239 / 733
Dec 2015

Thank you for pointing out the mistake (I really didn't intend to do that :'D), cause I'm not an english native speaker so this is really helpful to improve my english smiley and I fixed it right away now! Thanks c:

Hey hey no problem! It's real simple no worries, just pointing it out C:

I juggle between English and Spanish a lot and sometimes i make really weird mistakes on both. (Los de español son los mas que me frustran haha)

Really nice use of the dark background/white lines, the scene on itself i can tell it supose to be a scary scene whith those hands grabing the character, i sure dont see that a lot being used. very well sequenced, enought to make out what happened there, and interesting use of the sound effect behind the character, it adds up to the spookness, because that way we can tell wathever is haunting her is behind her, not sure if was done intentionally but is good nontheless

chapter 21 of my comic http://tapastic.com/series/Acroalis

Im more of a writer and from a writers perspective, I like how its a gag with a faint. Establishing shot serves its job, the middle panels serve as the feint threatening the cliche of "bad luck new kid", but the gag escalates to vehiular assault leading to aprooval! The fact that most of the gag is off panel engages me, so good job on writing that sequence.

Anyway heres my dumb panel.

Its from a stream of conciousness speed comic called The Confounding Chicken-Man, #2 Tactics a.k.a Grave Nemesis.

To subscribe to the madness rage3
Www.Tapastic.com/series/chickenman

@toadsteroven I think I don't understand the joke >.< what do feminists have to do with this guy getting punched in the face? I might not be the target audience for this kind of humor haha. I think your expressions do a good job of conveying your character's personalities. I think reviewing some proportions tutorials would really help take your art to the next level! Here's one from Nsio, who does a tooonnn of really helpful tutorials. Keep up the good work ^.^


Here's the latest page of Reus

@Cielle I really like the expressions of the girl (and breaking the 4th wall with the bubbles comment!) I really like the use of color of the speech bubbles to differentiate the characters. My only comment is the lack of the speech tails in the first few panels. Though I understand who is talking, I am curious as to why they are present in the final panels (but not the first 3?) Good job all around smile


Issue 1, Page 7 of The Pale

Oh gosh the adventure with the horse-monster continues! I like the paneling, it works well! And the use of grays really evoke the feelings you're trying to work with, good job!!

Here's the most recent from Cosmic Fish! (it even has a little tune and e'rything)

I'm also working on another comic on the side which thank goodness it doesn't take me as long to work with so it should be up soon OTL