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Aug 2017

I do print and sell mine. I work 80+ hours a week via two jobs, and do commissions to pay my bills. I have to find time to do my weekly comic pages (and I do have a buffer). However I do not have time to make 2 versions of the comic.

I perfectly understand their reasons, I am not ignorant to the fact that desktop is dying. However it is still upsetting to be excluded from even the CHANCE it could succeed. There are plenty of great series here on Tapas that are print format pages (that I feel deserve to be paid) and it sucks to hear they will be excluded from the program.

Tapas made it pretty clear they are not looking for series that are already running. If you get help and financial means to work alongside tapas on a new project, and they put forth the requirement that it has to fit the format that will be the most likely to create financial success both for you and them, then I don't see how that is a problem.

If you absolutely do not want to make mobile friendly formatted comic, then the same applies to you as those who don't want to enter a co-ownership contract. Don't apply.

As for "deserving to be paid", don't take this as an insult because it's not one it's just a reality call: you are not entitled payment from tapas until you enter an agreement with them.

It's a bit like someone is looking for someone to co-own a small burger restaurant with someone, and you apply for the position - but you refuse to cook or serve anything but sushi. The person in question says "okay, I'm not interested then" and you respond "but there are tons of good sushi chefs that deserve to be paid!!". Yes, you and many others might be very skilled at making sushi, but then you should go apply to co-own a sushi restaurant or work at one. You see how it's all the restaurant business, but the specific "medium" matters?

Similarily, if you absolutely do not want to make mobile friendly comics, but you want to enter an agreement with a publisher, then you should get busy trying to get a contract with a traditional print publisher. If you want an agreement with a digital one, then it's not "ridiculous" for that company to expect the project to be suited for the way the digital medium is going.

i don't fully understand your upset with this point tbh. unless i misunderstand the program requirements completely, mobile friendly and print friendly are not mutually exclusive. my older series Rechargeable7 had a spotlight and snack feature and was read frequently on the mobile app by many users, and i am currently holding a traditional sized (7x11") printed version as we speak. when tapas was talking to me about featuring it, they asked if i could make some edits so it was more mobile friendly. the edits they requested? was to bump up the text size a couple of pts to make it easier to read on mobile. i did, easily, and the comic even looks better for it, and that's the text size you see in it now.

tldr making a mobile friendly comic does not mean making two completely separate versions. and if you're so busy doing all this stuff already, clearly this full time contract isn't for you anyway

So basically skipping out on all the Linux users because some people prefer to use smartphones to read their comics?

As a Linux Mint user, I honestly don't get it. I'm not saying develop specifically for users, but you're not planning on getting rid of the desktop site are you?

Holy crap, I actually live in the Bay Area already, so if I get accepted, I'll get to meet so many other amazing artists > w <

  1. What kind of editorial resources will be provided, and to what extent?

  2. For original stories, how developed does the story pitch have to be at the time of applying? Does the 3-6 months account for the plotting/planning stage or should you have most of the story planned out and prepared in advance?

  1. Assuming that an artist wants to create an original series (not novel-to-comic) but has a weakness in writing, what kind of role would the Tapas staff play in developing a new story together? Proof-reading/feedback/critique on what you already have as an editor? Or would they offer creative input and be available for joint brainstorming as another writer?

@Hyakupasaurus: 18 or older

@wonpei:

  1. This is mostly editorial feedback in terms of art, storyline, dialogue, pacing, etc.

  2. You should have a general idea of where you want to go with the first season, at least. The more clear and cohesive the idea, the better. If you submit with a general idea and great art, we may ask for more details and how far along you are with the idea before making a decision.

3-6 months is meant to cover the entire production, and people plan/plot/produce at different paces, so that's something we would talk about during contract negotiations.

  1. This is kind of the same answer to 1: proof-reading, feedback, critique, and some creative input. Essentially, we are happy to help brainstorm ideas if you are stuck in a particular place, but won't be able to write the entire thing haha

I am definitely interested in this. However, when would the program be expected to start, just to set a gauge on when to start the uproot? And how many creators are you intending to recruit?

I would love to join! hopefully I can pass my ideas and work before the deadline....too much to do at work, but i'll definitely try my best to pass one.

I emailed in my submission about a week and a half ago. When should I expect a response?

Yes i would like to know this as well, i am from jamaica and it would be difficult for me to move.

@craftynessi:

This depends on a number of factors including contract negotiation + creator availability + logistics. Ideally, the program would start end of September or early October for most people, but we are flexible. Uprooting is also not necessary if you are unable to. Regarding number of creators, we'd rather not commit to a concrete number, but we're looking at between ~3-5 to start.

@pattywakos: Yes! Make sure to include all relevant info.

@insanepotatochild: There's always a chance!

@isaacfriedman: We are waiting for the submission deadline to hit before judging and sending results. Please be patient!

@corymills27: Remote work is an option.

I'm currently working on a webcomic on tapastic. what layout would you prefer for me to send? My comic in a pdf file, a link to the comic or just the artwork?