Though I can't comment on Raya since I have not seen it yet outside the trailer. This is kind of the result related to an issue I have with a lot of animated features that has been going on a long time, and honestly Disney is probably the least offender of it.
And that's when voices are hired for the actor's fame over if the actor would actually fit the character or not. To the point where a majority of the trailer for an animated feature will be dedicated to introducing the audience to the voice cast, over plot or even the names of the characters they are portraying.
So you end up with a lot of characters that just feel so out of place because the demands for the voice work is different, because comedian TM isn't trying to act as the character, and instead bringing themselves to the character that more often than not just makes the character them.
Now I'm not saying this method can't work, Robbin William as Genie worked amazing, but a lot of the times, it just doesn't and the characters stand out really bad and feel really displaced.
As being an old git.
Yes. Sadly the mastery is all but gone.
Pinocchio, Bambi, Sleeping Beauty, Fantasia.
The studio was once all about the art.
THAT was the Disney magic to me.
Not anymore.
Raya and the last dragon looks like the usual trash to me...dare I say again pandering to the Chinese market.
Everything is all quip and sass and quite generic.
Its not set in a contemporary world dont have the dialogue be contemporary.
I think the modern aspect falls into both what the character says as well as how the voice sounds. If you look at the side character/comic relief/sometimes mystical character in these movies there’s a sort of pattern.
Frozen: Olaf has never been my favourite but besides that he often made jokes that only someone in the 2000s would be able to appreciate and played by josh had, a well known celebrity. Maui from Moana has a VERY 20th century humour with many of his jokes like ‘when you write with a bird it’s called Twitter’ some of them are funny but most totally take me out of the setting which is supposed to be island culture thousands of years ago. And now we have Raya that has aN everyday Actresses voice nothing that really makes her stand out and she’s making remarks about her being the kid who doesn’t but any effort in the group project. Will audiences understand the context of the joke? Totally. But for the setting It makes no sense and it totally makes the dragon seem less dragon to me in some ways.
It would be the equivalent of Lummiere in Beauty and the Beast suggesting the beast to try some Tinder for setting his love life ‘afire’ the joke (Although terrible I’m sorry, I couldn’t think of anything for my point) works, we know Tinder is a dating site in the 20th century, the humour Relies on the idea of the beast using Tinder And lumiere is a candle stick so it kinda works. If something so off tone would have appeared in Beauty and the Beast it would have left a bad taste in my mouth (like the live action version did). This wasn’t supposed to be a rant when I first made it but it kind of turned into one because genuinely this something that feels off with Disney’s work these days.
Personally speaking I think this all really started with the first successful attempt of Disney bringing modern humour into a fantasy setting in Aladdin with the genie. The genie makes TONES of modern jokes although it does sort of work with his character Of an all knowing genie (one just assumes he knows the future) BUT most of them would go right over The head of kids who were born after 2000. I mean, does anyone even looking at this forum even know who Rodney Dangerfield is? The jokes are just way too dated, just like Maui’s twitter joke might be in 20-30 years. Disney had a favourable reaction To the genie and his humour who was played by the very energetic and theatric Robin Williams, but since Disney has continued to use this humour without context and without the same energy for voice actors, it kind of falls flat.
What it comes down to personally, Disney has mostly stopped searching for voices that suit the characters they’re playing (what @Kura said) and combined that with the modern dialogue the character is given totally takes the audience out of the fantasy world they’re trying to create and puts them in a Regular conversation.
yeah that would be cool. on the other hand i like how to train your dragon, so it's not a 100% rule. and im pretty sure i will like this movie once i get a chance to watch it. my complaint is more of preferences.
or maybe im just upset raya seems like a ghibli movie in some areas, but seems to fall just short.
Ah yes, old Disney is all my childhood. I remember back when I used to watch the "Sword in the stone" film on repeat: it was my favourite. I don't know why, but their style had something so... magical to it, so mysterious and beautiful.
I don't know why, but all of their old animations have a different charm and even when I was a kid I noticed this kind of different vibe.
Now I'll go cry, because you just triggered my nostalgia
Agreed. There is just something timeless about the older films. I can't comment on Raya just yet as I haven't seen it, but I just don't have the same wonder and excitement as I once did when new 2D animated movies would come out.
Some of the things I miss from the "old days":
* the beauty and fluidity of the animation (This is a personal bias but I STRONGLY prefer 2D animation.)
* the villains just got to be villains and sing about being villains. Almost EVERY new Disney/Pixar villain is a TWIST/End reveal (with Mother Gothel being the exception.)
* Romance. I like a cool independent princess too, but the trend is to not have "prince" characters the new princess movies. (Raya, Moana, Brave). I'm a sucker for Disney couples! Almost every prince/princess had a prince/princess counterpart in the old films.
*This timelessness and artistic/storytelling mastery that was so present in the older works (including 90's films). Some of the newer films (while I really enjoyed them) seem a little clunky or cobbled with pacing or narrative issue that seem out of place.
I think of all the new films, "Tangled" comes closest to having that classic feeling the good ole films used to showcase. (Great villain, catchy tunes, beautiful scenery, and a fairytale romance.)
I don't really get the point of twist villains. even most adult media doesn't have twist villains. the only stuff i can think of with a twist villain that's actually good is something like star wars where darth vadar is the villain, but there's someone even more powerful that's not revealed or developed until the end.
and also crime dramas teehee
I don't think that this is true in many cases, especially with classic animation. Pinocchio didn't feature pop culture references, but its sense of humor was exactly in line with its era. Other contemporary Disney films--e.g. Fantasia, Dumbo--featured things that are exceedingly 40s, especially with the racist caricatures in both of those films. Besides the parts that have grown offensive over time, the movies still hold well just because they are very well made.
Contrast to Looney Tunes, which certainly used all sorts of pop culture references and even outright parody (Bugs Bunny eating carrots was a spoof of a famous 30s film), and fares about the same. While those shorts are certainly products of their time now (and there are PLENTY of morally repugnant shorts from the Merrie Melodies roster), the best of those are basically eternal classics just like Disney's films. Maybe the references fly over modern audiences, but the jokes sure still land.
A similar transformation is happening to the 90s era Disney films, but more importantly it's already happened to the 90s era WB/Spielberg cartoons--Tiny Toons, Animaniacs, Pinky & the Brain, et. al. Those were and still are considered some of the best of all TV animation, but they were also jam-packed with so many pop culture references that sometimes you need an encyclopedia to get the jokes now even if you were alive at the time. But even with that, they haven't aged POORLY; they're still just as good now as they were thirty years ago.
I guess none of this matters that much to the topic of this Raya movie, but I am betting that it's no more contemporary or wacky than Aristocats was in the 70s or Mulan was in the 90s. And if it's good, it'll age just as well as all other Disney movies in 20 or 30 years' time.
The only Disney animation movies I've seen in the past many years are Zootopia and Wreck-it Ralph, though, so maybe timelessness isn't really something that's ever crossed my mind anyway lol