I refuse to use Grammarly (or other grammar software) for this exact reason. I have a pretty good hold on grammar rules, and if I break them, it's intentional about 99% of the time. I get tired of even Word telling me that a sentence fragment is unacceptable; I created that sentence fragment on purpose. I understand the role that grammar software plays and definitely think it can be a helpful tool, but I also think it's one whose main goal should be to help the author improve their understanding of grammar so they can ultimately move away from those tools.
I'll double-down on this and say bad critiques are also to blame as they can dilute the prose. Again, this is true for bad critiques, not critiquing in general.
I don't know about you, but I've received reviews which spend their time trying to intrinsically alter my writing style so that it suits theirs instead.
I, too, refuse. And I have frightened the cat all too often screaming at Word that a one word sentence is perfectly acceptable.
Agreed. It's a tool, nothing more and it is not meant to replace anything. I've seen ads where a sentence is reduced down to the blandest of the bland by a program and touted as being "concise." You can be concise with flair, but I have not found the programs to provide that flair.
I only use Grammarly for basic editing and spellcheck, but I always check the suggestions before I approve them. I read a quote that said something to the effect that the written word has rhythm and we should vary sentence length. (There was more to it than that) Anyway, I always try to think of the rhythm in my writing. Commas, for example, are used in music to tell singers when to breathe. I might add extra commas if my sentence needs more time. We had a work exercise where we had to edit a sentence to be grammatically correct. Most of the adaptations were technically correct depending on the circumstance. Programs don't know the circumstance or writing style.
Yes! I totally agree with this. I can stomach recycled plot lines to an extent because we culturally will recognize base stories like "Cinderella". But there are plenty of stories where the writers are essentially doing a "reaction" to the piece before and nothing new comes out of it, like any of the trending topics nowadays: vampires, werewolves, bears, mermaids, mafia, etc. (You get the drift)
I haven't had that happen here but I have received it elsewhere. That's why when I hear someone say "What I would do..." I tend to shut down because they're not writing it, I am. On the other hand one of my beta readers can do that because they're "what I would do" is more along the lines of: "What I would do is make that strong point even stronger."
But people trying to change your writing style? Nope. Nope. And nope. And that's a little what I feel with these programs when people rely on them too heavily.
Yes, there's a genuine lack of risks these days! For every one story I've read that has a unique premise, there are one-hundred with the same foil, the same characters going to the same high school/college.
We're no longer in an era of pushing the bar; we're in an era trying to maintain the bar so we get noticed by Algorithm Senpai.
I'm not well-versed in the novels department (neither specifically on Tapas nor in general), but I'd like to add my 2 cents from the comic perspective because I'm absolutely seeing a similar issue there too.
A huge "problem" with dialogue in particular is that a lot of people don't write how people speak, but instead either focus too much on proper grammar (causing every character to have the same bland voice) or take inspiration from things such as oddly phrased scanlations, creating a really awkward atmosphere in their work. I imagine this kind of thing can creep its way into novel narration too, and the "fault" my be found in a lot of sources.
Now I say "problem" and "fault," but in the end this is me speaking from my own perspective because personally I love writing that feels "alive" and "organic." For all I know the type of writing I dislike brings joy to plenty of people out there, and that's totally fine to me so long as there still are writers who stubbornly do their own thing.
Well, yeah. And thanks for bringing a new perspective on this discussion!
I liken most of these stories to comfort food: the potato chips of writing. And this problem certainly extends to novels, too. Characters are more so self-inserts or based solely on their appearance, sexuality, etc. It feels like dialogue in this instance is fulfilling a program rather than trying to tell a story. But hey, if it's cozy why get out of bed? lol.
Years ago when I worked for a magazine I had to interview an actress about a film she was in. She had the script with her on the table. I'll never forget this, as she spoke to me she put her hand on the script and softly ran her hand over it. I thought, that's how I want to write, I want to write so that someone would hold my work like it was one of their most precious possessions. That's where writing from the soul comes into play. You can use a program to correct your grammar but not to the point where it takes your soul away.
That’s my answer as well. I use ProWritingAid, free version, and treat its corrections as suggestions.
Also, I disagree with all prose feeling the same. I read quite a bit of books every day through club I am in, and I see everything, from ornate prose to deeply layered one to barely understandable chop-mush.