In "Lyra's Magnum Opus", Sana and Tetsu don't have a lot of conflict in the traditional sense. The only real conflict is when Tetsu is worrying about Sana feeling ill. One major conflict comes when Tetsu knows he was the direct cause of Sana having the worst asthma attack he's ever had. They were vacationing in Okinawa with Sana's band, Lyra. They were waiting outside of an antiques store, trying to figure out where the other band members were. Tetsu was on the phone with his mentor, Keitaro, who was with the band as a mentor. This phone call went on for a long time as they were outside under an awning. The humidity was over 90% in the summer sun, and it was raining. This triggered a slow burn asthma attack in Sana, which he didn't realize until they'd all gotten to their destination which was a bowling alley. They were enjoying themselves, and suddenly Sana looked like he fell asleep. Silently, Sana got into such physical trouble. At the hospital, Tetsu panics, realizing that it must have started as they waited outside. He blames himself, and Sana's friends try to assure him that it'll be alright. Tetsu wails, "but, I'm responsible!" Double meaning that he's responsible for Sana and responsible for Sana's problem that day. The band had just learned on that trip how little Sana can now do for himself as his degenerative condition worsens. They're all still in shock, and so they're devastated that this could happen and Tetsu feels like he's to blame. They try to assure him that he's doing the best he can, and he should be celebrated, not blamed. After Sana recovers, he holds Tetsu tightly in bed. Still weak, but loving him. Trying to show how much he loves and appreciates him, rather than words which he can't say at the moment. Tetsu had been warned previously by Sana's best friend and drummer, Yami, that Sana is highly sensitive to humidity and heat, so Tetsu blames himself.
My couple definitely have some conflict caused by Kattar's health issues, but they also deal with a lot of personality and behavioral clashes. The interesting thing about these when I write the couple is that I know they wouldn't clash so hard on them if they didn't WANT to be able to be together. It would be easy enough for them to qualms they have with people they don't care about, but the things that keep them apart are a cause for frustration that they want to work through so they can stop having these different forms of distance between them. Every time a clash is resolved it brings them closer, but it's the mindset behind them that makes the difference. It's not in either of their minds that the things they go through with each other could be "deal breakers" so it becomes a clash against the things that separate them, rather than against each other.
Dealing with conflict is going to be pretty hard for Essence and Dominic of "A Dozen Morning Glories" because Essence doesn't really deal with issues, she just tolerates the things she dislikes because she doesn't like anything. What is one thing versus another in her mind? In the midst of that she tries her best to make herself 'tolerable' to other people. This obviously is not the boxed mix for a healthy relationship, no matter how much the male lead legitimately cares, so this is going to make things and uphill battle.
Chapters 18 and 19 Dissonance goes over the topic of conflict
I generally go for not understanding the point of view of the other, I rather that than I mishear something or get information from a rumor for conflict with couples, in the chapter the main point of dicord is a piano and why won't one character just play it.
Since "Sketchy Business" is a comedy, I'm finally writing my first couple where most of their conflict is just them annoying each other and not that serious in the long run. Good thing too, because I know one of my friends is getting stressed out by all the tension between my main novel's couple Kattar and Alicia lol.
Looking at you @HostileFren lol
More conflict, which was unfortunately never really dealt with before...well:
“How could…why…why would you lie to me, Rosa?!”
“M-miguelina said-”
“Don’t tell me what Miguelina said! You’re an adult, aren’t you?! I’m your husband! Why should what Miguelina says have anything to do with anything?! Ohhhh, dios…I can’t…”
“What...what’s…wrong…?” Kattar stammers, squinting at me like he’s trying to study something miles away or bring his eyes into focus.
I could just start ranting, again.
I could explode, and go off like a little sociopathic firecracker the same way I have five hundred other times.
But maybe I’m getting old.
Or I’m just tired.
I feel more like salt water than sparks or fire, and it pours out more like tears than anything else as I just try my best, hopelessly, fragile-y to explain the way I’m feeling like I’ve forgotten how to be a woman or something.
Maybe I’m just becoming the definition of sanity. Crazy as that sounds. Trial and error has proved time and time again that he’s not - nobody’s going to get it - put two and two together - understand or make sense of me if I don’t at least start saying something.
Not even me.
The longer I keep it in my head, the more convoluted this emotional gobbledygook becomes, and I’m…
Tired.
Tired of brooding - tired of crying in the dark, alone, because I refuse to admit that I prefer to cry with someone.