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Jan 2018

Just wondering what everyone elses methods are. Do you plan every detail or just wing it? I'm more in the middle, i have an overall plan for my story (mostly thanks to this plot template34, which saved my life) but when it comes to the actual chapters i tend to write out the first thing i think of and tweak it when i start drawing. I also have a huuuuuuuge document filled with scene ideas ive thought of over the years that i like to pick out and add into chapters when im not sure what i should do next.

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    Jan '18
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    Jan '18
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I have a similar approach. The big picture with the story arc is planned out in addition to the major plot arcs that need to happen to get there. The rest is a lot more malleable and adaptive. Chapter have significantly changed while in the drafting process that has a domino effect on what comes later.

I start with a general outline/synopsis of each chapter, look it over to see how it moves plot and character forward, then do a lot drafting of the script with thumbnails before starting in on pencils

I also proceed in a similar fashion, but i don't use any templates. I see my method as a matter of having a beginning dot, an ending dot, and drawing the best line to connect those two dots.

I plan my comic in concepts and professional rambling.

Concepts are usually written in explanations to events or characters. I find that, when I do this, I am able to clearing see who my characters are and what is happening. That way, I've created several possible scenes in advance.

Two part of writing concepts deals with using music. I love listening to music while I write for my stories because I am able to picture a music video explicitly linked to my story. With a little editing, that "video" becomes a possible scene (if not several scenes). It's like writing an opera, basically :blush:

Now the "professional rambling" is just what it is. I write out everything I can think of on the fly. If scenes come to be and they seem to connect, and piece them together. Sometimes, I write out scenes where I need to add more to them (in that case, it helps to write "ADD MORE HERE" in big bolded letters so I know I need to connect parts. I also make sure to go back and edit things for grammar and comprehension. If it doesn't make sense to me, it probably won't make sense to my readers.

I also love to have close friends read over my plots and writing, so that I can answer any questions they have or edit parts that need some work. It's also good to have some extra eyes looking at your work. It's noted that your method doesn't have to look professional (unless you're showing it to professional industries and employers). For me, I write a lot of my planning in first person so that I know myself what's happening.

Same, I don't like to get meticulous about it, but I like it planned well enough that I still have a general idea on how the story will pan out. I also use a template when planning scenes, which is this one3. It's basically a table that has all Beginning, Middle, End scenes.

I also use a writing program called Scrivener which helps me organize everything into one file.


The index cards you see above are especially helpful, because I can move them around to adjust how the story happens when needed.

Of course, things change sometimes when I'm actually thumbnailing the pages. That's when I actually get to see the flow of the story.

I'm lucky enough to work with a wonderful partner who does the writing, so everything is very detailed and laid out for me! Brani works in a very organic way, he has so many ideas and seems unorganized but he has it all straight in his head like an encyclopedia! Our series is a long one comprised of 6 books, and he has written a long synopsis of 2-3 pages for each one of those detailing all the plot and important character development that happens in each. He also has written the page by page scripts for the entire book one! I'm way behind trying to draw all this so he's now taking a break and working on a couple novels while I catch up haha

His scripts are very detailed and even include a layout of how he imagines the page, but I am always free to move things

We actually put together these script to final page comparisons for our patrons on Patreon, they show our process. Take a look! :smiley:

His scripts are very detailed and even include a layout of how he imagines the page, but I am always free to move things
around. In this example for instance, there was too much text on this page and I ended up putting some of it on the next page.

I'm first and foremost a writer, so I like to have my story fleshed out first in writing form. It also helps me and my partner envision how we want the comic to look (my partner is amazing at visualizing my writing) Sometimes I can include how I want a particular panel to look like, like where the setting of a dialogue line will be or what expression the character has, and add it as a side note for my art partner. Then as I include the lettering to speech bubbles, I can alter the dialogue line to fit better with the visuals (I've altered quite a few dialogue texts once I had the page all set out for me)

TLDR: I write a story, add notes of how I want a panel to look if applicable, and alter the dialogue when doing lettering if I see fit to

I tend to start with a really broad idea and add details the more I think about the story. I go on walks everyday and just pick an aspect of the story I want to elaborate in my head and just think about the various interactions, dialogues, events that could happen. Then I write it all down.

