I have like... tiers of projects.
There's projects I want to make just for myself, even if they're non-commercial. That's Engram, which I am making since there are fewest things standing between myself and making it real. There's also a couple of spicy romance books I've written and was like, a few clicks away from publishing on Amazon, but I'm a bit afraid lmao. I've never published romance, and certainly not spicy, messy romance.
There's projects I want to publish traditionally and draw myself, but currently don't have the health for. I have one of them storyboarded, and a version of it that project set in 1930s with a rough draft of a script. I've started pitching it traditionally and while feedback has generally been positive, it's also been a lot of rejection (which is probably a good thing anyways. I don't know if I can keep up with commercial deadlines).
Then there's projects I'm treating more like "professional" work, where I intend to shop them around to agents and publishers and hope that they pique someone's interest to hire a whole art crew for me, who would then have more artistic control BUT it's not a big deal because I've left them open for collaborative changes. Those I am enjoying writing scripts for, and learning about the publishing industry, but if all they ever are is scripts, it's not a big deal. I may rework some of them into illustrated novels instead if I feel like there's potential for them. Of those projects, I have three - two graphic novels and a picture book.