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Apr 2021

When you ask artists what the hardest thing to draw is, they often say "hands", "hair", "backgrounds" and things like that.

What is the hardest thing to write for you write?

For me personally it is dialogue

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    Apr '21
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    Apr '21
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Is there any specific thing that makes it hard to write?

What I usually find hard to write are things I don't have personal experience with—for example, if a character has a job I've never had myself. I can usually get away with a combination of research, reasonable guessing, and a healthy amount of vagueness, but it still feels super awkward most of the time.

Also: speeches. Public speaking is hard enough; why do I have to make my characters do it? :stuck_out_tongue:

I think the bit of writing I struggle with the most is transitioning between scenes. For some reason I really find it difficult and feel like I end up rambling for ages or cutting a bit too short :sweat_smile:

With romance, at least for me, it’s making it believable that these characters would fall for each other and make good partners.
1. The easiest thing to do is make the characters fall for each others kind gestures, (Examples: A rescues B from monsters, B comforts A when ill) but that can come across as corny and bland, possibly catering to niceguy/girl syndrome.
2. If you give the soon-to-be couple flaws to overcome, having them butt heads and such, they might come across as a toxic couple. ā€˜Cause if A is being a jackass, why would B date them?

It’s hard to achieve the sweet spot in between.

Not to mention, if you’re writing a straight romance and have little to no real life interaction with the opposite, they may end up lacking a personality. For me, writing believable masculine characters is a challenge.

I have a problem with writing three things.

1st. Small Talk
I've never been good with IRL small talk. The most you get from is hi/sup or a "Nice shoes" if we're at a pool. (Yes, that person was not wearing shoes. I was just nervous and decided to go with my best conversation starter. But it worked out in the end because they thought I was just joking.)

2nd. Group conversation.
This was easily the second most frustrating thing I've ever written. And this happens a lot in my story. This one particular scene I had 12 people in one room. There was two groups of 6 and both groups were getting to know each other. 9 bubbly personalities + 2 introverts + a girl with split personalities = HELL.

3rd. Rapping
I'm at a point in my story where the main villain for this arc has the ability to create anything he wants by spelling it out. So in the early stages of his design I wanted to make him a rapper. And I decided to stick with that concept. But now that he's incorporated into the actual story, I realize how difficult it is to be a consistently good rapper.

  • Smart characters because I am dumb.
  • Scenes that requires emotional intensity because I write really flatly.
  • Comedic scenes or jokes.
  • Fighting scenes.

I have trouble describing settings or ideas in an interesting way in my narration. Dialogue? Sure, that's easy for me. I'm always imagining my characters talking to one another. But I hardly ever think about where they are, what the place looks like, and if I have any important things to explain about a setting I can't do it too well without sounding like a brochure. Now I could probably tell you where all the characters are in relation to one another, what they're doing, how they're doing it, what's on their mind while doing it, blah blah blah. Anything character-focused is extremely easy for me, but I don't exactly have a vivid picture of what everyone and everything looks like. So I'd say a good 70-80% of my novel is dialogue lol. It's just "This is where they are" then they talk. I'm working on it tho!! It's hard, but I'm working!! Just appeal to the five senses and use the proper words to convey tone and atmosphere.

Also, it's kinda funny, but I have pretty much the same exact problem with my comic as well... Characters are detailed, full of personality, and whatever else they need. I'll draw every single character in a scene no problem. The backgrounds? Either way too simple and doesn't give enough information, or straight up non-existent. Again, a problem I'm working on and I think I'm starting to get a good feel for it now.

So uhhhh, yeah. I know I'm not perfect, but I'm trying my best lol

Sex scenes. :joy:

I'm fine with heavy emotional scenes or action scenes or eerie atmospheres but just not sex. It comes out too mechanical and I skip over a lot of stuff lol. Thank god for my betareader! :smiley:

Dialogue :joy: I find its hard to make it flow naturally. Maybe I don't talk enough, so I'm not sure how it should be done (?).

I talk all the time but dialogue is still hard for me, but maybe that“s because I like dialogue in english better than in german
and english is not my first language

I have a slightly different problem with those, I write them without any trouble but then when it comes to publishing I get too embarrassed and edit them right down :sweat_smile:

I kind of struggle with two.

  1. Descriptions: I think I describe enough to paint the picture but I often worry that I'm not doing enough to describe my characters and scenes but I also don't want the descriptions to sound mechanical. Like the descriptions that say "he was 6'2" with a taper cut half-fade haircut and a sleeve of tattoos on his left arm." I just can't tell sometimes if I do enough.

  2. The other is romance. I have characters that in my head, if they were real would be doing the couple thing where they're always half-hugging each other when standing by each other. I can write things like "A grabbed B's favorite X" or "C made D dinner because they were stressed". I can do behavior like that but you can't really write about the tiny touches, the longing stares, etc that IRL couples do around their partner. It's hard.

Thanks for the replies so far. It is interesting to read what other people have trouble with writing or is easy for them.
It“s not like the "hands" answer you get from most people who draw

For me, it's plot. Character dialogue and interactions come so naturally to me, as does imagining them in various scenarios, but pulling those together into a cohesive plot is a struggle.

I find romance to be the most difficult. I usually try to keep it almost entirely out of my writing. I should write some romance short stories to improve myself at it tbh

Romance, don't even start me on kissing/intement scenes. Want something ridiculously difficult, it can be easy for some folk but for me it is so choppy and sometimes it is just ... bleh.

