perfectboy

Tim Morgan

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Nov 17, '16
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Feb 22, '17
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Mar 20, '17
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yeah, i do use slight variations in line weight, but you can't see it at all with all that information. ill keep playing with it till i get it right

ooooo super useful, thanks a heap

took me about 3 months on line webtoon, but I do a horror comic which is lovingly put into the "other" category with the romance toons. it's tough going against those dang romance toons...

Hey guys, I recently went from producing my horror comic Tales of Anxiety from color to a black and white format. The way I currently produce relies on hatching quite heavily, which I thought worked well with the themes I'm working with. While this was evident while I was producing in color, the swi…

gotta say, i think it's what horror writers have to come up with to keep you filled with that sense of dread. Most things tend to be one trick ponies( you've seen it once, the dread factor no longer works); A good horror writer just comes up with the weirdest things just to ensure that the feeling o…

oh, for sure no sakura blossom. that would be pretty funny, if used during a monster reveal or something haha i love Melvina;s Therapy, didn't even notice the screen tone though. I guess that's exactly what im looking for

Hey y'all, i'm almost two short stories into my series Tales of Anxiety and so far i've been doing all of my coloring in photoshop. While i like the painterly way i can apply color (i was a painting major in college), i'm not too fond of the results as far as what I feel the comic needs. I think in …

Thanks, that did the trick!

might not be something you could afford, or your artist might take offence, but I think having a separate artists who would focus specifically on the color might not be a bad option. Since if you were to do it, you'd have to be incredibly consistent with it, day in and day out. this could end up bei…

page 5 for the short story Face to Face Tales of Anxiety went up today for what ever reason it's saying I can't upload the image into this post for an error that it wont specify.... [image]

All of Junji Ito's work. He's such a master with creating an atmosphere of dread, and inventing incredibly creative ways to frighten you. The series Prophet from image comics really got me into the comic shops to check out what was really happening in the current comic scene, and my girlfriend an…

I'd like to finish enough short stories to potentially publish a horror anthology for Tales of Anxiety. Maybe around 7 or 8 stories? Haven't decided

Nothing tops traditional figure drawing, imo. You can often find classes that you can take at least once a week for 3 or so hours, and there's a lot you can pick up and learn from working with a live model that photo's just can't do justice

I just finished this science fiction graphic novel by Simon Roy called "habitat"... I've literally read it 4 times since Monday and it's all i can talk about at work. Think cannibalistic meso-american tribes on a massive space station

i think it really varies from person to person, but i definitely have struggled with how to best approach this. I know how i like to do it is really start loosely and let myself discover the story as I go along...I feel I'm actually more creatively hindered if I do what you did and pound out all the…

oh man, i would have to say that when the art work creates a very clear flow, and intentionally leads the eye all over it, so you naturally are drawn to look at the whole image. I find that I really speed through comics that don't have this and end up missing a lot of the story, but when you get the…

Here's my latest page from my first short story comic The Roommate [image]

While figure drawing helps literally everyone, even seasoned pros, i would say some good exercises that you could do to improve your characters would really be practicing some gesture drawings (these are really loose and quick drawings where you really focus more on structure and the overall flow o…

I really enjoy the black and white examples, but i always feel that if you're going to stick with B/W it's really key to push the lighting situations to get the most out of it...if that makes any sense