1 / 25
Sep 2020

I'm just here drawing a detailed car crash of not just one but two freakin cars, and was like "I just did a comic with a car crash--right after I did a comic with a train crash--why am I doing this to myself again? I know how much torture it is to draw these cabs and cars at weird ass angles you can't find reference of, but I hit print anyway, omg" and so like...what's your car crash? That thing you script in saying "I'm gonna haaaaaate this" and you absolutely do. You absolutely do and yet it's in nearly every freakin comic you make.

  • created

    Sep '20
  • last reply

    Sep '20
  • 24

    replies

  • 1.1k

    views

  • 21

    users

  • 106

    likes

Fight scenes with magic or weapons and honestly can't stand the latter. I've got big respect for folks who can draw fantasy weapons but personally it just makes my hands hurt. Wood twisted in a certain way for a staff, ornate swords crafted from come kind of gem or with fancy metal hilts. It's the same for character outfits which are usually based on those fun rpg style gear sets with the belts, layers and trim.

I could always go for something simpler but it doesn't feel as interesting but I tend to cut the excess for hand functionality sake. Luckily I can save all the fancy details for illustrations in exchange for all the cutting back in comics

Every time my writer self decides to put a scene in an area with a busy background, like a store or a library (bonus points for crowd scenes), my artist self dies a little on the inside

Also the eternal struggle between "this character should have a cool and visually appealing design" and "I hope you like drawing armor details repeatedly"

Love to describe cities, hate to draw them. I'll never stop though 🤷‍♀️

@VibrantFox oh man twisted wood branchy things is always such a stumper too, because you have to think of it in every angle, but it's such a weird twisty non euclidean object anyway I can only really draw it in like...maybe 3 angles and I just pretend my character is always holding it in the cool way direction towards the camera.

@AmysGames oh shoot libraries. Bookshelves are the worst, haha, I got a CSP brush that only does books because I never want to draw a bookshelf again. (But I really like the look of em :D)

@elyss Oh man and the worst thing about city scenes is that they probably have cars in it so it's like damn it I finished this beautiful building and now I have to draw like 12 cars fffff.

Detailed backgrounds of cityscapes. Me no good at cityscapes. Just can't wrap my mind around them. Bonus points for writing in a SCIFI cityscape. It's like hang on, I can't even draw a NORMAL cityscape, how tf am I gonna now transform it into the future?? In general I'm not super great with inorganic objects (except cars. I like cars so I learned to draw them) so drawing sci-fi is ehhh difficult and I'm much better suited to old-timey fantasy.

Guess how many old-timey fantasy stories I have? Yeah, that's right. 0.

What I do have is 5 sci-fi stories (one of which I'm currently drawing) and 1 urban fantasy with a slight steampunk twist set in the 90's. So... yeah.... modern, urban cityscapes...

Any background honestly. I have many scenes with lockers in them and those suckers are a pain to draw.

Towns and cities. Why don't I just have all my comics be about people travelling the wilderness and living in tents? It'd be so much easier than having to build 3D sets or find reference for convincing buildings. :cry_02:
I am also on team "UGH, CARS..." and for some reason had the latest scene in my comic be one where the characters are hidden behind one. Aaaaaaaagh :sweat_01:

Animals!! They’re impossible to draw, movements, posture, fur... a nightmare. And yet, I just made a 12 pages layout for a new short projects, centered around... ... ... ... a dog!

(But I love drawing background though... looks like I’m in minority here)

Anything mechanical. There's a reason why I stick to mid/high fantasy. But then I turn around and have a huge pile of STEAMPUNK themed story ideas and think to myself "wouldn't one of these be fun to draw?" I even drew splashart for one of them :cry_01:

Group shots, people mid-sitting down/standing up, and profile views while a character is talking ;_;

Ugh, yes. Talking (or smiling AAAAAAH) in profile kills me every time. But sometimes it just needs to be done.

Magic is what my mind instantly went to while reading this topic lol. I love fantasy settings and magic heavy combat systems... but I'm just not very good at rendering magical effects just yet :joy: I'm on easy mode right now, drawing a D&D comic where our party pretty much only has fire so I can at least just practice that for a bit. Before I dive into another fully original setting though I need to seriously sit down and workshop my rendering techniques.

I love to write fantastical cities but its death do draw. XD THE COBELSTONE WILL BE THE DEATH OF ME! And because I am a sucker for pain, i also have to included symbolism everywhere which can be a bit tiresome to remember which thing had what motif.

For some reason, I keep coming up with scenes where an archer is aiming a bow about 45 degrees away from the camera, which is a pose I could never really get my head around. An archer aiming directly at the camera I can do or if they're shooting parallel to the camera it's pretty easy for me, even pointing away with their back to the camera I think I can manage, but the angles in between always make me trip up on how to draw the arms, the perspective of the bow, and how the arrow is aimed. It's been hard to find references too, because all the pictures of archers I can find don't have the angle quite where I want it to be.

Slightly related, I keep coming up with funny ideas for the game Fire Emblem: Three Houses (both of my comics about it have included archers posed at the aforementioned angle) and I've learned I really hate drawing the characters' clothing. There are just so many details and ridiculous baubles on their clothes and I spend way too much time trying to be faithful to their designs for what amounts to a dumb joke.

If I HATE to draw it, the writer will always WRITE it...even if I am ALSO the writer. :grin:

Oh lord, I still want to draw my steampunk comic but I just know I can't make the ideas in my head look good. So many pipes and gears... :dizzy_face:

Group shots or panels with lots of background people. It always looks good in my head, but I really hate drawing that. Oh! And any kind of architecture. I'm not good at it, takes too long to draw, but I won't stop doing it. Because I like to challenge myself in my artwork.