take so I apologize if this is over the line - leave it to the privileged ones who are benefiting from the company's decisions to obviously be the first to stand up for them. Of course Premium creators are going to defend the system and how it's built - it's because they're not dealing with the actual drawbacks of using the site when you're not being paid to be there. It's sort of hard to take these opinions as genuine or valid when they're making even just a semblance of a living off their work and are constantly being carried on Tapas' shoulders above the rest. Yes, many Premium or otherwise 'mainstream' creators started as free to read creators and worked hard to get there - but now as a result they're in a biased position as a result of Tapas' own system that benefits them at every turn, whether it's through monetization or just constant promotion and traffic. Especially with the current lack of the 24/7 timer system. You can't look at a building that's caught fire and say "the building's on fire but why are you complaining? Just get out of there or stop bellyaching," when you've already been rescued by the first responders and those still trapped inside lack the ability to escape on their own.

I'm not denying that Tapas needs to make money. But they're forgetting the thousands of comics and creators that got them to this point, that filled their library with so many popular works (some that mirrored here - ex. GamerCAT brought them HEAPS of traffic back in 2012/13, hell, it's literally how I found Tapastic.)

So for any Premium creators or otherwise mainstream artists, please don't feel like we're calling you out for being successful. There are plenty of successful comic artists out there who we love dearly and would never imagine being assholes to (Katie Tiedrich and Samantha Whitten are both angels and I will protect them at all costs >:OOO). Some of us are just poorly projecting our feelings onto you when really, we should be pointing fingers at Tapas for creating this obviously biased system that favors the mainstream and disadvantages those who could just as well be the next 'mainstream', if they were just given the chance.

I'm only calling you out recognizing the obvious advantages you have and why it doesn't look good when you say "it's not that bad" or we're "overreacting" because you're just not existing in the same context of the website as we are anymore. And that's not your fault - it's on Tapas, who have created this ecosystem where if you're not mainstream either due to being popular once 4 years ago, having your comics meme'd on Twitter with every new episode, or following the status quo by hopping on whatever genre and/or storytelling conventions everyone else is doing, you're going to intentionally be pushed down to the bottom of the bin. And then they blame it on the algorithm. You created the algorithm, Tapas. You can't express empathy to those being beat down by it if you don't actually do what you can to fix it.

Tapas just needs to quit it with the plausible deniability and pretending that they can't fix this problem that they've intentionally created over the last 4+ years. They gotta take more responsibility than that.

In the meantime, though, all we can do is make our own decisions about our futures here, and figure out if a future here even exists. I'm not gonna chastise anyone for their decision no matter what you do, because at the end of the day, it's your decision, and you're the only one who's going to live by it. It's not going to affect me in any way, and you don't need to feel guilty about it affecting Tapas - because they've proven time and time again that they barely bat an eye at whether or not their decisions will affect us.

It has 71k subs, it's further down at this point, for which I'm glad (as weird as that may sound) but a few days ago I found it on the 7th row for free comics (I remember it cuz I discussed about it with someone on discord) so personally I just don't like this 24/h removal because comics like mine take up those spots even if it's not been updated in 2 months while a new comic gem is stuggling to climb up in those ranks.

Hmm...I would think the hate premium comics get will lessen now that free and premium content can be split, which was a good move. imo the advertisment is fine, sure there's a lot, but they don't advertise in the notifications often.
On the site you can now pretty much avoid all premium content by making your tapas bookmark this for example; https://tapas.io/comics?b=POPULAR&g=&f=F2R3

Yeah, that definitely helps! They've made strides with it but there are still things that need to be fixed, such as the 24/h removal.

That being said though, I'd like to point out that it's not solely "Premium" by the technical definition, despite my wording in places lol I'm also referring to 'mainstream' which can also include free to read comics. As I've mentioned before, Sarah's Scribbles, Rock & Riot, theodds1out, etc. are all very popular comics and are also free-to-read. But they've got plenty of subscribers and influence as it is (and in Rock & Riot's case, it hasn't updated in three years), so why do we see them getting promoted in every genre-based Trending tab on the landing pages for comics that are nowhere near those numbers? (in the case of those three comics, the Comedy genre specifically, which is one of the more competitive genres).

As someone else here stated once a while back, it feels very much like the website is going "Hey why waste your time reading this, look at THESE comics instead". If they're going to make a series landing Trending tab, make it varied and perhaps set it to the same metrics as the comic being read so that it continues to vary as the comic itself gains more subs or grows a bigger community. That way other comics in that same genre have a better chance of getting seen, and the comics that are already constantly dominating the top rows in the Popular section and the front page of the website don't get yet another avenue for promotion, and one so small, specific, and not even guaranteed to show up (if you have multiple series) that they really don't need it the way someone with a new series or fewer subs might.

And again, that's assuming the Trending tab even shows up. If someone has multiple series - something that's completely out of our control as creators who may be trying to get our work out there - then that avenue is gone. And as I mentioned in my big conspiracy post from a couple nights ago, the majority of free to read creators have multiple series. So this almost intentionally disenfranchises the smaller free to read comics that don't have the advantage of dominating the front page every single day even more.

So in addition to the Trending tab needing to not be so biased towards comics that are already getting that front page/Popular section exposure constantly (or were popular 5 years ago and have literally not updated since), they need to either make it accessible to everyone regardless of whether they have multiple series, or not at all. It just seems foolhardy to have it only appear for some people and not others depending on something so mundane as whether or not they have more than one series - and then when it does, it's the same shit you just saw 30 seconds ago on the front page or Popular section.


On another semi-related note, I know people are discouraged right now that they're not hearing back from Tapas at the moment, but let's please remember that it's Saturday. So we'll probably not hear anything official until Monday. I know it's hard because they've been largely silent even up until now regarding a lot of issues, but let's all hang in there :heart: And remember, whatever you decide to do for your future is your decision. Recognize it, own it, and learn from it, for better or for worse :heart: