The basic concept of Biophilia came to me at some point in 2013. That's when the basics came together: some people have biophilia, and there's an international institute that teaches them how to use it. I originally tried to make it into a novel, but I didn't get far. While I liked the idea, it needed to be expanded upon and fleshed out, and there wasn't a compelling enough story in there at the time to provide a strong foundation. I had other things, comic and non-comic related, that I was more dedicated to, and soon it fell out of focus.
Cut to late 2015, when I had a surge of inspiration. It came from students. I teach an undergraduate Zoology course for freshmen at a university, and among the hundred or so students there were some interesting character types. I spent a lot of time thinking about them, how they would interact and what they would do in certain situations. Soon enough these thoughts developed into some of the core characters, using the students' personalities as starting points. And then, an idea for a story that placed the characters into the Biophilia context crystallized in my head. You could say that the idea gestated in my head for a few years and this was its moment to finally be born.
At first I wanted it to just be a one-shot, a single chapter that would leave many things unexplained but that would sort of tell a full story about the characters involved. But, as I was working on it, ideas kept popping into my head. My heart wanted to make a series out of it, but my brain kept insisting that it should remain a one-shot. I was firmly of the opinion that I shouldn't expand the story unless I had a clear purpose, in the sense that it was about something that mattered to me, in any way.
Come early 2016, I hit a rough patch. I was thinking about mortality and existence in general and future life decisions. A lot. I was not in a good place. I would have moments of utter hopelessness and some heavy thoughts appeared in my mind. One day, it dawned on me: the stuff I was thinking about can comfortably coexist with the rest of the world in Biophilia. I could channel those thoughts and they would live in the story, and I would feel a bit more at ease. I worked them into the comic, and they gave me something the story desperately needed: an opposing point of view, perfect for the antagonists.
After this, I made my decision: rather than a one-shot, I would try to commit to a series, for the umpteenth time in my life. And that's how Biophilia came to be. A sort of a Frankensteinian amalgam of an idea I had a few years ago, characters that sprung to life from experiences with real life people, and some good old-fashioned darkness thrown in for good measure.