Before I started my comic, I have a great majority of my story figured out, and all major events written down. But then there is some parts that I just leave for myself to figure out later. So I may write that an interaction between two characters has to happen(say a date for example) but not specify the type of date or location or anything like that. But then some scenes are really specific because I want to make sure certain dialogues touch on certain things, so I'll write out the exact dialogue I want for the scene, but again I may not decide details like location, or names of characters till closer to the finishline.

The two main female characters in my story, the main one is Gwen, the best friend of Gwen is Fiona. I didn't have a name for either for the longest time, I used "G" for Girl, and "F" for friend... I practically wrote out the whole thing before I decided to just look up names starting with G and F for them XD.

I usually like to heavily outline the plot so I don't start writing and end up making a mistake that's hard to fix. I'll have the majority of the plot figured out but leave myself room to change things if I need to.

When it comes to working on the panels I try to get down to specifics and utilize panel placement in an interesting way. Then I'll have dialogue written out but I'm open to changing it. Seeing the lines so much sometimes leads me to find a better way to phrase something and I'll change it.

I typically just write out all the dialogue, location, and actions of the characters, but don't really plan how anything looks.

I also do the music thing. It gets my mind in the right place to create, and I'm a visual person, so the internal music video is useful. Though, I find it can be dangerous, depending on the song. Sometimes it can lead to stereotypical action or over abundance of Shonen Jump style story points.

My method for writing can be a bit long. I often take time to plan, plot, and set up characters. This can be a few months to a year. Simply because I mull over ideas, toss some out, add new ones, and repeat.

Once the pre-plan is ready, I set it up by acts. (Currently working in the 5 act structure). The rest is pretty much on the fly. So long as I have a good ending in mind, a solid beginning, and a few key scenes, the rest is filled in as I go. I'd much rather have an adventure as I write than something that is pre-constructed that I just have to reach work-wise. So I leave a lot of my stuff open for later creation.

I first plot out the story and figure out approx how many episodes and season it will take
When Writing Divine Emissaries i broke it down into 5 season and 12 episodes a season. 100 pages per episodes about. I write the beginning middle and end of the story then take it episode by episode
Check it out

Oh, most definitely! Sometimes, you get a whole montage that breaks the story up too much, and it's like "no wait, I just wanted a scene!!"
In cases like that, I usually try to have a playlist of songs with different genres or songs from the same era/theme. It helps me get in the mood of the story without being too overwhelmed ^^

That's exactly how I plan things and and it's exactly what I'm doing now. I already know how I want my story to end, and I already had the beginning pieced together nicely. As long as you get from point A to B and it all makes sense, does the path you take really matter? XD

I'm currently reading "On Writing" by Stephen King, and he whole heartily embraces this technique (though he advocates from some deep tissue editing after). But, I always found that the journey of writing is much more enjoyable when you, the author, are also along for the ride :slight_smile:
After all, as King puts it, you are the first reader of your own work.

You're most definitely right about that!
I'm actually glad you brought up Stephen King. He's one of the main reasons I enjoy writing and creating stories. In fact, the comic I'm working on plays on his love for creating fiction small towns and having bad things happen in them. I dunno -- there's just a charm there that I enjoy :slight_smile:

I totally agree with the sentiment of small, back-yard stories. I can't say that Stephen King inspired me to write that style, but I do think that it is one of the truest styles of writing. We all grow up in small towns in our own way. And they're all weird.
Though I'm currently writing a fantasy epic, I try to weave that philosophy into every fantasy I do. It's something I've come to call "Backyard fantasy", for the sense that your backyard is a wondrous and mysterious place, and weird and fantastical things can happen there.

Ah, that just screams nostalgia. I like that a lot!! :blush:
Reminds me of running between backyards with the neighborhood kids.

Exactly. I hate to plug my work, but the short comic I'm currently running is at the root of that philosophy.

I like to think of my novels as pearls. They start with an ending, which sits in my head and grows through constant irritation.

My method is usually

AHHHH I FORGOT TO DRAW MY COMIC FOR TOMORROW!!!!!

Case in point - tomorrow's comic.