By hardest if you mean requiring the most effort, then -

Comedy. The timing aspect.

Hard Science. The Research and Study aspect.

And almost everything when I write non-fiction.

STEM subjects. Totally not my field of knowledge.

Like I recently got an idea about a machine-driven apocalypse but I had to wonder would my idea for the thing that led to it even be possible? And I have no idea how to even research it because it's so speculative.

I love dialogs and I see myself as a dialog writer more than a settings writer.
I'm not good at settings and describing backgrounds.
I'm just happy that I have a talent artist @nathanKmcwilliams understanding me.
And now I even have a concept artist @Chita helping out with my Bunneh story.

Dialogue is the hardest part for me. Trying to make it feel authentic and flow well is a challenge.

I believe the hardest thing to write is German using cursive. :grin:

Fight scenes! Can't believe I forgot about that, haha. I've always had trouble with fight scenes. It's hard to come up with anything more interesting than "Character x attacked! Character y dodged!" and so forth.

I'll have to second jobs/mindsets completely away from mine. I'll take weeks and crack my noggin figuring out a believable romance, but I'll get there, the problem is just editing it. But if I have to write someone that's STEM-minded or extremely calculating and have to show that at all times? Goodness. Even my close relatives that work with those areas are still on the more creative side of tinkering and discovering... I can't wrap my head around people that would be entirely uninterested in all that.

I suppose this is cheating but... If I don't like it and I find it too difficult to write... I don't.

There are, of course, exceptions of things that you do have to have in a story such as dialogue and I struggle a bit with description so I work on it. But specific genres? Nope.

If a paycheck depends on it, I'll put every effort into it and do my best hoping that it passes.

I'm not in school so if someone gives me a "prompt" that I don't like I send them that John Travolta hands spread "WTH" gif and blissfully go ahead with my day.

I'm a grown adult. If I don't like or don't want to do something and I don't have to... I don't.

Now, I can understand people saying I should try, and I have, in the past given a few different things a whirl, but, I tend to write what I like and if I'm not into bodice ripping sinking fangs into long white throbbing throats movies, books or tv, so I'm not going to write it.

Unless there's a paycheck involved.

Trust me, no one is going to come to your house and cut your hands off because you refuse to write what you don't want to or find difficult.

Do what you do the best. Pour everything into it. Challenge yourself to grow, of course but don't feel pressured by others that you HAVE to do anything.

I know a lot of people will disagree with what I said, but if you're heart's not in it you won't like what you're doing and when you don't like what you're doing... it shows.

For me it's using situations and language that feels authentic and fun--but isn't hella cliche. Romance cliche's in dialogue are like...all kind of terrible, real cringe, and just so saturated in all our music and movies and books, that trying to find the right words is rough. Like my instinct is to say things like "you are my everything" like everyone else does, but damn that's so cliche at this point, my readers would be able to recite the entire chapter without me writing it. So, I have to step back and say "how can I rephrase it to be something that my readers maybe haven't seen too many times before?" To keep the romance interesting (and mostly interesting for me, because in the end I'm the person I'm writing for--and I'm hella picky about my romance)

  1. Dialogue. Character's way of talking and thinking and how they use their words in certain situation does reflect their personality. To write a dialogue that show's their personality is tough.

  2. Editing. I'm okay with writing, but to edit or polish a sentence to make it better? I'm completely mediocre in that area.

Dialogue between three or more people. Oh gosh I can't keep track of them all. If they all have the same pronouns on top of that? OH NO.

I love that answer.

When I do art, music, writing etc I differ between training and performance.
In the training I try out new things, things that are out of the comfort zone etc
when I“m creative then I just do what I“m good at.
I don“t see it as cheating at all, I think it is a point an artist comes to.

I also learned another thing during the years, when I can“t do it and don“t
want to learn it or don“t have the time to learn it, I pay someone to do it.
I do that with dialogues. I write the plot and pay someone to write the
dialogue and I tell them what I want in it

Dialoge between characters, having a coherent plot, fight scenes, and the romance between two of my characters.

Made a Dialog challenge for all of you in here struggling with dialogs

Sad moments are the heaviest for me and usually the ones that take the longest.

It's not that I find them dificult, is that with my writing style I tend to interpret and channel a lot of my characters emotions in me... So when a character fights and gets excited or ready to smash something, I usually feel a lot of energy. And when a character is just having a good time I find myself smilling alongside them... Hence why I prefer to write the more slice-of-lifeish or romatic scenes.
The opposite is also true, every time a character cries, sobs or tears up in the story, every time they curse their own weakness or lament their losses, you bet I did so to at least 2 or 3 times alongisde them, as I wrote, and then edited, and then edited again... and like, i've re-read every chapter five or so times now, and some of those scenes still get me.

I actually had a many writing sessions end because I needed to give my eyes a break. The worst one so far was when I wrote Azreth's background... And I dread some of the scenes I have planned for later.

But still.. I would never EVER wish for me not to write like this.

10 days later

Actions. I planned to write a mafia & underground fighting, but I'm suck at describing them.. so T.T

I would say one of the hardest for me as a sci-fi writer is thinking about all the intricacies of everyday life in an completely alien world and making it believable! :smile: