What's the hardest part of drawing your comic

[Luminosophy]

I think paneling and shading. Paneling is tough because I'm pretty new and I'm working with a legally blind writer. It's extremely difficult trying to make sure I'm getting the right kind of scene he wants because he just can't see well enough to comment properly. So it honestly takes a lot longer to get right than it normally would, days even. Sometimes I think I know what he means, confirm it and find out later it's completely wrong. :T

And then just purely on an artisitc level, texturing and shading. I find it really difficult to know where to cut back because I like to add minor details to everythingggg. But less is more and all, so I have to spend a while erasing a lot of lines that start to converge and make it hard to tell apart objects.

[parkcathedralgrace]

I don't know how much it'll help, but Paletton has a color wheel that lets you alter the colors to fit certain types of color blindness. Maybe that could be of use to you somehow.

http://paletton.com/

[XzynderVexymous]

A-FREAKING-NATOMY. It’s a hard concept to grasp.

[soju]

[punkarsenic]

ughuhghghghgh thumbnailing the pages. it can take me an hour staring at my script before an actual page plan comes out.

[Pandastrophic]

I have a harder time writing than drawing and I guess thumbnailing might be what takes the longest time to do especially if I don't know where I want to set the scene or if I'm overthinking it.
One thing I actually set out to do is take away any part of the drawing process that I hate doing or takes a lot of time. For example I don't like to lineart so I make the lines sketchy lines I clean up a little, I don't like putting the flat colours so I I kinda paint everything together with the background in one layer. I enjoy every part of the drawing process because of this and I think it's one of the main reasons I'm still working on the comic.

[thomassayle]

well probably convincing myself to do it, cause my comics are crap and well I don't put in the effort to improve as much as I should. There are badly drawn, unfunny and just plain unappealing to look at.

But other than that probably hands and gestures, I cant have my charaters be a talking head I need to add something more than stiff hands down the side. So I draw them or what is barely a reference of them.

[amirabillustration]

So far the hardest part of my comic is staying true to reference, since it's set in the past.

[juyunseen]

Attempting to not destroy my wrist or elbow during the drawing process

[GGY]

I can't even count how many times my whole hand gave out from drawing so mucchhh

[ButterflyEmpress]

I feel the same way about backgrounds.

After that would be the line art, but not because it's that difficult (especially using digital software), but because it's boring to get through. It's like redrawing the sketch but slower and more careful. And when I finally get to the fun part, (coloring). I find that I missed some minor cleanup, such as bg lines overlapping fg lines.

Then again, maybe I'm doing it wrong.

[Lovetina]

I love drawing backgrounds actually. I think the hardest part is dialogue and speech bubbles being aesthetic.

Or, cleaning linework.

[ryoko]

backgrounds can be tough for me, but architecture....my achilles heel... and the next chapter of my comic is in a town...nooooooooo!!!

[orchidesyl]

making it really.
not backgrounds, not plot, not characters
but really the force that makes you devote yourself to ACTUALLY making it

[MaggieW]

For me it's also backgrounds. Not the actual drawing part, but designing the backgrounds and filling it up with clutter to make it look convincing, and then having to draw that same background in different panels at different angles O____O I know most people won't notice the tiny inconsistencies, but I always try to make it as consistent as possible :')

[Masterman]

Right now I'm struggling with hitting my update, because I decided to make a seven page episode (typically I do 4-5 pages). I try to have my episodes correspond to story beats, so the length varies a bit, and having an extra long one almost doubles my workload (I update every three weeks). Seven pages probably doesn't sound like much, but it includes writing, layouts, pencils, inks, colors and lettering, and right now it's killing me. Ah well, the next one is only 4; should be a bit easier on the schedule.

The Adventures of Echo Callaway | Tapas

[joe_galindez]

"It's not an addiction and I can quit anytime."

[Tycade]

The hardest part about writing a comic is finding time to do it! I work full time and have to get things accomplished on my day off so, I can only put in like, an hour every morning if that

[Wumbl]

I'm torn between a few things...

One is storyboarding - I struggle to find the motivation sometimes. It's just that I can either burn out page after page of composition ideas or I draw a blank. I have to do it in bursts.

Another one is background. I do find it somewhat tricky, but that's not the only problem. The problem is working out how much to show in each panel. In action scenes you're not meant to show a lot of background so that attention isn't drawn from the action, but there's an amount of indication you have to make. That balance is a bit of a hassle.

Finally just finding the motivation and time - I've got to balance it with my full time commitments as well as my other creative projects and it's a bit crazy sometimes.

[GGY]

I can see why you love drawing backgrounds! I really like the aesthetic take on your comic and the animated lights!